

I Hate Numbers
Hosted by unknown · I Hate Numbers
4.0from 1 ratings
- 355
- Episodes
- 1
- Ratings
- Daily
- Cadence
- 2020
- First episode
- 581K
- YouTube views
About I Hate Numbers
For many business owners, sitting down to tackle the accounts or a tax return is right up there with watching paint dry. We understand—numbers can feel intimidating, confusing, and frankly, a distraction from why you started your business in the first place. However, if you are serious about your business, you need to get on friendly terms with your finances. I Hate Numbers is a dedicated UK accounting and tax podcast designed to help you navigate the complexities of business finance without the headache. Hosted by me, Mahmood Reza, accountant and tax advisor, business coach, tax advisor, and financial storyteller—this podcast is here to help you move from dreading your data to using it as a roadmap for success. Straight-talking Tax and Finance Advice Business is ultimately about making money and having an impact. To do that, you need to understand the financial story your business is telling. We focus on: Simplifying UK Tax and Accounting: We break down everything from Self-Assessment to Corporation Tax in a way that actually makes sense. Jargon-Free Guidance: No "accounting-speak" or unnecessary BS—just practical steps to keep you on the right side of HMRC. Profit and Growth: Understanding your numbers means you can see the impact of your successes and avoid common financial pitfalls. Master the Meaning Behind the Numbers With decades of experience helping thousands of businesses, Mahmood’s mission is to make business money management accessible to everyone. In the words of W.E.B. Du Bois: “When you have mastered numbers, you will in fact no longer be reading numbers... You will be reading meanings.” Don't let tax and spreadsheets hold you back. Subscribe to the I Hate Numbers podcast today and start powering your business forward with confidence.
- Publisher
- I Hate Numbers
- Category
- business · business · business
- Language
- en
- Explicit
- No
- First episode
- 24 Feb 2020
- Latest episode
- 4 Oct 2026
Latest episodes
355 episodes in the feed.

4 Oct 2026
Mandatory Payrolling of Benefits in Kind: What Employers Need to Know
Mandatory payrolling of benefits in kind will change how employers report taxable employee benefits, how payroll systems handle those benefits, and when tax and Class 1A National Insurance liabilities are paid. Instead of relying mainly on year-end P11D reporting, more benefits will be reported through payroll in real time. In this episode, we explain what payrolling benefits means, why HMRC is moving in this direction, how the phased timetable works, what it means for P11Ds and cash flow, and what employers should start reviewing now. About this episode Many employers provide benefits to employees. These can include private medical insurance, company cars, gym memberships and certain expense payments. Those benefits can create a tax liability. Traditionally, many benefits were reported after the end of the tax year using a P11D. HMRC would then adjust the employee’s tax code so the tax could be collected later. Mandatory payrolling of benefits in kind changes that process. Instead of waiting until the year-end, the taxable value of the benefit is processed through payroll during the year. That means tax is collected closer to the time the benefit is received. Why this matters This is one of the most significant payroll reporting changes employers have seen for many years. The long-term aim is to make reporting more real time, reduce year-end paperwork, cut down on later tax code adjustments and make tax deductions more predictable for employees. However, employers still need to prepare carefully. Payroll systems, reporting processes, internal controls, employee communication and cash flow forecasts may all need reviewing before the changes become mandatory. “Good planning today avoids unnecessary pressure tomorrow.” Key points from this episode What is payrolling of benefits? Payrolling benefits means including the taxable value of a benefit in payroll during the tax year. For example, if an employee receives private medical insurance worth £800 a year and is paid monthly, the taxable value may be spread across the year. Approximately £67 would be added to taxable pay each month for income tax purposes. The employee is taxed as the year progresses, rather than waiting for a later tax code adjustment after a P11D has been submitted. When will mandatory payrolling start? HMRC is introducing mandatory payrolling in stages. Current HMRC guidance says the phased introduction starts from 6 April 2027. The first phase applies to company cars, car fuel, vans, van fuel and medical benefits. Most other in-scope benefits are expected to become mandatory from April 2028. Taxable cheap loans and living accommodation continue to have special treatment. These areas can still be payrolled voluntarily, but they are not part of the same mandatory timetable. Because the rules are still developing, employers should check the latest HMRC guidance before taking action. Why is HMRC making this change? The move is part of a wider shift towards real-time reporting. HMRC wants tax to be reported and collected closer to the point when the income or benefit is received. This should reduce later tax code changes, make deductions more predictable and align benefits reporting more closely with modern payroll systems. For employees, this may mean fewer unexpected tax surprises. For employers, it should eventually mean fewer year-end forms, but only once systems and processes are ready. What happens to Class 1A National Insurance? Employers need to pay close attention to Class 1A National Insurance. At the moment, many employers calculate Class 1A National Insurance annually through the P11D and P11D(b) process. Payment is usually made after the tax year has ended. Under mandatory payrolling, the associated Class 1A National Insurance will move into payroll reporting. The total liability may not necessarily change, but the timing certainly does. That timing difference matters because it can affect cash flow. Why cash flow planning matters Some employers currently hold on to money until the annual Class 1A National Insurance payment becomes due. With real-time reporting, that delay is reduced. Liabilities arise earlier, so cash flow forecasts may need to be updated. For businesses with strong cash reserves, the impact may be modest. For seasonal businesses, charities, smaller organisations and creative enterprises with fluctuating income, earlier payments can be more noticeable. Our episode on Cash Flow Management Tips (https://www.ihatenumbers.co.uk/cash-flow-management-tips/) is a useful next step if you want to strengthen your cash flow planning before new payroll timing creates pressure. What happens to P11D forms? One of the biggest long-term outcomes is the gradual decline of traditional P11D reporting. Where benefits are payrolled, separate P11D reporting will generally no longer be required for those benefits. This should reduce paperwork and simplify year-end compliance. However, P11Ds and P11D(b)s may still be needed for exceptions, such as certain loans and accommodation benefits, where they have not been payrolled. Employers should not assume that P11Ds disappear overnight. The key is to understand which benefits are covered, which are excluded, and what still needs reporting. Six practical steps for employers Employers should treat mandatory payrolling as a planning exercise, not a last-minute compliance issue. Review the benefits you currently provide. Check whether your payroll software can support the new requirements. Review internal reporting processes and controls. Consider the cash flow impact of earlier Class 1A National Insurance payments. Communicate the upcoming changes clearly to employees. Consider whether voluntary payrolling before the mandatory dates would be useful. Our episode on Benefits in Kind (https://www.ihatenumbers.co.uk/captivate-podcast/benefits-in-kind-your-tax-strategy-upgrade/) gives wider context on how employee benefits can form part of a tax-aware reward strategy. Current guidance note This is a developing HMRC area. Before publishing, employers should confirm the latest guidance on the mandatory payrolling timetable, which benefits are included in each phase, how Class 1A National Insurance will be reported, and which P11D or P11D(b) obligations remain. The current guidance points to a phased approach from April 2027, with most remaining in-scope benefits following from April 2028. FAQs What is mandatory payrolling of benefits in kind? Mandatory payrolling of benefits in kind means employers report taxable employee benefits through payroll during the tax year, rather than relying mainly on year-end P11D reporting. When does mandatory payrolling of benefits in kind start? Current HMRC guidance says mandatory payrolling starts in phases from 6 April 2027. Phase one applies to company cars, car fuel, vans, van fuel and medical benefits. Most other in-scope benefits are expected to follow from April 2028. Will P11D forms disappear? P11D reporting should reduce where benefits are payrolled, but it will not disappear completely straight away. Some exceptions, such as certain loans and accommodation benefits, may still require separate reporting. How does mandatory payrolling affect Class 1A National Insurance? Class 1A National Insurance linked to payrolled benefits will move closer to real-time payroll reporting. The total amount payable may not necessarily change, but the timing of payments may change. Why should employers prepare now? Employers should prepare now because payroll software, internal processes, employee communication and cash flow forecasts may all need updating before the mandatory dates apply. Episode Timecodes 00:00 – Mandatory payrolling of benefits in kind 00:17 – Why employers should start planning now 00:51 – What payrolling of benefits means 01:17 – Moving away from year-end P11D reporting 01:40 – Private medical insurance example 02:23 – Phased rollout and key dates 03:11 – Why HMRC is making the change 03:55 – Class 1A National Insurance impact 04:37 – Cash flow considerations 05:22 – What happens to P11D forms 06:06 – Six steps employers should take now 06:58 – Final thoughts and support Related episodes <a...

27 Sept 2026
Artists and Businesses Working Together: Partnerships That Create Value
Artists and businesses working together may not sound like a natural fit at first. Artists may worry that business is only about numbers, profit and deadlines, while businesses may not always understand the creative process. However, strong partnerships between artists and businesses can create fresh ideas, wider networks, better customer connection and new financial opportunities. In this episode, we look at how artists can approach business collaborations with an open mind, clear objectives and regular review, so both sides get real value from the relationship. About this episode This episode explores how artists, creatives and businesses can work together for mutual success. The arts world and the business world may look very different on the surface. One side may seem driven by creativity, expression and impact. The other may seem focused on targets, budgets and commercial outcomes. However, both artists and businesses solve problems, set goals and look for meaningful results. When those two worlds work well together, businesses can benefit from creativity, fresh thinking and stronger audience connection. Artists can benefit from new networks, greater visibility, financial opportunities and a clearer way to grow their work. Why this matters Artists do not need to see business collaboration as selling out. Businesses do not need to see artists as difficult, abstract or disconnected from commercial reality. The most useful partnerships happen when both sides understand what they bring to the table. A business may bring budgets, structure, deadlines, distribution and access to customers. An artist may bring originality, imagination, cultural understanding, visual storytelling and emotional connection. That combination can be powerful, but it needs more than good intentions. It needs open thinking, clear objectives and regular check-ins. “When artists and businesses do team up, it can often lead to fresh ideas, new perspectives, and success for both sides.” Key points from this episode Leave preconceptions at the door The first step is to challenge assumptions. Artists may assume businesses only care about money, profit and numbers. Businesses may assume artists only care about ideas and expression. Those assumptions can block good conversations before they begin. In reality, both sides are often trying to solve problems. Both sides have goals. Both sides want a good outcome. A visual artist working with a marketing company, for example, may bring fresh visual ideas. The business may bring timelines, campaign goals, audience insight and budget awareness. Together, they may create something stronger than either could produce alone. The key is to stay curious, keep an open mind and do your research before entering the relationship. Set clear objectives from the start A good creative partnership needs clear goals. If a dancer works with a fitness brand, both sides need to understand what they want from the collaboration. The brand may want engaging content, stronger audience connection or sales growth. The artist may want exposure, fair remuneration, creative visibility or access to a new audience. Those goals should be discussed early. Otherwise, both sides may walk into the partnership with different expectations. Clear objectives help you understand what success looks like. They also make it easier to decide whether the partnership is worth your time, energy and creative input. Use KPIs without being scared of the term KPIs, or key performance indicators, can sound corporate. However, the idea is simple: how will you know the partnership has worked? For an artist-business collaboration, that might include audience reach, sales growth, enquiries, engagement, attendance, content produced, brand visibility or customer response. The point is not to remove creativity from the relationship. The point is to make sure both sides know what they are aiming for. This links closely with our episode on Successful Partnerships (https://www.ihatenumbers.co.uk/captivate-podcast/successful-partnerships-how-to-get-it-right-and-avoid-costly-mistakes/), which explores how to get partnerships right and avoid costly mistakes. Monitor and review the partnership Setting goals at the start is not enough. You also need to check progress. If a ceramicist works with a home decor company and sales are not as strong as expected, the answer is not to sit back and hope everything improves. The better approach is to have a check-in. Ask what is working. Ask what is not working. Review the plan, discuss the results and adjust the approach if needed. Regular reviews keep the partnership healthy. They also help both sides learn more about each other and make better decisions as the relationship develops. How artists can approach business partnerships Artists can get more from business partnerships by treating them as structured opportunities, not vague collaborations. Before saying yes, ask yourself: What does the business want to achieve? What do we want to achieve as the artist or creative business? Is there fair remuneration or a clear value exchange? What does success look like? How will both sides measure progress? When will we review the partnership? Those questions protect your time and help the business understand your value. Our episode on Unpaid Creative Work (https://www.ihatenumbers.co.uk/captivate-podcast/unpaid-creative-work-exposure-boundaries-and-fair-pay/) is a useful next step if you are weighing up exposure, fair pay and whether a creative opportunity is truly worth it. Join the Numbers Know How Artist Directory Artists can also join the Numbers Know How Artist Directory (https://numbersknowhow.co.uk/directory/) to share who they are, what they do and make their creative work more visible to businesses and potential collaborators. This is useful if you want to build your profile, open up partnership conversations and make it easier for businesses to understand the creative value you can bring. Why businesses should work with artists Businesses can gain a great deal from working with artists and creatives. Artists bring fresh thinking, storytelling, originality and cultural insight. They can help businesses connect with customers in ways that feel more human, memorable and emotionally engaging. For businesses, the arts world can be a largely untapped source of creativity. A good partnership can support brand-building, campaign ideas, customer engagement and problem-solving. However, businesses also need to respect the artist’s value. Good creative partnerships are not about taking ideas cheaply. They are about building a relationship where both sides benefit. FAQs Can artists and businesses work well together? Yes. Artists and businesses can work well together when both sides keep an open mind, understand each other’s goals and agree what success looks like. Why should artists work with businesses? Business partnerships can help artists gain networks, opportunities, visibility and financial rewards. They can also open doors to new audiences and new types of creative work. What should artists agree before working with a business? Artists should agree the objectives, expectations, payment or value exchange, timeline, responsibilities and how success will be measured. What are KPIs in an artist-business partnership? KPIs are simple indicators of success. They might include audience reach, sales growth, engagement, enquiries, content produced or another agreed measure that shows whether the partnership is working. Why are regular reviews important in creative partnerships? Regular reviews help both sides check what is working, what needs adjusting and whether the partnership is delivering value. They keep communication open and reduce misunderstandings. Episode Timecodes 00:00 – Artists and businesses working together 00:18 – Fresh ideas, networks and opportunities 00:54 – Tip one: leave preconceptions at the door 01:15 – Artists and businesses as problem solvers 01:32 – Tip two: set clear objectives 02:15 – KPIs and measuring success 02:34 – Tip three: monitor and review progress 03:17 – Recap: preconceptions, objectives and success 03:37 – Artist directory and partnership opportunities 04:13 – Keep creating and keep thriving Related episodes

20 Sept 2026
Creative Business Mindset: Value Your Work, Profit and Boundaries
Creative business mindset matters when your art, talent or creative practice starts moving beyond a passion project. You do not need to sacrifice your artistic soul, but you do need to value your work, understand profit, track your costs and set clear boundaries. In this episode, we look at why artists and creatives sometimes resist business thinking, why that resistance can lead to undercharging and overworking, and how a healthier business mindset can help you build a more sustainable creative career. About this episode Many creatives feel uncomfortable thinking like business owners. Business can sound like something for suits, spreadsheets and corporates, not artists, performers, writers, musicians or makers. However, creative work can still be a professional service. Treating it as a business does not mean losing your artistic identity. It means building the structure that allows your creative practice to survive, grow and support you properly. In this episode, we explore three mindset shifts that help creatives move forward: putting value on your work, understanding that profit is not a bad thing, and recognising the real costs behind your creativity. We also look at the importance of boundaries, especially when free work, discounts and exposure deals start appearing. Why this matters If you see your creative work as “just a hobby”, it becomes harder to charge properly. You may feel guilty asking for money. You may accept low prices, say yes too quickly, or overlook the time, materials and energy behind your work. That can create a cycle of undercharging and overworking. It can also make it harder to invest in better tools, marketing, training, studio space, support or future creative development. A stronger creative business mindset helps you protect both your income and your passion. “Profit is the thing that powers your creative practice.” Key points from this episode Your creative work has value Creative people often struggle to put a price on their talent. You may enjoy the work, care deeply about the impact, or feel awkward charging for something that comes naturally to you. However, payment is not a favour. It is an exchange. Your creative work brings value, joy, meaning, impact and experience to the person receiving it. Just as we expect to pay a skilled plumber, designer, adviser or specialist, creative skill should also be recognised and paid for. Profit is not a bad thing Many artists and creatives say they are not in it for the money. That may be true, but every sustainable creative practice still needs profit. Profit helps you recover your costs, reward yourself fairly, build reserves, invest in the future and reduce financial stress. Without profit, your creative work becomes harder to sustain. Our episode on What Is Profit? (https://www.ihatenumbers.co.uk/the-importance-of-profit/) gives a useful next step if you want to understand the role profit plays in business survival and growth. You need to know your creative costs Charging £200 may sound fine until you consider the full cost of producing the work. Serena’s example shows why this matters. If an artist spends money on supplies and many hours creating a piece, the final price may look far weaker once materials, time and overheads are included. Creative costs can include materials, studio space, software, equipment, travel, marketing, promotion and the time spent speaking to clients or preparing the work. When these costs are ignored, pricing becomes guesswork. A simple starting point is to write down the costs involved in your creative process. It does not matter whether you use software, a spreadsheet or a notebook. What matters is that the costs stop slipping under the radar. Boundaries protect your creative practice As a creative, it can be tempting to say yes to every opportunity. Free gigs, exposure deals, discounts and underpriced commissions can all feel useful in the moment. However, saying yes too often can lead to burnout. It can also reinforce the idea that your work is low value. Before agreeing to a discount or unpaid opportunity, pause. Ask whether the offer matches your worth, whether it helps your business, and whether it respects the time and materials needed to deliver quality. Our episode on Unpaid Creative Work (https://www.ihatenumbers.co.uk/captivate-podcast/unpaid-creative-work-exposure-boundaries-and-fair-pay/) expands on this idea and helps you decide when free work is strategy and when it becomes a problem. A simple mindset shift for creatives The key shift is this: stop seeing your creative work as separate from business. You can care about impact and still charge properly. You can protect your artistic DNA and still understand costs. You can love the work and still make a profit. You can say no and still be generous, collaborative and professional. Thinking like a business owner is not about becoming less creative. It is about giving your creativity the structure it needs to continue. Questions to ask yourself Do I treat my creative work as a professional service? Do I feel guilty charging for my work? Do I know the real cost of producing what I create? Am I making enough profit to sustain my creative practice? Do I pause before saying yes to discounts or unpaid work? Are my current boundaries protecting my time, income and energy? FAQs What is a creative business mindset? A creative business mindset means treating your creative work as a professional service. It includes valuing your work, charging properly, understanding costs, making profit and setting boundaries while still protecting your creative identity. Does thinking like a business owner make you less creative? No. Business thinking gives your creative practice more structure. It helps you protect your time, earn more fairly, plan ahead and keep creating without constant financial pressure. Why do creatives undercharge? Creatives may undercharge because they feel guilty asking for money, see their work as a hobby, underestimate their costs, or worry that clients will not value the work. A stronger business mindset helps challenge those assumptions. Why is profit important for artists and creatives? Profit helps pay you fairly, cover costs, build reserves and invest in the future. Without profit, a creative practice can become stressful, fragile and difficult to sustain. How can creatives start setting better boundaries? Start by pausing before saying yes. Check whether the work matches your value, covers your time and materials, and supports your business. Clear boundaries protect your creative energy and reduce burnout. Episode Timecodes 00:00 – Why creatives need to think like a business 00:14 – Protecting your artistic soul while embracing business 00:33 – Seeing creative work as a professional service 00:56 – Serena’s example and the undercharging problem 01:34 – Undercharging, overworking and business reframing 01:52 – Three mindset shifts for creatives 02:37 – Putting value on your work 03:35 – Why profit is not a bad thing 04:19 – Understanding the real costs of creativity 05:29 – Boundaries, discounts and exposure deals 06:34 – Reflecting on how you think about your creative work Related episodes Unpaid Creative Work: Exposure, Boundaries and Fair Pay (https://www.ihatenumbers.co.uk/captivate-podcast/unpaid-creative-work-exposure-boundaries-and-fair-pay/) Financial Boundaries for Creatives (https://www.ihatenumbers.co.uk/captivate-podcast/financial-boundaries-for-creatives/) Budgeting for Irregular Income (https://www.ihatenumbers.co.uk/captivate-podcast/budgeting-for-irregular-income/) Key takeaway Your creative work has value. Profit is not something to be ashamed of. Costs need to be understood, and boundaries need to be protected. A creative business mindset does not take away from your art. It helps your art survive, grow and reach more people in a sustainable way. About the Podcast The I Hate Numbers podcast, presented by Mahmood Reza, helps business owners understand accounting, tax, finance, profit, cash flow and business planning in a practical way. We simplify...
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