Human Entities is a series of public talks focused on technological change and its impacts – the ways in which culture and technology shape and influence each other. <br /><br /> Organised by <a href="https://cada1.net" target="_blank">CADA</a>, the programme takes place annually in Lisbon. <br /><br /> Listen to recordings from 2026 to 2016. <br /><br /> In partnership with the Lisbon Architecture Triennale and the Fine Arts Faculty, ULisbon <br /> Funded by: The Dir.-Gen. for the Arts of the Portuguese Ministry of Culture<br />
Human Entities Podcast
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28 episodes
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Podcast Overview
Human Entities is a series of public talks focused on technological change and its impacts – the ways in which culture and technology shape and influence each other. <br /><br /> Organised by <a href="https://cada1.net" target="_blank">CADA</a>, the programme takes place annually in Lisbon. <br /><br /> Listen to recordings from 2026 to 2016. <br /><br /> In partnership with the Lisbon Architecture Triennale and the Fine Arts Faculty, ULisbon <br /> Funded by: The Dir.-Gen. for the Arts of the Portuguese Ministry of Culture<br />
Language
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Publishing Since
5/9/2016
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Recent Episodes
June 19, 2026
Human Entities 2026: Ana Meisel
<p><strong>Human Entities 2026: culture in the age of artificial intelligence</strong><br><strong>Tenth edition</strong></p><p>Tue, 2 June 2026, 6.30pm<br><strong>Permacomputing: small entrances to a wide collective</strong><br><strong>Ana Meisel</strong><br>Web developer and artist<br>Permacomputing applies permaculture, a design for Earth care, people care and fair share, to computing. It focuses on repair and inspects the all-encompassing impacts of technology through trails of ecology, conviviality and anti-capitalist politics. Communities dedicated to these ethics continue to form around the world and exercise it with art, mutual aid and practical guides to technological degrowth and maintainable systems. The aim is to impair dominant tech powers that funnel our emotions into data with seamlessly blunt interactions that coast us into a world of alienation filled with environmental harm. This momentous friction creates a new politicisation due to tech’s ubiquity and polarisation. Permacomputing’s idiosyncratic and minimal computing practices require slowness, thoughtfulness and communal knowledge sharing. This deepens relationships and sociability, and subsequently opens gateways to politics and class consciousness from ecofeminist, decolonial and communal foundations.</p><p><strong>Ana Meisel</strong><br>Ana Meisel is a Polish-German web developer and artist based in London, UK. Her focus is on historically-informed computing through the lens of critical theory, ecological responsibility, whole-systems thinking, and community organising. She is part of Superkilogirls, a collective that looks at feminist critiques of computing and automation, runs External Pages, an internet art gallery and co-organises London’s Permacomputing Club. Her work has been showcased in diverse contexts like the Cyberfeminism Index and San Jose Museum of Art. Her interests include tech resistance movements, DIY tech culture, and the Eastern Bloc.<br><a href="https://ana.help" target="_blank" rel="noopener">https://ana.help</a><br><a href="https://www.instagram.com/dj_anicka/" target="_blank" rel="noopener">@dj_anicka</a><br><a href="https://mastodon.social/@anmeisel" target="_blank" rel="noopener">https://mastodon.social/@anmeisel</a></p><p>This event is part of<br>Human Entities 2026: culture in the age of artificial intelligence<br>Tenth edition</p><p>Public talks, May – June 2026</p>
June 18, 2026
Human Entities: Peter Bancel
<p><strong>Human Entities 2026: culture in the age of artificial intelligence</strong><br><strong>Tenth edition</strong></p><p>Wed 27 May 2026, 6.30pm<br></p><p><strong>Beyond the senses: science and the mystery of psychic phenomena</strong><br><strong>Peter Bancel</strong><br>Senior Researcher at the Institut Métapsychique International, Paris (France) and Fellow at the Institute of Noetic Sciences, California (US)</p><p>Anomalies – the things that don’t fit our view of the world – are often the starting point of discoveries. As physicist Richard Feynman put it, “It’s the thing that doesn’t fit that is the most interesting.” A major challenge for science today is to understand consciousness. Theories abound, progress is being made, yet there is no consensus or even a clear path forward. In situations like this, anomalies can provide crucial direction for research. In this talk, we will look at the anomaly of psi phenomena – apparent capacities of consciousness such as telepathy and precognition – and explore the scientific evidence. If the reality of psychic phenomena is established, it may serve as a signpost toward understanding how and why we experience experience at all – the core of human consciousness. We will also consider what this would imply for science more broadly and how it invites us to understand the world.</p><p><strong>Peter Bancel</strong><br>Peter Bancel is a senior researcher at the Institut Métapsychique International (IMI) in Paris and a fellow of the Institute of Noetic Sciences in California. In the early 2000s, he collaborated with the Global Consciousness Project based in Princeton (US) before joining the IMI in 2010. Alongside his scientific work, he is a long-time Buddhist practitioner and meditation teacher, with a longstanding interest in consciousness that bridges contemplative traditions and empirical research. Since joining the IMI, he has focused on how psychic phenomena – often called “psi” – can be studied using the methods of mainstream science. His work explores precognition, experimental design in psi studies, and possible connections with quantum physics. He holds a PhD in Experimental Physics from the University of Pennsylvania. After postdoctoral research at IBM, he moved to France, where he worked at the CNRS in Paris and later at the Institut des Matériaux Jean Rouxel at the University of Nantes.<br><a href="https://www.imiresearch.fr/" target="_blank" rel="noopener">https://www.imiresearch.fr</a></p><p>This event is part of<br>Human Entities 2026: culture in the age of artificial intelligence<br>Tenth edition<br>Public talks, May – June 2026</p><p><strong>Ficha Técnica/Credits</strong><br>Organised by <a href="https://www.cada1.net/">CADA</a> in partnership with <a href="https://www.trienaldelisboa.com/">Lisbon Architecture Triennale</a></p><p>Programmed by Jared Hawkey/Sofia Oliveira with guest programmers: <a href="https://dinamiacet.iscte-iul.pt/full-team/andrea-pavoni">Andrea Pavoni</a>, <a href="https://kaitlyndavi.es/">Kaitlyn Davies</a>, Zagalo Pereira.<br>CADA is funded by: República Portuguesa – Cultura, Juventude e Desporto / <a href="https://www.dgartes.gov.pt/">Direção-Geral das Artes<br></a>ApoiosSupport: <a href="https://www.lisboa.pt/">Câmara Municipal de Lisboa</a>, Universidade Nova de Lisboa, Faculdade de Ciências e Tecnologia – <a href="https://nova-lincs.di.fct.unl.pt/">NOVA LINCS</a>, <a href="https://www.ics.ulisboa.pt/">Instituto Ciências Sociais</a>, Universidade de Lisboa; <a href="https://www.dinamiacet.iscte-iul.pt/">DINAMIA’CET</a> (ISCTE-IUL), Faculdade de Belas Artes, Universidade de Lisboa, Departamentos de Design de Comunicação e Arte Multimédia<br>Art direction + graphic design: <a href="https://www.instagram.com/safkan.tehlike">Emir Karyo</a><br>Photography: <a href="https://joanalinda.com/site/about/">Joana Linda</a><br>Sound: <a href="https://soundcloud.com/diogo_melo">Diogo Melo</a>, <a href="https://www.fernandofadigas.pt/">Fernando Fadigas</a></p>
June 18, 2026
Human Entities 2026: Paris Marx
<p><strong>Human Entities 2026: culture in the age of artificial intelligence</strong><br><strong>Tenth edition</strong></p><p>Wed 20 May 2026<br></p><p><strong>Reclaiming Digital Sovereignty</strong><br><strong>Paris Marx</strong><br>Tech critic</p><p>For several decades, we’ve allowed ourselves to become deeply dependent on US technologies, platforms, and digital services. The alliance between Silicon Valley and the Trump administration has shown us how that choice hasn't just made us vulnerable; it’s now empowering anti-democratic and authoritarian forces. Paris Marx will discuss how we became so dependent on US tech and what it might look like to chart of different course. Getting off US tech won’t be easy, but it presents an opportunity to reimagine how we use digital technology for the better.</p><p><strong>Paris Marx</strong><br>Paris Marx is a Canadian tech critic. He hosts the award-winning Tech Won’t Save Us podcast and speaks around the world about the politics of technology. Paris is the author of Road to Nowhere and his next book Hyperscale comes out later this year.<br><a href="https://parismarx.com" target="_blank" rel="ugc noopener noreferrer">https://parismarx.com</a><br><a href="https://techwontsave.us" target="_blank" rel="ugc noopener noreferrer">https://techwontsave.us</a><br><a href="https://roadtonowherebook.com/" target="_blank" rel="ugc noopener noreferrer">https://roadtonowherebook.com/</a></p><p>This event is part of<br>Human Entities 2026: culture in the age of artificial intelligence<br>Tenth edition<br>Public talks, May – June 2026</p><p><strong>Ficha Técnica/Credits</strong><br>Organização <a href="https://www.cada1.net/" target="_blank" rel="ugc noopener noreferrer">CADA</a> em parceria com a <a href="https://www.trienaldelisboa.com/" target="_blank" rel="ugc noopener noreferrer">Trienal de Arquitectura de Lisboa</a><br>Organised by <a href="https://www.cada1.net/" target="_blank" rel="ugc noopener noreferrer">CADA</a> in partnership with <a href="https://www.trienaldelisboa.com/" target="_blank" rel="ugc noopener noreferrer">Lisbon Architecture Triennale </a></p><p>Programado por Jared Hawkey/Sofia Oliveira com programadores convidados/ Programmed by Jared Hawkey/Sofia Oliveira with guest programmers: <a href="https://dinamiacet.iscte-iul.pt/full-team/andrea-pavoni" target="_blank" rel="ugc noopener noreferrer">Andrea Pavoni</a>, <a href="https://kaitlyndavi.es/" target="_blank" rel="ugc noopener noreferrer">Kaitlyn Davies, </a>Zagalo Pereira.</p><p>O CADA é uma estrutura financiada por/CADA is funded by: República Portuguesa – Cultura, Juventude e Desporto / <a href="https://www.dgartes.gov.pt/" target="_blank" rel="ugc noopener noreferrer">Direção-Geral das Artes<br></a>Apoios/Support: <a href="https://www.lisboa.pt/" target="_blank" rel="ugc noopener noreferrer">Câmara Municipal de Lisboa, </a><a href="https://nova-lincs.di.fct.unl.pt" target="_blank" rel="ugc noopener noreferrer">NOVA-LINCS,</a> Universidade Nova de Lisboa, Faculdade de Ciências e Tecnologia – <a href="https://nova-lincs.di.fct.unl.pt/" target="_blank" rel="ugc noopener noreferrer">NOVA LINCS</a><a href="https://www.fernandofadigas.pt/" target="_blank" rel="ugc noopener noreferrer">; </a><a href="https://www.ics.ulisboa.pt/" target="_blank" rel="ugc noopener noreferrer">Instituto Ciências Sociais</a>, Universidade de Lisboa, <a href="https://www.dinamiacet.iscte-iul.pt/" target="_blank" rel="ugc noopener noreferrer">DINAMIA’CET</a> (ISCTE-IUL) e/and <a href="https://www.belasartes.ulisboa.pt/" target="_blank" rel="ugc noopener noreferrer">Faculdade Belas Artes</a>, Universidade de Lisboa, Departamentos de Design de Comunicação e Arte Multimédia.<br>Direção de arte + design gráfico/ Art direction + graphic design: <a href="https://www.instagram.com/safkan.tehlike" target="_blank" rel="ugc noopener noreferrer">Emir Karyo</a><br>Fotografia/ Photography: <a href="https://joanalinda.com/site/about/" target="_blank" rel="ugc noopener noreferrer">Joana Linda</a><br>Som/Sound: <a href="https://soundcloud.com/diogo_melo" target="_blank" rel="ugc noopener noreferrer">Diogo Melo, </a><a href="https://www.fernandofadigas.pt/" target="_blank" rel="ugc noopener noreferrer">Fernando Fadigas</a></p><p>Foto/Photo: Anne Barth/re:publica</p><p><br></p>
28 total episodes available
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