00:11 莎剧《李尔王》改编：戏剧的门槛好像越来越高了？
05:37 跨文化戏剧：从英国到东亚，从古代到现代
10:51 包罗万象的中国性？中华料理、在香港恨英、真实的混乱好于虚假的干净吗…
19:27 改编/借鉴/挪用？穆斯林与《悭吝人》、中国初版《玩偶之家》、威廉·肯特里奇《样板札记》
25:55 全女班形式：中英传统艺能中的反串、女性掌握主导权的反串、性别倒转如何影响观感
35:30 肢体剧改编：行为艺术的诗意语言、极简元文本、温驯的身体与突破符号系统的尝试
45:46 很高兴在伦敦见到反向挪用的《李尔王》
Nonverbal Theatre of Gesture with an all-female cast
Awarded Director of the Year (Shu-wing Tang) and Perfomer of the Year (Cecilia Yip for her portrayal of King Lear) at the International Association of Theatre Critics (Hong Kong). Nominated for Best Sound Design (Anthony Yeung) in the Hong Kong Drama Awards.
The old irritable King Lear wants to divide his kingdom among his three daughters but ends up banishing Cordelia, the youngest one, who really loves him. Unable to meet his commands, Lear’s two other daughters reject him at their homes, so Lear goes mad and wanders through a storm. Trying to rescue her father, Cordelia returns with an army, but they lose the battle, leading to the death of Lear and all his daughters.
Internationally renowned director, Shu-wing Tang, returns to London after his productions at Shakespeare’s Globe in 2012 and 2015 and at the New Diorama Theatre in 2017. Tang’s King Lear is a non-verbal theatre transcending the boundaries of Shakespeare’s plays but remains quintessentially Shakespearean.
Director: Shu-wing Tang
Set and Costume Designer: Hon-wai Yuen
Music Composer: Billy Ng
Sound Designer: Anthony Yeung
Lighting Designer: Tsz-yan Yeung
Cast: Cecilia Yip, Lindzay Chan, Amanda Leung, Cassandra Tang, Peggy Chow, Ting-Kwan Lau, Ki-yan Ko, Corina Druc, Costinela Ungureanu
23 May 2024
vol.6《继承之战》背后，长红四百年的莎士比亚
这期我们将和大家一起聊聊HBO大热剧集《继承之站》，内容有：
一、继承之战概况：剧情/作者/出品/奖项
二、编剧到底学没学莎士比亚？
1. 角色设计
高辨识度肖像：Brian Cox竟是李尔王本人
性格与命运：疯王李尔与将死的rogan
右翼内核：社会达尔文主义，呼风唤雨的王，整个王国陪葬
2. 人物关系设计：权力如何腐蚀人心？
李尔王：三龙夺嫡线
麦克白：夫妻反目线
理查德：众叛亲离线
哈姆雷特：内斗与北夷入侵
3. 情节设计：
罗根葬礼与李尔王开场：危机中的君主
Kendall(Goneril), Shiv (Regan), Roman (Cordelia)到底谁最爱爹地？
三、莎士比亚的时代背景
语境：十七世纪初——内战、宗教与瘟疫
源文本的源文本：民间故事与True Chronicle History of King Leir
四、开放讨论：
1. 为何/怎么看莎剧生生不息？
2. 家庭悲喜剧为何成为权力展示鬼魅的舞台？
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