Podcast thumbnail for On the Yard

by The Moorland-Spingarn Research Center at Howard University

5.0(9 reviews)
10 episodes
Updated Daily
Accepts GuestsHas SponsorsLocation 🇺🇸

Podcast Overview

On the Yard is where Black history speaks. From the archives of the Moorland-Spingarn Research Center at Howard University, each episode uncovers a powerful artifact—photographs, letters, rare books, film, and everyday objects—and traces the lives, ideas, and movements behind it. Guided by Dr. Benjamin Talton, Director of MSRC, alongside scholars and cultural voices, On the Yard connects memory to the moment, revealing how the past continues to shape Black life, creativity, and imagination across the globe.

Language

🇺🇲

Publishing Since

12/18/2025

1 verified contact email on file for On the Yard

Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.

Recent Episodes

Episode thumbnail for Enacting Social Change by Looking to the Past with Dr. Ibram X. Kendi

May 21, 2026

Enacting Social Change by Looking to the Past with Dr. Ibram X. Kendi

On the season one finale of On the Yard, MSRC Director Dr. Benjamin Talton sits down with Dr. Ibram X. Kendi, historian, author, and the inaugural Carter G. Woodson Endowed Chair in History for the College of Arts and Sciences at Howard University. The conversation covers Dr. Kendi’s new book, Chain of Ideas, which examines the origin and rise of “the great replacement theory” as a dominant political idea. They also discuss Dr. Kendi’s new position at Howard, his groundbreaking work studying anti-Black racism, and his goals for advancing influential scholarship on Black history, social justice, and American policy. On the Yard is a production of The Moorland-Spingarn Research Center at Howard University and is produced by University FM.

Episode thumbnail for Haile Gerima and the Power of Storytelling

April 30, 2026

Haile Gerima and the Power of Storytelling

Just across the street from The Yard, sits Sankofa Video, Books, and Cafe. For nearly 30 years, Sankofa has provided an expansive selection of film and literature on the global Black experience, but it has also long been a community center for Howard University students and residents of northwest D.C. For this episode of On The Yard, MSRC Director Dr. Benjamin Talton pays a visit to Sankofa Cafe and sits down with owner, storyteller, renowned filmmaker, and Howard alum Haile Gerima. They discuss Gerima’s films focused on the lives and experiences of people of African descent, including titles such as Black Lions, Roman Wolves and the cafe’s namesake, Sankofa. The conversation also delves into the commodification of Black stories by the film industry, Gerima’s experience filming in Ethiopia during the 1974 upheaval, and his experience teaching at Howard University. Episode Guide: 00:00 Welcome to Sankofa Cafe 01:09 Meet Haile Gerima 01:46 Storytelling vs. Filmmaking 07:35 Black Cinema And ‘The Plantation Economy’ 11:44 Sankofa Film And Symbol 15:23 Building A Community Institution 16:36 Haile’s Picks 21:04 Howard Years 25:36 Filming During Revolution 29:27 Ethiopia Identity Politics 31:36 Sankofa Community Power 34:38 Black Lions, Roman Wolves 38:17 Black Press Solidarity 39:42 Sankofa Cafe Farewell On the Yard is a production of The Moorland-Spingarn Research Center at Howard University and is produced by University FM. Episode Quotes: Black stories aren’t made to be for entertainment 04:35: Entertainment is an industry by itself, but I think when you think of our story as entertainment, we do injustice to it, in my view, because we have not begun to tell our story. We have been people who've been robbed our stories. Our stories have been completely undermined, dwarfed, and to reclaim our story, I don't think we can do justice to it if we keep thinking entertainment. I think our story should be just a story, and the outcome should be it's from its own inherent originality and genuineness instead of forced entertainment. Storytelling is the real battleground for Black stories 10:03: The issue here is, I think, especially Black people cannot afford to be entertaining because, fundamentally, all the contradictions are from the very idea of robbed people of their story. The story is the battleground. To me, the issue of race in America, and its crux, the crux of that issue is story, not being in charge of your story in the end. Films as a staircase for growth 11:54: Every movie is a staircase of my own evolution and growth. And so, for me, without the films, the short films I did that are very dear to me in the sense they are my vehicle of growth in spelling cinema, trying to put my story cinematically. Show Links: The Moorland-Spingarn Research Center Follow MSRC on Instagram and YouTube Sankofa

Episode thumbnail for Chocolate City

April 16, 2026

Chocolate City

By the early 1970s, Black residents comprised nearly 73% of Washington, D.C.’s population, making it one of the most prominent majority Black cities in America.  As a testament to that identity, residents in D.C. nicknamed it “Chocolate City.” Chocolate City was a rare urban space in the 1970s where Black-owned businesses thrived, go-go music dominated the radio stations, and Black people held genuine political power. Standing at the intellectual heart of this world was Howard University, the nation's most prominent HBCU, which featured as a crown jewel of Black academic and cultural life training generations of lawyers, physicians, artists, and activists who shaped the city and the broader African diaspora. On this episode of On the Yard, MSRC Director Dr. Benjamin Talton sits down with Sonja Woods, university historian at MSRC, Howard alum Abdur-Rahman Muhammad, and Dr. George Derek Musgrove, associate professor of history at the University of Maryland and co-author of Chocolate City: A History of Race and Democracy in the Nation's Capital. The discussion covers the cultural touchstones that built Chocolate City and the figures who were transformative to D.C., cementing it as not just a political capital, but as a capital of Black intellectual life. They also discuss Howard University’s place in the city as a gathering ground for some of the most consequential Black thinkers, writers and scholars in the world. Episode Guide: 00:00 Chocolate City Origins & Guest Introduction 03:34 Defining Chocolate City 05:12 Democracy Returns 08:45 The Art, Music, and Culture of Chocolate City 16:31 Howard University Shapes the City 18:13 Black Flight Tipping Point 22:15 Remaking Howard in 1968 26:28 Three-Year Campus Struggle 28:53 President James E. Cheek’s Howard Legacy 34:45 Working Beyond Political Party Lines 37:45 Reagan Visit and 1983 Protests 42:37 Jesse Jackson and D.C. Statehood 45:22 Final Reflections and Wrap On the Yard is a production of The Moorland-Spingarn Research Center at Howard University and is produced by University FM. Episode Quotes: The triple threat of Chocolate City 10:22 [Dr. George Derek Musgrove]: It's just an exciting place to be Black. So, it's those three things. It's all of these people, the fact that they're beginning to vote for themselves and put together this really remarkably robust Black Power government, and they're just producing all this artwork. And I'll just add, to put a cherry on top, that Parliament, when it came out with "Chocolate City" in 1975, you know, is really acknowledging all of this. It's saying, look, this is the city where we have the biggest crowds. We do three or four shows a year, and they're all packed and sold out. Blackness on everyday frequency 13:41 [Abdur-Rahman Muhammad]: When I stepped foot in Washington, D.C. I first came here on a high school trip, I believe it was '78, and '79 is when I actually visited the campus for the first time, and to say it was a culture shock is an absolute understatement. All of these radio stations, no matter where you flip the dial, Black music came out. You turn on the television, the news anchors are Black, the weather person is Black. You're hearing Black music everywhere, Black bookstores, Black little coffee shops. A global vision for the Mecca 40:05 [Abdur-Rahman Muhammad]: He saw [James Cheek] Howard University as a great institution that could compete with the greatest institutions of the world, and he had a huge vision. His dedication to equity and healthcare, and the medical school and the hospital, he fought great battles, you know, to inaugurate those programs, the Sickle Cell Center, and what have you. He loved Black people. He loved his community, but he didn't tolerate nonsense either. Show Links: The Moorland-Spingarn Research Center Follow MSRC on Instagram and YouTube Chocolate City: A History of Race and Democracy in the Nation's Capital

10 total episodes available

Similar Podcasts

Discover related shows you might enjoy

Deep-dive analytics for On the Yard

Frequently asked questions

Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.

What is On the Yard?

On the Yard is where Black history speaks.

From the archives of the Moorland-Spingarn Research Center at Howard University, each episode uncovers a powerful artifact—photographs, letters, rare books, film, and everyday objects—and traces the lives, ideas, and movements behind it. Guided by Dr. Benjamin Talton, Director of MSRC, alongside scholars and cultural voices, On the Yard connects memory to the moment, revealing how the past continues to shape Black life, creativity, and imagination across the globe.

How often does this podcast release new episodes?

This podcast updates daily.

Where can I listen to this podcast?

This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.

Does this podcast accept guests?

Yes, this podcast regularly features guests.

Legal Disclaimer

Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.

All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.

We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.

While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.

By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.