Spooky Season continues on Haven’t Seen That in Forever, and this time we’re heading to Perfection, Nevada — population: dropping fast. We’re revisiting Tremors (1990), the wonderfully bizarre combination of creature feature, western, horror, and comedy that somehow made giant underground worms one of the most beloved movie monsters of the ’90s.
We’re talking Kevin Bacon and Fred Ward’s incredible chemistry, Reba McEntire and Michael Gross being way too prepared for this exact situation, the practical effects that still look fantastic, the birth of the Graboids, and how a movie that struggled at the box office found a massive second life on home video and became a genuine cult classic. Plus, our favorite kills, behind-the-scenes stories, ridiculous moments, and whether Tremors still deserves all the love more than 35 years later.
Spooky Season rolls on. Stay off the ground, grab the elephant gun, and whatever you do… don’t make a sound.
27 Sept 2026
Episode 30: The Lost Boys (1987)
Spooky Season sinks its teeth into The Lost Boys, the 1987 vampire movie that somehow made bloodsuckers cool, sexy, dangerous, and extremely interested in leather jackets. This week, we head to Santa Carla to revisit Joel Schumacher’s neon-soaked cult classic and ask what makes it endure nearly 40 years later. Is it actually a great vampire movie, or is the style doing most of the heavy lifting? We dig into the Coreys, Kiefer Sutherland’s iconic David, the Frog Brothers, that absolutely ridiculous saxophone performance, and a movie that blends horror, comedy, teenage rebellion, family drama, and genuine menace without ever feeling like it shouldn’t work. Did The Lost Boys simply capture the ’80s perfectly—or did it permanently change what a vampire movie could be?
20 Sept 2026
Episode 29: Shaun of the Dead (2004)
Spooky Season rolls on with a horror movie that somehow makes you laugh, wince, and maybe even get a little emotional about your best friend—all while London is being overrun by zombies. This week, we revisit Shaun of the Dead and ask: is this movie actually way smarter than a zombie comedy had any business being? We dig into the absurdly clever writing, the details hiding in plain sight, and how Edgar Wright and Simon Pegg use a zombie apocalypse to tell a surprisingly human story about growing up, relationships, friendship, and loss. And when the laughs stop and the movie actually wants to hurt you…why does it work so damn well? Is Shaun of the Dead secretly one of the most emotionally effective horror movies of its era?
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