Narrative Poems

About Narrative Poems

Seamus Perry and Mark Ford explore one of the oldest forms in Western literature: poems that set out to tell us a story, beginning with Marlowe’s ‘Hero and Leander’ and ending with Carson’s 'Autobiography of Red'. Narrative poems can be dizzyingly erotic, like Shakespeare’s ‘Venus and Adonis', wittily satirical, like Pope’s ‘The Rape of the Lock’, respond to contemporary political history, like Clough's 'Amours de Voyage', or present heartbreaking tales of loss and remorse, like Wordsworth’s ‘Michael’ and Coleridge’s ‘Rime of the Ancient Mariner’. Join Seamus and Mark as they explore the astonishing richness, adaptability and endurance of one of the oldest forms in Western literature. Seamus Perry is a professor or English at the University of Oxford. Mark Ford is a poet and professor of English at University College London. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp⁠ Poems featured in the series: Marlowe, ‘Hero and Leander’ Shakespeare, ‘Venus and Adonis’ and ‘The Rape of Lucrece’ Milton, Book 9 of ‘Paradise Lost’ Pope, ‘The Rape of the Lock’ Coleridge ‘The Rime of the Ancient Mariner’ Wordsworth, ‘The Ruined Cottage’ and ‘Michael’ Keats, ‘The Eve of St Agnes’ Browning, ‘Childe Roland to the Dark Tower Came’ Clough, ‘Amours de Voyage’ Tennyson, ‘Enoch Arden’ H.D., ‘Helen in Egypt’ Seth, ‘The Golden Gate’ Carson, ‘Autobiography of Red and ‘Red Doc>’

Publisher

London Review of Books

Category

arts · education

Language

en

Explicit

No

First episode

1 Jan 2026

Latest episode

30 Sept 2026

Latest episodes

10 episodes in the feed.

1. 

   30 Sept 2026

   ‘Amours de Voyages’ by Arthur Hugh Clough

   In 1848, Arthur Hugh Clough resigned his fellowship at Oxford after realising that he could no longer in good conscience teach the doctrines of the Anglican Church, as the job required. He immediately embarked on some European travel and the following year found himself in Rome during the short-lived republican uprising against the Pope, led by Giuseppe Mazzini. Out of these experiences came Amours de Voyage, an epistolary verse novel written in hexameters, in which a young scholar visits Italy during the uprising and falls in love with a fellow English tourist. In this episode, Seamus and Mark look at Clough’s poem as an expression of its author’s rootlessness and the crisis of faith that characterised the age, and the ways in which it undercuts the grand Byronic promise of its title and meter to unfold an Austenian story of subtle social snobbery and young romantic failure. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp Read more in the LRB: Fergus McGhee: Mr Mid-Victorian Doubt https://lrb.me/npep1001 Christopher Clark: God Bless Italy https://lrb.me/npep1002 Stefan Collini: Matthew Arnold https://lrb.me/npep101003

2. 

   31 Aug 2026

   Narrative Poems: ‘Childe Roland’ and ‘The Pied Piper’ by Robert Browning

   ‘Childe Roland to the Dark Tower Came’ has baffled readers and critics ever since it was published in Men and Women in 1855. It baffled its author, too. It ‘came upon me as a kind of dream’, Browning recalled. ‘I had to write it then and there, and I finished it the same day.’ The result, inspired by a line spoken by Edgar (as Poor Tom) in Act III of King Lear, is a grim, hallucinatory quest poem that exemplifies Browning’s talent for what G.K. Chesterton called ‘the poetry of mean landscapes’. In this episode, Seamus and Mark read Browning’s mysterious poem as a rejection of the resources and consolations established by the Romantics. They then turn to an earlier narrative poem, ‘The Pied Piper of Hamelin’ (1843), in which Browning uses a comical, Byronic tone to tell the story of another prophetic figure. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp Read more in the LRB: Barbara Everett: https://lrb.me/npep901 Matthew Reynolds: https://lrb.me/npep902 Donald Davie: https://lrb.me/npep903

3. 

   3 Aug 2026

   ‘The Eve of St Agnes’ by John Keats

   According to legend, a young woman who observes certain rites on 20 January, the Eve of St Agnes, will see in her dreams the man she is going to marry. When John Keats found himself in Chichester on that day in 1819, he was inspired to write his own account. In this episode, Seamus and Mark discuss Keats’s talent for sublime banality, the competing readings of the lover, Porphyro, and the poem's repurposing of Spenserian allegory for a contemporary love story. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp Read more on Keats in the LRB: John Bayley: https://lrb.me/npep801 Barbara Everett: https://lrb.me/npep802 Helen Vendler: https://lrb.me/npep803

4. 

   5 Jul 2026

   ‘The Ruined Cottage’ and ‘Michael’ by William Wordsworth

   Samuel Taylor Coleridge was one of the first people to hear ‘The Ruined Cottage’, read aloud to him on a visit to the Wordsworths in 1797, and he later described it as ‘one of the most beautiful poems in the language’. Like ‘Michael’ (1800), it depicts the disintegration of ordinary lives under social and psychological pressures, reflecting Wordsworth’s interest in rural poverty as much as the natural world. In this episode, Seamus and Mark look at the two poems as part of the literary revolution brought about by the Lyrical Ballads, in which everyday language is used to depict marginal lives without sentiment, guided by Wordsworth’s assertion that ‘men who do not wear fine clothes can feel deeply.’ Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp Read more in the LRB: Marilyn Butler on The Lyrical Ballads: https://lrb.me/npep702 Jonathan Wordsworth: Wordsworth in Love: https://lrb.me/npep701 Seamus Perry on 'The Prelude': https://lrb.me/npep703 Colin Burrow on Wordsworth: https://lrb.me/npep704

5. 

   13 May 2026

   ‘Tam o’ Shanter’ by Robert Burns and ‘Peter Grimes’ by George Crabbe

   ‘Tam o’ Shanter’ first appeared as a lengthy footnote in Francis Grose's Antiquities of Scotland (1791) after Robert Burns convinced Grose to include the ruined Alloway Kirk in his volume, and its supernatural associations (invented by Burns). Its story of the drunken Tam's encounter with witches in the stormy Ayrshire landscape has served as both a celebration and chastisement of Scottish masculinity ever since its publication, but the attitude of its narrator remains elusive throughout. In this episode, Seamus and Mark discuss the poem’s moral and stylistic turns, its influence on Wordsworth and Coleridge, and what it owes to the Augustan perfectionism of Pope. They then turn to a much darker example of Romantic narrative poetry, George Crabbe’s ‘Peter Grimes’ (published in his collection The Borough in 1810), and explore the bracing realism and psychological insight in the story of a cruel Suffolk fisherman who destroys the apprentices placed in his care. This episode also features a bonus conversation with Andrew O’Hagan, who reads extracts from 'Tam o’ Shanter' and explains why the poem’s reliably contradictory narrative voice is so useful for anyone learning to write stories. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Karl Miller: Peeping Tam: ⁠https://lrb.me/npep501⁠ Neal Ascherson on Burns's life: ⁠https://lrb.me/npep502

6. 

   13 Apr 2026

   ‘The Rape of the Lock’ by Alexander Pope

   Sometime in 1711, a twenty-year-old aristocrat, Lord Petre, snipped a lock of hair, without permission, from the head of Arabella Fermor, a celebrated beauty. The incident caused an irreconcilable rift between the two families, who were both Catholic. Shortly afterwards, the young poet Alexander Pope, also Catholic, was approached by a friend who suggested he turn the incident into a comic poem. The result was one of the bestselling poems of the age, ‘The Rape of the Lock’ (1712), a mock-epic that fused the grand styles of Homer, Virgil and Milton with an acerbic social satire, in which the gods are reimagined as airy sylphs guarding the honour of the heroine, Belinda. William Hazlitt wrote of the poem that ‘you hardly know whether to laugh or weep’, and in this episode Seamus and Mark discuss why Pope's masterpiece is at once the funniest poem in the English language and an essay on the seriousness of trivial things. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Claude Rawson on 'The Rape of the Lock': https://lrb.me/nppope01 Colin Burrow on Pope: https://lrb.me/nppope02

7. 

   16 Mar 2026

   ‘Paradise Lost’ (Book 9) by John Milton

   When Milton came to describe Eve’s tasting of the forbidden fruit, he knew he couldn’t rely on suspense to grip the reader. Instead, he used multiple genres and perspectives to interrogate the moral and emotional significance of ‘man’s first disobedience’, self-consciously drawing on the resources of Renaissance tragedy, pastoral and love poetry to achieve his great innovation, the Christian epic. In this episode, Seamus and Mark look at the ways in which Milton’s study of temptation and free will became an unparalleled expression of poetic brilliance, from its thrillingly ambiguous and seductive depiction of Satan to its vivid dramatisation of the reproachful lovers confronting the consequences of their misdeeds, and ultimately its claim to being the finest love poem in English. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Colin Burrow: Loving Milton https://lrb.me/npmilton01 Tom Paulin: Milton and the Regicides: https://lrb.me/mpmilton02 Tobias Gregory: Milton’s Theology: https://lrb.me/npmilton03

8. 

   16 Feb 2026

   ‘Venus and Adonis’ and ‘The Rape of Lucrece’ by William Shakespeare

   Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. Venus and Adonis appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare’s poem displays its author's remarkable originality, from its peculiar reshaping of the Ovidian myth into a tale of comic mismatch, to its surprising diversion into the psychology of grief. They then look at his disturbing follow-up, The Rape of Lucrece (1594), in which a chilling depiction of self-conscious, premeditated evil anticipates characters such as Iago and Macbeth. Further reading in the LRB: Stephen Orgel on Shakespeare's poems: https://lrb.me/npshakespeare01 Barbara Everett on the sonnets: https://lrb.me/npshakespeare02

9. 

   19 Jan 2026

   ‘Hero and Leander’ by Christopher Marlowe

   ‘Hero and Leander’ was published in 1598, and anyone who came across it in a stationer’s shop in Elizabethan London would have known that its author was dead, killed in a brawl in Deptford in 1593. Christopher Marlowe’s sensational life as playwright and spy is matched by the wit, sophistication and eroticism of his eccentric retelling of Ovid’s myth, based on a 6th-century version by Musaeus. Seamus and Mark begin their new series by looking at the playful but often troubling treatment of desire in a poem that contains one of the most explicit depictions of sex in English poetry. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Further reading in the LRB: Michael Dobson on the life of Marlowe https://lrb.me/np1marlowe1 Hilary Mantel on the murder of Marlowe: https://lrb.me/np1marlowe2 Charles Nicholl on Faustus: https://lrb.me/np1marlowe3

10. 

    1 Jan 2026

    Introducing ‘Narrative Poems’

    Seamus Perry and Mark Ford explore one of the oldest forms in Western literature: poems that set out to tell us a story, beginning with Marlowe’s ‘Hero and Leander’ and ending with Carson’s 'Autobiography of Red'. Narrative poems can be dizzyingly erotic, like Shakespeare’s ‘Venus and Adonis', wittily satirical, like Pope’s ‘The Rape of the Lock’, respond to contemporary political history, like Clough's 'Amours de Voyage', or present heartbreaking tales of loss and remorse, like Wordsworth’s ‘Michael’ and Coleridge’s ‘Rime of the Ancient Mariner’. Join Seamus and Mark as they explore the astonishing richness, adaptability and endurance of one of the oldest forms in Western literature. Seamus Perry is a professor or English at the University of Oxford and Mark Ford is a poet and professor of English at University College London. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Poems featured in the series: Marlowe, ‘Hero and Leander’ Shakespeare, ‘Venus and Adonis’ and ‘The Rape of Lucrece’ Milton, Book 9 of ‘Paradise Lost’ Pope, ‘The Rape of the Lock’ Coleridge ‘The Rime of the Ancient Mariner’ Wordsworth, ‘The Ruined Cottage’ and ‘Michael’ Keats, ‘The Eve of St Agnes’ Browning, ‘Childe Roland to the Dark Tower Came’ Clough, ‘Amours de Voyage’ Tennyson, ‘Enoch Arden’ H.D., ‘Helen in Egypt’ Seth, ‘The Golden Gate’ Carson, ‘Autobiography of Red and ‘Red Doc>’

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