由社會心理學家 劉文主持,每集邀請來自不同領域的藝術家、講師,討論有趣的命題。世界上其實沒有標準答案,從各自豐富的人生經驗,在對話中激盪出火花。
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by 國家兩廳院
由社會心理學家 劉文主持,每集邀請來自不同領域的藝術家、講師,討論有趣的命題。世界上其實沒有標準答案,從各自豐富的人生經驗,在對話中激盪出火花。 -- Hosting provided by <a href="https://www.soundon.fm/" target="_blank">SoundOn</a>
Language
🇨🇳
Publishing Since
7/13/2021
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May 14, 2026
地震、喪屍入侵,還是網路全面無訊號⋯你的終極災難惡夢是什麼?當災難形式變得複雜且難以預測,藝術會如何帶我們直面恐懼?人們去電影院看災難片,是為了欣賞大銀幕上的視覺奇觀嗎?劇場空間那麼小,又該怎麼為觀眾創造震撼的末日體驗呢?本集我們邀請到「無影無蹤」翁煌德與「僻室」劇場導演吳子敬,從電影與劇場的雙重視角,一起來探討災難片對我們的意義! 重點菜單: 921與911,是災難片還是歷史片? 從大場面轉向微觀災難 劇場如何利用時間差重現末日? 電影裡極端困境下的人性與生存 看災難片會產生安全感? 「防災意識」寓教於樂可能嗎? 臺灣應該拍什麼樣的災難片? 國際史上曾有災難片「阻止災難」? -- Hosting provided by <a href="https://www.soundon.fm/">SoundOn</a>

April 28, 2026
為什麼文學影視總愛「家醜外揚」?本集《好哲凳》邀請到吳曉樂、陳栢青兩位作家,共談家庭這張逃不開的網羅。兩人從自身經驗出發,剖析為何善意與愛常在家庭中成為沉重負擔?更探討《不過就是世界末日》、《非普通教育》等殘酷家庭故事為何令人著迷?他人的家庭故事是否就像旅館門後的「避難逃生圖」,讓人們在面對自身困境與焦慮時尋找解方?想聽兩位作家機智趣味又動人的深度對談,一定要聽到最後! 歡迎來國家戲劇院,看家的網羅多麼令人窒息 2026TIFA 柏林德意志劇院 ✕ 克里斯多福.魯賓《不過就是世界末日》 <a href="https://www.opentix.life/event/1982762000853454849">https://www.opentix.life/event/1982762000853454849</a> 重點菜單: 文學獎必勝公式是寫死爸爸? 原生家庭的緊箍咒 為什麼人們愛看別人的家務事? 承受家庭壓力的往往是女兒與奶奶? 打破血緣的羈絆:正在鬆動與改變的家庭觀念 在失去理智前的愛 家庭災難的避難逃生圖 -- Hosting provided by <a href="https://www.soundon.fm/">SoundOn</a>

April 16, 2026
當性別框架在舞臺上被打破,我們該如何看待角色的流動?本集由主持人劉文、歌仔戲名伶唐美雲與變裝皇后妮妃雅(曹里歐),從傳統戲曲與變裝藝術角度,探討舞臺「性別大挪移」的技藝與心境。唐美雲分享坤生反串的細膩觀察與挑戰多重反串的複雜故事,妮妃雅剖析變裝作為突破壓抑、勇敢展現陰柔氣質的藝術形式,兩位更從下戲後的真實日常中,指出性別是可以被解構且自由自在的狀態!現場互動幽默熱烈,跨界火花不斷,對性別議題有興趣的聽眾,絕不能錯過兩位國寶的跨界對談🔥🔥🔥 今年六月,歡迎來國家戲劇院,欣賞唐美雲老師扮演諸葛亮的英姿! 2026廳院選 唐美雲歌仔戲團《臥龍:永遠的彼日》國際版 購票連結:<a href="https://www.opentix.life/event/2029093908985929728">https://www.opentix.life/event/2029093908985929728</a> 重點菜單: 唐美雲歌仔戲團如何「虐待」編劇健星? 妮妃雅的變裝盔甲是怎麼形成的? 表演藝術界的前後輩是什麼關係? 外國人怎麼看妮妃雅造型的臺灣元素? 孔明跟劉備為什麼唱一唱就十指緊扣了? 如何從空間談多元性別? -- Hosting provided by <a href="https://www.soundon.fm/">SoundOn</a>
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由社會心理學家 劉文主持,每集邀請來自不同領域的藝術家、講師,討論有趣的命題。世界上其實沒有標準答案,從各自豐富的人生經驗,在對話中激盪出火花。
-- Hosting provided by <a href="https://www.soundon.fm/" target="_blank">SoundOn</a>
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