by Ned Wuascht
NED WUASCHT – WIR GEH’N FISCH’N der Podcast fürs feministische Filmlesen. ist ein kritisch, feministischer Filmpodcast der Wiener Filmwissenschaftlerinnen Bianca Jasmina Rauch und Barbara Wolfram. Alle paar Wochen analysieren wir Filme zwischen Arthouse und Popkultur. https://nedwuascht.com/ Sounds von Zapsplat.com
Language
🇩🇪
Publishing Since
2/7/2021
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June 3, 2026
#2 Wessen Körper, wessen Traum? Wir starten den deutschen Part der neuen Staffel mit einer Paarung, die auf den ersten Blick unwahrscheinlich wirkt und auf den zweiten Blick interessante Verbindungen hervorbringt: Euphoria Staffel 3 (US/HBO, 2026) und Vorstadtweiber Staffel 1 (AT/ORF, 2015). Hier die HBO-Megaproduktion mit Glitter, Neonlicht und einer Million-Dollar pro Folge für Zendaya. Dort die ORF-Dramedyserie über gelangweilte Ehefrauen in der Wiener Nobelvorstadt. Was haben sie miteinander zu tun? Mehr als der erste Blick verspricht. Denn beide Serien drehen sich um die Fragen: Was passiert mit Frauen in Systemen, die ihren Körper, ihre Jugend, ihre Sichtbarkeit als handelbare Güter behandeln? Und was passiert mit ihnen, wenn dieses Kapital aufgebraucht ist? Welche Loyalitäten gibt es und welche bleiben unter Druck bestehen?
May 25, 2026
#1 The Sound of Music meets Elfriede Jelinek (Season 4) We start our new season with the all-time classic „The Sound of Music“ (US 1965), an escapist dream set in the Austrian landscape of Salzburg. The musical is based on the true lives of the Family von Trapp who could flee the Nazi terror and make a career as musicians in the States. Being one of the highest grossing films in history it stirs a longing for harmony in its audience that seems to last till this day. But which values does the story pursue and naturalize? We analyze the protagonist Maria (Julie Andrews), her roles as a nun, a governess, a wive and potenzial mother – and as a queer icon. We analyze how traditional gender roles and nature oppose the evil - the threat by the Nazis. We also take a close look the narrative of „Austrianness“ that the film creates. Additionally we are asking which role the landscape takes in „The Sound of Music" and how the Trapp Family received the film. With our second film we deepen the critical look on the questions posed. „Ramsau am Dachstein“ (AT 1976), a TV film that Elfriede Jelinek wrote and realized with director Claus Homschak questions the romanticized depiction of Austrian landscapes in media. Made available with Englisch subtitles by the distributor sixpackfilm we seized the occasion for a comparison. With Jelinek we ask: Who do we see as working in and on this landscape? Who does profit from it? And why is a film like „Ramsau am Dachstein“ and it’s scandalous reception so telling for a discourse on what Austria is, could and should be after 1945?
December 29, 2025
#6 Pink Power at Harvard? Feminism, Ambition, and Cultural Legacy in "Legally Blonde" For our sixth English episode, we take a fresh look at "Legally Blonde" (US 2001, Robert Luketic), this time in a faster, focused format: one film, one conversation, directly after the screening. We recommend (re)watching Legally Blonde before listening to our episode - just right in time for the 2026 premiere of the prequel series "Elle". We watched the film together in Cambridge, Massachusetts, so this episode is tied to place and context. While Barbara is spending the fall and spring semester as a visiting scholar at Harvard and Bianca is conducting research at the Schlesinger Library/ Harvard, it felt only fitting to revisit a film so deeply entangled with Harvard’s cultural imagination and representation. "Legally Blonde" is often dismissed as serving only as light entertainment, yet its influence is anything but superficial. From Elle Woods’ unapologetic femininity to her navigation of elite academic spaces, the film raises many questions about gender, ambition, social class and belonging. We discuss how the movie plays with stereotypes, sometimes reinforcing them, sometimes strategically subverting them, and why its vision of feminist success continues to resonate more than twenty years later. The film’s lasting cultural power was palpable at the beginning of the fall term, when "Legally Blonde" was screened outdoors in front of Harvard’s Widener library for incoming students. The collective movie-going experience, complete with quoted lines and audience interaction, made clear how deeply the film is embedded in popular memory. Adding to this, Reese Witherspoon herself visited Harvard Business School this semester to discuss her production company Hello Sunshine, the business side of female-lead storytelling and the long-term impact of "Legally Blonde" on her approach to storytelling. In this episode, we ask: What kind of feminism does "Legally Blonde" offer? How performative is its feminism? How does it imagine access to elite institutions and at what cost? Why does its depiction of sexual harassment at the workplace feel right? And why does Elle Woods remain such a powerful figure for conversations about women, work and visibility up to today?
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NED WUASCHT – WIR GEH’N FISCH’N der Podcast fürs feministische Filmlesen.
ist ein kritisch, feministischer Filmpodcast der Wiener Filmwissenschaftlerinnen Bianca Jasmina Rauch und Barbara Wolfram. Alle paar Wochen analysieren wir Filme zwischen Arthouse und Popkultur.
https://nedwuascht.com/ Sounds von Zapsplat.com
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