Is radio a visual medium? Henry Skerritt, Margo Smith and Matthew McLendon say "Yes!" Every week these Charlottesville-based curators take us on a quick audio tour of one of the works in their museum. Henry Skerritt is the Curator of the Indigenous Arts of Australia at the Kluge-Ruhe Aboriginal Art Museum and Margo Smith is the Director. Matthew McLendon is the Director and Chief Curator at the Fralin Museum of Art at the University of Virginia.
Museum Minute
Claim This Podcastby WTJU 91.1 FM, The Kluge-Ruhe Aboriginal Art Museum & The Fralin Museum of A
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25 episodes
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Podcast Overview
Is radio a visual medium? Henry Skerritt, Margo Smith and Matthew McLendon say "Yes!" Every week these Charlottesville-based curators take us on a quick audio tour of one of the works in their museum. Henry Skerritt is the Curator of the Indigenous Arts of Australia at the Kluge-Ruhe Aboriginal Art Museum and Margo Smith is the Director. Matthew McLendon is the Director and Chief Curator at the Fralin Museum of Art at the University of Virginia.
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Publishing Since
8/13/2020
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Recent Episodes
June 10, 2021
Black Figure Column Krater
<h1></h1> <p>This krater is highly decorated with both designs and figural groupings in the Black Figure technique. It is a complicated process, but put simply, the main decorative elements and figures are painted with a slip that turns black in the firing process. On one side, a wedding scene is painted with bride and groom in a four-horse chariot, accompanied by two women attendants and a musician playing a lyre. One of the attendants holds a torch. The other side has a battle scene, two warriors fight over the body of a fallen third. Again, two female attendants look on.</p> <p>Greek Artist (6th century BCE) Black Figure Column Krater, ca. 510-500 BCE Earthenware 14 x 15 ½ x 13 inches Museum purchase with funds from the Volunteer Board Endowment Fund and the Curriculum Support Fund, 1988.6</p>
May 20, 2021
My Country by Emily Kame Kngwarreye
<h1></h1> <p>Emily Kame Kngwarreye was one of the first celebrated female Aboriginal Australian Desert Painters. Entering the national art market well into her seventies, Kngwarreye paved the way for female Aboriginal artists to express women's specific cultural relationship to the Dreaming and their ancestral lands. In My County, Kngwarreye uses a vibrantly colored dotting technique, popularized in Papunya. While only she knows the true stories and secrets that lay hidden within the canvas, all viewers can appreciate My Country for its immensely beautiful and imposing presence.</p> <p>Emily Kame Kngwarreye Indigenous Australian, b. 1910 My Country, 1994 Acrylic on canvas, 150.5 x 485 x 4cm (h x w x d) Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, Gift of John W. Kluge, 1997</p> <p>Episode produced by Sydney Pulliam.</p>
May 13, 2021
Nullius in Verba III by Steaphan Paton
<h1></h1> <p>Standing at six feet tall, the sculpture “Nullius in Verba III” is intentionally the same height and weight as its sculptor, Steaphan Paton. The metal, diamond-shaped shield, mounted on a long pole, confronts the viewer. The shield’s surface is scratched, evoking the centuries of violence and dispossession faced by Paton’s ancestors. Among closer inspection, however, the sculpture is made from modern materials, asserting that this violence against Indigenous Australians is not an historic anecdote but a contemporary issue. Steaphan Paton Gunai and Monaro-Ngarigo language groups, Indigenous Australian, b. 1985 Nullius in Verba III, 2019 Etched steel, acrylic paint, nanotech clear sealant </p> <p>Episode produced by <strong>Addie Patrick. </strong></p>
25 total episodes available
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