Deepcasting since '09 📡
Melbourne Deepcast
Claim This Podcastby Melbourne Deepcast
4.6(10 reviews)
308 episodes
Updated Weekly
Accepts GuestsHas SponsorsLocation 🇦🇺
29
Podcast Authority
BetaPoorBased on show quality, social media presence, reviews, charts, and more
Quality20
Social0
YouTube0
Engagement92
Podcast Overview
Deepcasting since '09 📡
Language
🇺🇲
Publishing Since
6/22/2011
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29
Podcast Authority
BetaPoorBased on show quality, social media presence, reviews, charts, and more
Quality20
Social0
YouTube0
Engagement92
4
Excellent Areas
2
Good Performance
13
Growth Opportunities
excellent
Episode Length
1h 48m
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good
Show Notes Quality
3.0/5
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needs improvement
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Every 18 days
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Recent Episodes
June 11, 2026
MDC.327 E-Talking
A crate of sunrise treasure on full display from Berlin's E-Talking! Two joyous hours of finely fashioned tech house groovers and cosmic progressive nuggets, channeling the spirit of the Aussie bush doof. @e_talking Q. What sounds, places or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being most enjoyed in? A. I recorded this mix in the heart of Berlin winter and I had one place in mind while doing it: the Australian bush. My perception of it might be skewed since it’s already been a few years since I last visited down under but I would easily imagine this mix being played at the end of the night or at sunrise. It oscillates between tech-house and progressive which are two styles that I assimilate with beach/bush parties. I have very fond memories of these and this mix was probably my way of returning to them mentally, if not physically. Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. Definitely, “George Sarah - Drag Ass (Swayzak Filter Dub)” which comes in towards the end of the mix is one of these dubby oddballs that you cannot play in every context. It’s a 13 minute long remix which showcases Swayzak’s mastery at the peak of their career (imo). It’s so lush yet minimal and the production hits exactly where it should. I can’t get enough of this one. Q. I loved your New Yesterday EP last year on Nummer Music, and I can hear you’ve drawn on a wide range of influences there finding this energy filled hypnotic blend of progressive trance and groovy housey-techno. Have you been recording music on a similar tip of late, or is there another direction you’ve been leaning further into? A. All of these tracks were recorded in the year preceding my son’s birth, about two and a half years ago. Since then, a lot has happened and I’ve found myself gravitating toward slightly slower, more organic grooves, which is now translating into my productions. As BPMs kept creeping higher and higher a couple of years ago, I realised I’d reached a certain threshold and it felt logical to slow things down a bit. In the meantime, I rediscovered a lot of old UK tech-house gems (I was a bit late to that train, I know..!). I found a sound that I’d been looking for for many years. The energy, groove, and wonkiness of some of these tracks is unrivalled. Only a handful of producers today manage to match that vibe (Liquid Earth does it wonderfully, for example). So I suppose this is where I’m headed in the coming weeks and months, but knowing myself, I might decide to switch things up entirely without notice..haha.
May 28, 2026
MDC.326 Piepotelli
Deep in the archives of the late 90s and early 00s Dutch underground, Piepotelli threads together some sublime progressive house and deep techno. @piepotelli Q. What sounds / feelings did you draw upon when gathering inspiration for this mix? A. I wanted to be in sync with MDC but also compile something personal. The sounds that emerge have inspired me a lot lately. They relate to a variety of styles, but also to emotions and energy. I truly feel related to the sometimes abstract form of expression music can be. I tried to be expressive in the progression, as only then the mix would make sense to me. The cohesion is noticeable through deepness all over, fused with wavy coatings, mysterious tints, and progressive elements, highlighted by synth, groove, and syndicate electronic magic. Somewhere late afternoon landing into the night would be the ideal time for a whirl, as it takes time to build but would be too much for my morning peace – I prefer worldy stuff to wake up the mind (s/o John Gomez on NTS!). I guess before going out for a dance suits well, since it’s quite club-ready towards the end. Q. Are there any records in the mix that you were especially excited to share? what is it about these songs that resonate with you? Very much so! One that has been in my head for ages is The Hug Club – Round I Go (Morning Mix). Honestly, the whole EP kicks ass, but the B2 is on another level. I like several things about it. One, it’s subtle. It smoothly builds and gently brings some beautiful chord/synth layers to take the lead and make it flow. Two, it’s sensual, but not demanding. That elegance is exactly what sets this alleviating mood. Three, it’s a B2. The track that doesn’t scream for a listen. It’s there for the curious. Four, have you seen this cover? We were talking artistic expression right? That’s it right there. Take these 4 points together, and you see why it’s such a standout. Q. Tell us about the evolution of your YT channel, where you’ve been uncovering hidden gems from the 90s / early 00s, largely from obscure NL house, techno and tribal / progressive producers and labels. Had you always suspected there might be a trove of deeper cuts hidden amongst the more popular Dutch hardstyle, trance and techno records of the time? It’s funny that you mention that, because some of the quality deeper cuts originate from producers that came a long way from Trance, Hardcore and Gabber. If we take a step back, late 80s house music flew over by local DJs that felt inspired by what was going on in the US. That was for both the parties and the sound. The paradigm changed in Amsterdam as well. It had to withstand serious commotion by the crowd, but the driving forces around Club Roxy and Club iT eventually obtained their recognition. The local embracement paved the way for the evolution of many subgenres that followed. Of course music evolves globally, but it is the combination with local appreciation, local hubs, and local initiatives that gave it cultural body. It really deepened and refined what artists were able to produce. Such history gives so much color to when you are going through archives like record bins. To relate it to the YT channel, essentially what it does is making finds from the past available for listening. I think on there, you have a unique combination of archiving and curation. Archiving in the sense that it’s not as polluted as other platforms, it is straight to the point and less ego-centric. Curation in the sense that you can post something unique and commit something that was not there yet, and bring it together on a channel. Now from history we can tell that the mid-late 90s and early 00s you mention were indeed fruitful in the region. That’s how it doesn’t surprise I come along the quality cuts you’re referring to. There is still a lot to discover. Also a lot of garbage, but dig deep enough and you’ll run into hidden treasures. Along the way you learn a lot about your musical taste. That’s the fun part.
May 14, 2026
MDC.325 DAWS
Rolling waves of smooth sun soaked house with Naarm's own DAWS soundtracking her lifelong affinity for the deep blue. Techy offshore groovers and silky soulful burners making for the ultimate sunset serenade. Feel the breeze! @dawsdj Q. What sounds, places or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being most enjoyed in? A. I recently returned from a trip to South America where we spent most days talking about music, and specifically the sounds that got us inspired to start DJing. Enjoying time away in nature while driving long winding roads to the beach, between snow tipped mountains, and sunrise bus ride through the vast desert gave me plenty of time to reflect. This year marks 10 years since I started, and this mix is a trip down memory lane where we revisit the archive of tracks and moods that stood out to me. So I guess you could say it came from a pretty sentimental place. I imagine it would be nice for a drive to the beach or while sat somewhere beautiful. Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. Heaps! But in particular the last track ‘Homepage’ by Brittany is a special one that takes me straight to my favourite place - in the ocean. A lot of my sound (and music I consume) is influenced by proximity to a body of water: coming, going, and spending time by it. Q. We loved your Touch Of Sapphic EP from last year, it felt like potentially the beginnings of a new direction with your sound.. cheeky and club focussed but with a really groovy, breezy feel to it all. Can you tell us about any new projects in the works, and what sounds have you been drawn to explore further? A. It’s been a balancing act to blend more club and late night tracks with the sounds that I’m more familiar with making. Lately, I’ve been really into ‘patient house’ as Ricky Nord calls it, which can be characterised by taking a less predictable and more laidback approach to arrangement, while giving more time for each element in the track to breathe. I still love tracks that use a big snare roll to build energy, but I’ve been enjoying new ways to mix tracks in sets that shy away from the classic energy signifiers. You can expect another EP from me soon with a good bit of breezy groovy stuff, and perhaps a bit of patient house???
308 total episodes available
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Frequently asked questions
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This podcast updates weekly.
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