Podcast thumbnail for HORSPIL

by Radio WORM

14 episodes
Updated Daily
Accepts GuestsHas SponsorsLocation 🇳🇱

Podcast Overview

WORM begon in 2005 met de experimentele radiokunst serie ‘Horspil’. Dat had meerdere aanleidingen; de eerste was het megalomane 4 uur durende oerhoorspel ‘Grindpad naar las Palmas’ dat live voor de VPRO radio werd opgevoerd en door de toenmalige Worm-crew werd gemaakt -en naar meer smaakte. Het tweede was een zak geld die ons toegegooid werd door het onvolprezen (toen nog wel) Mondriaan fonds. Ten derde; het samengaan met het Centrum (contactorgaan?) voor Electronische Muziek dat Worm, behalve een electronische studio ook de aanwezigheid van radioman Armeno Alberts bracht die het programma (oook VPRO) ‘Cafe Sonore’ maakte. Daar werden voortaan de radiostukken gespeeld. Besloten werd een 5tal hoorspelen per jaar te maken, soms geproduceerd door een Worm-crew, altijd gemaakt met gasten of op speciale uitnodiging. Zeer basaal concept was; maak een radiostuk waarbij text, inhoud en geluidscompositie een gelijk aandeel hebben. Waarbij krakende deuren, mensen die op grindpaden lopen en trappen bestijgen uit den boze waren. De reeks loopt nog steeds en werd door de jaren heen ook nog zo nu en dan uitgebracht als Worm-uitgave, eerste als CD, later op cassette met speciale verpakkingen en in kleine oplages. Bij deze podcast serie een eerste, arbitraire greep met stukken uit verschillende periodes. EN: In 2005 WORM began 'Horspil’, an experimental radio art series. It came about for several reasons; the first was the megalomaniac 4 hour-long primal radio play 'Grindpad naar las Palmas', made by the then-WORM crew and performed live for VPRO radio. The second came about thanks to a bag of money thrown at us by the (then still unsurpassed) Mondriaan fund. The third was initiated by the merger with the Center for Electronic Music that WORM, which brought with it both an electronic studio, and the presence of radio operator Armeno Alberts; who made the programme (also VPRO) 'Cafe Sonore'. From then on the radio pieces were played there. It was then decided to make about 5 radio plays a year, sometimes produced by a WORM crew, always with guests or by special commission. The basic concept was; make a radio piece in which text, content and sound composition have an equal share. Where creaking doors, people walking on gravel paths and climbing stairs were out of the question. The series is still running and has also been released every now and then as a WORM product, first as a CD, later on cassette with special packaging and in small editions. This podcast series is a first, arbitrary selection with pieces from different periods.

Language

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Publishing Since

4/19/2021

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Recent Episodes

Episode thumbnail for Poppenvlees (Dutch), 2007

July 19, 2021

Poppenvlees (Dutch), 2007

<p>A radio version of a piece by Geerlings, which was previously performed on the boards as a mime, dance, or&nbsp; theatre. It¹s a monologue by an expensive sort of sex-toy (not a blow-up-doll we concluded!) called Alphie. Alphie messes up a relationship, and doesn¹t come out unscathed.</p><p>With mostly mechanical music, from the French instrument builder/musician/composer, Pierre Bastien. Bastien is also known for his work for the Rephlex label, and Geerlings is known because he is an inspired Rotterdams theatre writer, who¹s worked in the past with Paul De Jong (The Books).</p><p><br></p><p>Text: Erik-Ward Geerlings. Muziek: Pierre Bastien. Directeur en mixage: Lukas Simonis. Stem: Nanette Edens.</p>

Episode thumbnail for Alles met mate en zelfs dat (Dutch/German/Ethiopian), 2008

July 17, 2021

Alles met mate en zelfs dat (Dutch/German/Ethiopian), 2008

<p>A coming-of-age drama, featuring a killer in reflective moments of times future and past, starting abruptly at the moment of pulling the trigger, replete with harrowing visions and a journey into the unknown. On one of his last assignments – to assassinate the stubborn last independent record company owner in Switzerland, who’s annoying the Russian download-mafia – the killer gets thrown into another dimension of awareness, something to do with sound….</p><p>Productie, scenario &amp; compositie: Jeroen Visser. Stemmen: Jaap Achterberg, Sybille Aeberili, Malaku Belay, Ato Gashaw, Ato Rifle, Jos Klay, Samuel Streiff. </p>

Episode thumbnail for No Man's Land (English), 2011

July 16, 2021

No Man's Land (English), 2011

<p>No Man's Land deals with the Dust Bowl period in the USA, particularly with the people who lived and stayed in the Oklahoma Panhandle. The radio play portrays the story of Hazel Lucas, who migrated to Boise City in Cimarron County as a child and lived through the worst of the hard times during this ecological and economical disaster. No Man's Land.&nbsp;</p><p>Production, mixing, composition: Robert van Heumen. Voice: Marilyn Ivy. </p>

14 total episodes available

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What is HORSPIL?

WORM begon in 2005 met de experimentele radiokunst serie ‘Horspil’. Dat had meerdere aanleidingen; de eerste was het megalomane 4 uur durende oerhoorspel ‘Grindpad naar las Palmas’ dat live voor de VPRO radio werd opgevoerd en door de toenmalige Worm-crew werd gemaakt -en naar meer smaakte.

Het tweede was een zak geld die ons toegegooid werd door het onvolprezen (toen nog wel) Mondriaan fonds. Ten derde; het samengaan met het Centrum (contactorgaan?) voor Electronische Muziek dat Worm, behalve een electronische studio ook de aanwezigheid van radioman Armeno Alberts bracht die het programma (oook VPRO) ‘Cafe Sonore’ maakte. Daar werden voortaan de radiostukken gespeeld.

Besloten werd een 5tal hoorspelen per jaar te maken, soms geproduceerd door een Worm-crew, altijd gemaakt met gasten of op speciale uitnodiging. Zeer basaal concept was; maak een radiostuk waarbij text, inhoud en geluidscompositie een gelijk aandeel hebben. Waarbij krakende deuren, mensen die op grindpaden lopen en trappen bestijgen uit den boze waren.

De reeks loopt nog steeds en werd door de jaren heen ook nog zo nu en dan uitgebracht als Worm-uitgave, eerste als CD, later op cassette met speciale verpakkingen en in kleine oplages. Bij deze podcast serie een eerste, arbitraire greep met stukken uit verschillende periodes.

EN: In 2005 WORM began 'Horspil’, an experimental radio art series. It came about for several reasons; the first was the megalomaniac 4 hour-long primal radio play 'Grindpad naar las Palmas', made by the then-WORM crew and performed live for VPRO radio.

The second came about thanks to a bag of money thrown at us by the (then still unsurpassed) Mondriaan fund. The third was initiated by the merger with the Center for Electronic Music that WORM, which brought with it both an electronic studio, and the presence of radio operator Armeno Alberts; who made the programme (also VPRO) 'Cafe Sonore'. From then on the radio pieces were played there.

It was then decided to make about 5 radio plays a year, sometimes produced by a WORM crew, always with guests or by special commission. The basic concept was; make a radio piece in which text, content and sound composition have an equal share. Where creaking doors, people walking on gravel paths and climbing stairs were out of the question.

The series is still running and has also been released every now and then as a WORM product, first as a CD, later on cassette with special packaging and in small editions. This podcast series is a first, arbitrary selection with pieces from different periods.

How often does this podcast release new episodes?

This podcast updates daily.

Where can I listen to this podcast?

This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.

Does this podcast accept guests?

Yes, this podcast regularly features guests.

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