Ein Podcast, bei dem wir die Filmgeschichte durch die Linse der Best-Picture-Oscarkategorie und aller Nominierten betrachten... und möglicherweise verzweifeln.
Oscar, wir müssen reden...
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Ein Podcast, bei dem wir die Filmgeschichte durch die Linse der Best-Picture-Oscarkategorie und aller Nominierten betrachten... und möglicherweise verzweifeln.
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Publishing Since
4/25/2021
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Recent Episodes
December 23, 2025
Oscar, wir müssen reden 28 - Oscars 1936: Captain Blood & The Lives of a Bengal Lancer
<p>"Oscar, wir müssen reden ..." ist ein Podcast, bei dem wir die Filmgeschichte durch die Linse der Best-Picture-Oscarkategorie und aller Nominierten betrachten... und möglicherweise verzweifeln. In der 28. Folge betrachten setzen wir unsere Besprechung der 8. Oscar-Verleihung vom 5. März 1936 fort, indem wir uns in gleich zwei kolonialistische Abenteuerfilme stürzen, nämlich in die erste Zusammenarbeit von Michael Curtiz, Errol Flynn und Olivia de Havilland ("Captain Blood") und in Gary Coopers ersten Versuch, einen Oberlippenbart zu tragen ("The Lives of a Bengal Lancer").</p><p><br></p><p>Allgemein</p><p>https://archive.org/details/behindoscarsecre00hold</p><p>https://archive.org/details/hollywoodstory00joel/</p><p><br></p><p>Captain Blood</p><p>Bücher:</p><p>https://archive.org/details/bwb_T2-DKL-975/</p><p>https://archive.org/details/casablancaotherm0000rose</p><p>https://archive.org/details/errolflynnsatans0000bret</p><p>https://archive.org/details/hollywoodprofess00can</p><p>hhttps://archive.org/details/michaelcurtizlif0000rode/</p><p>https://archive.org/details/mydayswitherrolf0000wile</p><p>https://archive.org/details/mywickedwickedwa0000efly/</p><p>https://archive.org/details/sistersstoryofol00high/</p><p><br></p><p>Artikel:</p><p>Holmes. Curtiz at Sea: Captain Blood, The Sea Hawk, The Sea Wolf, and The Breaking Point.</p><p>https://archive.org/details/thevelvetlighttrapno.01197106/The%20Velvet%20Light%20Trap%20No.%2001%20%5B1971-06%5D/page/n27/mode/1up</p><p>http://www.rafaelsabatini.com/thoughts-on-writing.html</p><p><br></p><p>Presse & Marketing: </p><p>https://archive.org/details/pressbook-wb-captain-blood/mode/2up</p><p>https://archive.org/details/pressbook-wb-the-charge-of-the-light-brigade/</p><p><br></p><p>The Lives of a Bengal Lancer</p><p>Bücher: </p><p>Hollywood and the invention of England : projecting the English past in American cinema, 1930-2017</p><p>https://archive.org/details/filmsofgarycoope0000dick/</p><p>https://archive.org/details/garycooperameric00meye</p><p>https://archive.org/details/garycooperintima0000arce/</p><p>https://archive.org/details/lastherobiograph00swin/</p><p><br></p><p>Artikel & Videoessays:</p><p>Blackface, Faciality, and Colony Nostalgia in 1930s empire films.</p><p>https://www.ejumpcut.org/archive/jc53.2011/SpringerMuslims/index.html</p><p>https://www.tcm.com/tcmdb/title/81625/the-lives-of-a-bengal-lancer#articles-reviews?articleId=87933</p><p><br></p><p>Presse & Marketing:</p><p>"Kinematograph Weekly", 24 January 1935. The Social History Archive. https://www.thesocialhistoryarchive.com/image-viewer?issue=BL%2F0003237%2F19350124&page=40&article=246&stringtohighlight=spectacle+and+realism+in+new+paramount. Accessed 19 October 2025.</p><p>"Kinematograph Weekly", 06 June 1935. The Social History Archive. https://www.thesocialhistoryarchive.com/image-viewer?issue=BL%2F0003237%2F19350606&page=18&article=135. Accessed 19 October 2025.</p><p>"LIVES OF A BENGAL LANCER": BERLIN MOSLEMS' PROTEST. The Manchester Guardian (1901-1959). May 08 1935:12. Available from: https://www.proquest.com/newspapers/lives-bengal-lancer/docview/483847863/se-2.</p><p>https://go-gale-com.uaccess.univie.ac.at/ps/i.do?p=NCCO&u=43wien&id=GALE%7CQYEPQH105027197&v=2.1&it=r&sid=summon</p><p>https://mediahistoryproject.org/reader.php?id=moviemirrorvol6d06unse</p><p><br></p><p>Bluesky: @oscarmussreden.bsky.social</p><p>Twitter: @Oscar_wir</p><p>YouTube: https://www.youtube.com/channel/UCkRpqMYYeSrE3Nw7LIDsXTw</p>
July 13, 2025
Oscar, wir müssen reden 27 - Oscars 1936: Naughty Marietta & Ruggles of Red Gap
<p>"Oscar, wir müssen reden ..." ist ein Podcast, bei dem wir die Filmgeschichte durch die Linse der Best-Picture-Oscarkategorie und aller Nominierten betrachten... und möglicherweise verzweifeln. In der 76. Folge betrachten läuten wir das Ende unserer Besprechung der 8. Oscar-Verleihung vom 5. März 1935 ein, indem wir zwei Migrationskomödien, nämlich das Jeannette MacDonald-Nelson Eddy-Starvehikel "Naughty Marietta" und Leo McCareys "Ruggles of Red Gap", miteinander diskutieren - und recht rasch einen Zeitgeist um Patriotismus, Freiheit und vermeintlicher Klassenlosigkeit freilegen.</p><p>Allgemein</p><p>https://archive.org/details/behindoscarsecre00hold</p><p>https://archive.org/details/hollywoodstory00joel/</p><p>https://www.hollywoodreporter.com/news/general-news/mgm-took-first-oscars-your-consideration-ad-1936-1186987/</p><p><br></p><p>Naughty Marietta</p><p>Bücher:</p><p>https://archive.org/details/elsalanchesterhe00lanc</p><p>https://archive.org/details/sweetheartstimel0000richHollywood Musicals Nominated for Best Picture</p><p>https://archive.org/details/completefilmsofj0000cast/</p><p>https://archive.org/details/morefromhollywoo00bode/</p><p>DOI: 10.1093/acprof:oso/9780199395408.001.0001</p><p><br></p><p>Artikel:</p><p>DOI: 10.5040/9781838710644.0064</p><p><br></p><p>Presse & Marketing: </p><p>https://archive.org/details/imfallinginlovew01herb/mode/2up</p><p><br></p><p>Ruggles of Red Gap: </p><p>Bücher: </p><p>https://archive.org/details/rugglesofredgap00wils [Vorlage]</p><p>https://drive.google.com/file/d/1NR8dboEOplFsTErDsMg_UANS57Ja4Ioz/viewCharles Laughton. A Filmography, 1928–1962</p><p>https://archive.org/details/youaintheardnoth0000sarr_v0m8/</p><p>https://archive.org/details/charleslaughtond00call</p><p>https://archive.org/details/charleslaughton00char</p><p><br></p><p>Artikel & Videoessays</p><p>https://www.e-periodica.ch/digbib/view?pid=flm-001:2018:60::788#298</p><p>https://digitalcommons.unomaha.edu/jrf/vol17/iss1/38</p><p>https://www.alternateending.com/2022/12/ruggles-of-red-gap-1935.html</p><p>DOI: 10.1080/10509200690902205DOI: 10.5169/seals-862974</p><p><br></p><p>Prese & Marketing:</p><p>https://variety.com/1934/film/reviews/ruggles-of-red-gap-2-1117794598/</p><p>https://trove.nla.gov.au/newspaper/article/55724940</p><p><br></p><p>Bluesky: @oscarmussreden.bsky.social</p><p>Twitter: @Oscar_wir</p><p>YouTube: https://www.youtube.com/channel/UCkRpqMYYeSrE3Nw7LIDsXTw</p>
April 21, 2025
Oscar, wir müssen reden - Bonus 1935: Moscow International Film Festival ("Chapaev" / "Чапаев")
<p>"Oscar, wir müssen reden ..." ist ein Podcast, bei dem wir die Filmgeschichte durch die Linse der Best-Picture-Oscarkategorie und aller Nominierten betrachten... und möglicherweise verzweifeln. Nach der Bonusfolge 1934 ("Deutscher Nationalpreis für Buch und Film") widmen wir uns abermals in dieser Bonusfolge (1935) einer Gegenperspektive, nämlich mit dem zweiten internationalen Filmfestival der Welt, nämlich dem Moscow International Film Festival bzw. dem Sowjetischen Filmfestival in Moskau, wie jenes damals hieß. Zwischen dem 21. Februar und dem 2. März 1935 bat die sowjetische Hauptstadt zum kulturellen Spektakel - und wir folgen dieser Einladung gerne, indem wir mit dem sowjetischen Kultfilm "Chapaev" der (sogenannten) Vasilyev-Brüder ideologisch-ästhetische Verrückungen sowie Subversion diskutieren.</p><p><br></p><p><strong>Moscow Int. Film Festival</strong></p><p>Bücher:</p><p>Inside the Film Factory : New Approaches to Russian and Soviet Cinema</p><p>https://books.google.com.vc/books?id=P7l-JtrXdn8C </p><p>https://vdoc.pub/documents/historical-dictionary-of-russian-and-soviet-cinema-7pf41sge2570</p><p><br></p><p>Artikel:</p><p>DOI: 10.30628/1994-9529-2020-16.1-33-55</p><p>https://cinergie.unibo.it/article/view/14303</p><p>https://onlinelibrary.wiley.com/doi/abs/10.1111/russ.12245</p><p>https://medium.com/watch-more/soviet-film-festival-in-moscow-1935-2cb03ad209ff</p><p><br></p><p>Presse & Marketing: </p><p>https://www.proquest.com/newspapers/russian-sound-films/docview/483796917/se-2</p><p><br></p><p><strong>Chapaev</strong></p><p>Bücher: </p><p>https://archive.org/details/dli.ernet.238235 [Romanvorlage]</p><p>https://archive.org/details/illustratedhisto0000unse_q0f8/</p><p>https://archive.org/details/sovietcinema0000dickhttps://archive.org/details/sovietcinemadire0000birk</p><p>https://library.oapen.org/bitstream/id/06c9a099-45c3-4f5b-a1a4-95aa7e525b17/641416.pdf</p><p>https://www.proquest.com/docview/304780661</p><p>https://www.proquest.com/docview/305510808</p><p>https://www.proquest.com/docview/895101763</p><p><br></p><p>Artikel:</p><p>https://hal.science/hal-04025070/file/SILL%20Do%20it%20like%20Chapaev%20V9%20REVISED.pdf</p><p>https://www.ekphrasisjournal.ro/index.php?p=artc&id=889</p><p>https://www.southwestsilents.com/post/90-years-of-chapaev-1934</p><p>https://soviethistory.msu.edu/1934-2/popular-film-industry/popular-film-industry-texts/cinema-for-the-millions/ </p><p><br></p><p>Presse & Marketing: </p><p>https://soviethistory.msu.edu/1934-2/popular-film-industry/popular-film-industry-texts/the-whole-country-is-watching-chapaev/</p><p><br></p><p>Bluesky: @oscarmussreden.bsky.social</p><p>Twitter: @Oscar_wir</p><p>YouTube: https://www.youtube.com/channel/UCkRpqMYYeSrE3Nw7LIDsXTw</p>
32 total episodes available
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