Audio, testimonies, and stories from our gardens as learning sites 🌿 Organized in collaboration with the Lumad Bakwit Schools, Alfred Marasigan, Karl Castro, Ateneo de Manila University, and Independent Curators International. For updates from the Lumad Bakwit Students, visit https://www.instagram.com/saveourschoolsnetwork/ to help, donate, and connect.

Omehen: The Garden As An Ongoing Chronicle and Unfinished Strategy of Resistance
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Podcast Overview
Audio, testimonies, and stories from our gardens as learning sites 🌿 Organized in collaboration with the Lumad Bakwit Schools, Alfred Marasigan, Karl Castro, Ateneo de Manila University, and Independent Curators International. For updates from the Lumad Bakwit Students, visit https://www.instagram.com/saveourschoolsnetwork/ to help, donate, and connect.
Language
🇹🇱
Publishing Since
1/25/2021
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Recent Episodes

August 29, 2022
On Betel Nuts and Landscaping Laws
<p>(English below; cover image by Karl Castro)</p> <p>Sa episode na ito, pinag-usapan namin ang ilang, ang sakahan, at ang hardin sa mga konteksto ng Ateneo campus, ng karanasan ng mga Lumad Bakwit Students, at naming dalawa bilang bahagi ng proyektong ito. Shout out sa Ateneo Wild! (instagram.com/@ateneowild) Para sa kargdagang impormasyon sa campus project namin, bisitahin ang https://arete.ateneo.edu/programs/progress/during-the-2019-20-residency-omehen (sa magkahalong English at Tagalog) (Alfred Marasigan)</p> <p>In this episode, we discuss the wild, the farm, and the garden within the Ateneo campus, the Lumad Bakwit students' experience and our own. Shout out to Ateneo Wild! (instagram.com/@ateneowild) For more information on our campus project, visit https://arete.ateneo.edu/programs/progress/during-the-2019-20-residency-omehen (in mixed English and Tagalog) (Alfred Marasigan)</p> <p><br></p>

August 29, 2022
On Policing and Protecting
<p>(English below; cover image by Pabs Odeste)</p> <p>Sa episode na ito, pinagtuunan nina Karl at Alfred nang pansin ang marahas na pamamalakad ng estado - mula sa redtagging hanggang sa pagsugpo ng malayang pamamahayag - para lalong maging mahirap ang pag-organisa, pag-aaral, at patuloy na pamumuhay ng mga Pilipino. (Alfred Marasigan)</p> <p>In this episode, Karl and Alfred talk more in-depth about systematic and violent measures taken by the state - from redtagging to silencing free speech - that police community behavior and knowledge exchanges in micro and macro scales. (Alfred Marasigan)</p>

October 10, 2021
Ang Painting ni Michael / Michael's Painting
<p><strong>(English below; cover art by Lumad Bakwit School freshman college student Michael*)</strong></p> <p><br></p> <p><a href="https://emojipedia.org/artist-palette/">🎨</a></p> <p>Sa kabila ng mahinang cellular signal, napag-usapan namin ni Michael* ang kanyang ginawang painting mula sa isa sa mga remote art workshops ng Omehen. Ikinuwento niya ang matinding ugnayan ng mga Lumad communities sa kalikasan, lalung-lalo na ang Pantaron Mountain Range sa Mindanao, pati na ang mga kinakaharap nila at nitong balakad mula sa mga mandarambong ng lupa, mineral, at buhay. Bilang kabuhayan, tirahan, at pananagutan, ang Pantaron at ang kapalaran nito ay kasama rin ng nanganganib na Philippine eagle (Pithecophaga jefferyi), pati na rin ng maraming Lumad na umaasa rito. (Alfred Marasigan)</p> <p><br></p> <p><a href="https://emojipedia.org/seedling/">🌱</a></p> <p>Between bouts of bad cellular signal, Michael* and I talked about his painting inspired by one of the remote art workshops from Omehen. He details the Lumad communities' oneness with nature particularly the Pantaron Mountain Range in Mindanao and the threats they both face from landgrabbers, mining companies, and state-sponsored violence. As a source of food, a form of shelter, and a shared responsibility, Pantaron's fate also includes that of the similarly endangered Philippine eagle (Pithecophaga jefferyi), among the many Lumad people who depend on it. (Alfred Marasigan)</p> <p><br></p> <p>*Names have been changed for privacy.</p>
9 total episodes available
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- What is Omehen: The Garden As An Ongoing Chronicle and Unfinished Strategy of Resistance?
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