Conversations with some of the most engaged artists and thinkers working today.
e-flux podcast
Claim This Podcastby e-flux
4.9(29 reviews)
97 episodes
Updated Bi-weekly
Accepts GuestsHas SponsorsLocation 🇺🇸
38
Podcast Authority
BetaPoorBased on show quality, social media presence, reviews, charts, and more
Quality38
Social0
YouTube0
Engagement92
Podcast Overview
Conversations with some of the most engaged artists and thinkers working today.
Language
🇺🇲
Publishing Since
1/3/2018
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38
Podcast Authority
BetaPoorBased on show quality, social media presence, reviews, charts, and more
Quality38
Social0
YouTube0
Engagement92
6
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excellent
Episode Length
36 minutes
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6.5/10
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Every 30 days
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Recent Episodes
March 16, 2026
Tribute to Dara Birnbaum by Piper Marshall—e-flux Index #8 launch
<p class="p1"><span class="rnc2Gd" data-ast-node-id="1">This episode was recorded live at e-flux on February 10, 2026, celebrating the launch of </span><span class="rnc2Gd" data-ast-node-id="2">e-flux Index</span><span class="rnc2Gd" data-ast-node-id="3"> </span><a href= "https://www.google.com/url?source=gmail&sa=E&q=https://www.e-flux.com/index/6739932/8" target="_blank" rel="noopener noreferrer"><span class="rnc2Gd" data-ast-node-id="4">#8</span></a><span class="rnc2Gd" data-ast-node-id="5">. The recording features Piper Marshall reading from </span><a href= "https://www.google.com/url?source=gmail&sa=E&q=https://www.e-flux.com/notes/673498/dara-birnbaum" target="_blank" rel="noopener noreferrer"><span class="rnc2Gd" data-ast-node-id="6">her remembrance of Dara Birnbaum</span></a><span class="rnc2Gd" data-ast-node-id= "7">.</span></p> <p><strong>Dara Birnbaum </strong>(1946–2025) was a pioneering American video and installation artist whose various critiques and transformations of the moving image have inspired artists internationally. An architect and painter by training, Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television's ever-growing presence within the American household. Her work primarily addresses ideological and aesthetic features of mass media, involving the re-manipulation of television's idiomatic grammar and enacting a complex and critical engagement with the medium's representation of political events and the public's reception of history.</p> <p><strong>Piper Marshall</strong> is an art historian, curator, and critic whose practice combines rigorous research with exhibition-making. She leads innovative, interdisciplinary work on modern and contemporary art, with a focus on art and technology. She has served on curatorial teams for Joan Jonas: Good Night Good Morning (2024) and Signals: How Video Transformed the World (2023) at the Museum of Modern Art, New York. Additional exhibitions and collaborations include: Media and Mind Control (2025); Growing Sideways: Artists Performing Childhood (2024); Laurie Simmons: Clothes Make the Man (2018); Nina Chanel Abney: Safe House (2017); Judith Barry: Imagination Dead Imagine (2017); Silke Otto Knapp: Monotones (2017); Fia Backstrom: Woe Men Keep Going (2017); Sinister Feminism (2017); Judith Bernstein: Voyeur (2015); Ericka Beckman: You The Better (2015). She has written and lectured widely, contributing numerous essays and articles on the work of Joan Jonas, Dara Birnbaum, Eric N. Mack, Ed Atkins, and Carolyn Lazard. She has taught at Columbia and Wesleyan Universities. From 2014–2018, she served as an independent curator at Mary Boone Gallery. From 2007–2013, she was a curator at Swiss Institute / Contemporary Art New York. Marshall earned her PhD in the history of art and architecture from Columbia University and her BA from Barnard College.</p> <p>Index #8 explores the fragmentary complexity of the current moment through pointing out eleven emergent themes drawn from texts commissioned by e-flux throughout the spring of 2025. These indications for reading refuse the xenophobic illogic of the us/them, friend/enemy strategies of categorizing, and instead seek to index multiple temporalities and positions simultaneously—in a non-linear way. They bring together exhibition and film reviews, in-depth theoretical and historical essays on contemporary art, architecture, and design, interviews with artists, theorists, and filmmakers, journeys into the archive of film history, and shorter missives on sociopolitics and contemporary culture.</p> <p>The printed edition of the Index is available to purchase <a href= "https://www.e-flux.com/shop/605705-index">online</a> and from select art and design bookstores, as well as museums, throughout Canada, East Asia, Europe, North America, and the United Kingdom. The publication is distributed by <a href= "https://antennebooks.com/en-eu/collections/books">Antenne Books</a> (Europe and the UK), <a href= "https://www.lespressesdureel.com/ouvrage.php?id=12692&menu=0">Les presses du réel</a> (Europe), <a href= "https://asterismbooks.com/product/e-flux-index7">Asterism Books</a> (USA), <a href= "https://artmetropole.com/shop/16634">Art Metropole</a> (Canada), <a href= "https://thebooksociety.org/publisher">The Book Society</a> (East Asia), and <a href= "https://www.buchhandlung-walther-koenig.de/koenig2/index.php?mode=content&content=stores">Buchhandlung Walther König</a> (Germany, Austria, Switzerland). Annual subscriptions, covering four issues, are available at both institutional and individual rates <a href= "https://www.e-flux.com/index">here</a>.</p>
November 26, 2025
Andrew Ross on The Weather Report: A Journey Through Unsettled Climates
<p dir="ltr">e-flux journal Associate Editor Andreas Petrossiants talks to author Andrew Ross about his recent book, <a href= "https://www.commonnotions.org/buy/the-weather-report?srsltid=AfmBOorQB8IzI-rJriUfy6SMjAGilF6nZJhyuOak1UEEQpyN1tE7W51q"> The Weather Report: A Journey Through Unsettled Climates</a>.</p> <p dir="ltr">Between the summers of 2023 and 2024, Andrew Ross visited Ramallah (Palestine), Dubai (UAE), Phoenix (USA), and Shanghai (China)—some of the landscapes most disturbed by human activity, whether through active warfare or massive development projects. Rather than offering another eco-polemic or recalling for us the dread prognostications of Malthus in the 19th century or Ehrlich in the 20th, The Weather Report is a clear-eyed and essentially optimistic book that proposes a pragmatic, just, and urgent new common ground reestablishing scalable projects of mutual aid and care as a new, essential center for our economic, ecological, and social well-being. </p> <p>Andrew Ross is a social activist and Professor of Social and Cultural Analysis at NYU. A contributor to The Guardian, The New York Times, The Nation, Artforum, Jacobin, New York Review of Books, and Al Jazeera, he is the author or editor of almost 30 books and hundreds of articles on a wide variety of topics—labor and work, urbanism, politics, technology, environmental justice, alternative economics, music, film, TV, art, architecture, and poetry. His articles have appeared in newspapers and magazines as well as in academic and public interest journals, and his books are published by mainstream trade, academic, and independent presses. He has lectured at hundreds of universities and cultural institutions in North America, Europe, Asia, Latin America, the Middle East, and Australia. Politically active in many movement fields, he is the co-founder of several groups–Gulf Labor Artists Coalition, Global Ultra Luxury Faction, Coalition for Fair Labor, Occupy Student Debt Campaign, Strike Debt, the Debt Collective, and Decolonize This Place—and is an organizer with others, including the American Association of University Professors and the US Academic and Cultural Boycott of Israel. He also serves on the steering committee of the national network of Faculty and Staff for Justice in Palestine.</p> <p>Ross's books include The Weather Report; A Journey Through Unsettled Climates, Abolition Labor: The Fight to End Prison Slavery, Cars and Jails: Freedom Dreams, Debt, and Carcerality, Sunbelt Blues: The Failure of American Housing, Stone Men: The Palestinians Who Built Israel (winner of a Palestine Book Award), Creditocracy and the Case for Debt Refusal, Bird On Fire: Lessons from the World's Least Sustainable City, Nice Work If You Can Get It: Life and Labor in Precarious Times, Fast Boat to China: Corporate Flight and the Consequences of Free Trade–Lessons from Shanghai, Low Pay, High Profile: The Global Push for Fair Labor, No-Collar: The Humane Workplace and its Hidden Costs, The Celebration Chronicles: Life, Liberty, and The Pursuit of Property Value in Disney's New Town, Real Love: In Pursuit of Cultural Justice, The Chicago Gangster Theory of Life: Nature's Debt to Society, Strange Weather: Culture, Science and Technology in the Age of Limits, and No Respect: Intellectuals and Popular Culture.</p>
October 24, 2025
Sven Lütticken on States of Divergence
<p dir="ltr">e-flux journal Associate Editor Andreas Petrossiants discusses <a href= "https://www.minorcompositions.info/?p=1373">States of Divergence</a> with author Sven Lütticken. </p> <p dir="ltr">In States of Divergence, Sven Lütticken invites readers into an exploration of history as accelerating catastrophe—and of alternative, oppositional, divergent practices in life, art and revolutionary thought. Set against the backdrop of global crises, from climate change to pandemics, Lütticken dissects contemporary cultural and political practices that attempt to break free from the disastrous momentum of capitalist modernity. His journey traverses fields including art theory, philosophy, and politics, presenting a nuanced critique of the ways in which deviant temporalities and forms of life confront or adapt to catastrophe. </p> <p dir="ltr">Through a series of essays, the book tackles issues ranging from survival to prefigurative practice, indigeneity and internationalism, and the dialectics of critique and revolution. Lütticken blends personal narrative, historical inquiry, and theoretical reflection to question what it means to live—and resist—within the contradictions of our time.</p> <p dir="ltr">Sven Lütticken is an associate professor at Leiden University’s Academy of Creative and Performing Arts / PhDArts and he coordinates the research master’s track, Critical Studies in Art and Culture at the Vrije Universiteit Amsterdam. His books include Objections: Forms of Abstraction, Vol. 1 (Sternberg Press, 2022), the critical reader Art and Autonomy (Afterall, 2022), and States of Divergence (Minor Compositions, 2025).</p> <p dir="ltr"><strong id= "docs-internal-guid-aa29ce9e-7fff-3706-1833-6f5af8f3ab47">Read essays by Sven Lütticken in e-flux journal <a href= "https://www.e-flux.com/search?a%5B%5D=Sven+L%C3%BCtticken&t%5B%5D=journalarticle">here</a>.</strong></p>
97 total episodes available with 1 transcripts
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