Our Voices on The Yard

About Our Voices on The Yard

Our Voices on The Yard is a celebration of Black voices of The Juilliard School, their passion, contributions and sacrifices. Through our lens, we explore the historic intersection of Black art, culture, faith and activism in our communities and beyond, while sharing the triumphs and struggles of the extraordinary Black. Hosted by Juilliard Drama Division alum, Denise Woods, Our Voice on The Yard prides itself on authentic, no-holds-barred conversations with former and current Juilliard students of the African diaspora. Our goal is to inform, educate and inspire.

Publisher

Denise Woods

Category

arts · education · society & culture

Language

en

Explicit

No

First episode

11 Nov 2022

Latest episode

10 Mar 2023

Latest episodes

19 episodes in the feed.

1. 

   10 Mar 2023

   The Transparency of Opera Singer Breanna Sinclairé Pt 2

   Denise continues her conversation with transgender opera singer Breanna Sinclair. A native of Baltimore, Maryland, and a graduate of CalArts, Breanna received her Masters from the San Francisco Conservatory of Music, and was the first transwoman of the opera program, under the pedagogy of Ms. Ruby Pleasure. Operatic performances include Carmen, La Calisto, The Old Maid and The Thief, The Magic Flute, L’enfant et les sortilèges, Platée, and West Side Story, as well as Meredith Monk’s Songs of Ascension at REDCAT, and Zachary Sharrin’s Time Bodies at MOCA. Outside of opera, Sinclairé has enjoyed a variety of performance opportunities with LGBT and other nonprofit organizations throughout the nation — most recently the Gay Men’s Choruses of Washington, D.C. and San Francisco. She made her debut at the Walt Disney Concert Hall with the Los Angeles Gay Men’s Chorus. Other performances include Americans for the Arts, Washington, D.C. and Toronto Pride Festivals, SF Trans March, Fresh Meat Trans and Queer Arts Festivals, Harvey Milk LGBT Democratic Club, LinkedIn’s LGBTQ Employee Resource Group speaker series panel discussion (alongside civil rights leader Cecilia Chung), Janet Mock’s Redefining Realness book tour, and the Transgender Law Center’s SPARK! anniversary celebration. Breanna also made her debut as a guest artist for the Gay Men’s Chorus of DC in Durufle’s Requiem performing “Pie Jesu” at Church of the Epiphany. She was among Out magazine’s 2015 “OUT100” list of LGBT heroes. She was the first transwoman to perform the National Anthem at a professional sporting event for the Oakland A’s, SF Giants, and San Francisco Deltas. She made her debut with SF Symphony on December 31, 2018 as the first trans singer to perform with the orchestra. What You Will Hear Feeling comfortable with your instrument/voice Singing voice vs speaking voice Being a transgender daughter of a pastor Voice training Quotes “When people speak, you can fill in the blanks when they are really truly connected to their authentic voices.” “So basically you are an upright basd with all these high, wonderful tones of a cello.” Mentioned Leontyne Price Nathan Carter New Shiloh Baptist Church

2. 

   3 Mar 2023

   The Transparency of Opera Singer Breanna Sinclairé

   In anticipation of season 2, Denise sits down with transgender opera singer Breanna Sinclair. A native of Baltimore, Maryland, and a graduate of CalArts, Breanna received her Masters from the San Francisco Conservatory of Music, and was the first transwoman of the opera program, under the pedagogy of Ms. Ruby Pleasure. Operatic performances include Carmen, La Calisto, The Old Maid and The Thief, The Magic Flute, L’enfant et les sortilèges, Platée, and West Side Story, as well as Meredith Monk’s Songs of Ascension at REDCAT, and Zachary Sharrin’s Time Bodies at MOCA. Outside of opera, Sinclairé has enjoyed a variety of performance opportunities with LGBT and other nonprofit organizations throughout the nation — most recently the Gay Men’s Choruses of Washington, D.C. and San Francisco. She made her debut at the Walt Disney Concert Hall with the Los Angeles Gay Men’s Chorus. Other performances include Americans for the Arts, Washington, D.C. and Toronto Pride Festivals, SF Trans March, Fresh Meat Trans and Queer Arts Festivals, Harvey Milk LGBT Democratic Club, LinkedIn’s LGBTQ Employee Resource Group speaker series panel discussion (alongside civil rights leader Cecilia Chung), Janet Mock’s Redefining Realness book tour, and the Transgender Law Center’s SPARK! anniversary celebration. Breanna also made her debut as a guest artist for the Gay Men’s Chorus of DC in Durufle’s Requiem performing “Pie Jesu” at Church of the Epiphany. She was among Out magazine’s 2015 “OUT100” list of LGBT heroes. She was the first transwoman to perform the National Anthem at a professional sporting event for the Oakland A’s, SF Giants, and San Francisco Deltas. She made her debut with SF Symphony on December 31, 2018 as the first trans singer to perform with the orchestra. What You Will Hear How Denise and Breanna met Breanna’s journey to finding her voice How opera found Breanna Developing her upper register Breanna’s accomplishments and challenges in the opera world Learning roles and staying ready Being homeless and the help of a perfect stranger Perseverance and upcoming performances Breanna’s hopes for her legacy Advice for young transgender people How Breanna researches a character Quotes “My performance is a message.” “I find that having a tribe is so essential. People that hold you accountable. Not just accountability, but they remind you of who you are because sometimes we forget.” “When you are authentic, it come, it shows through your art.” “Living in your truth is the most beautiful and also exciting thing because when you're living in your truth you are giving room for yourself to evolve.” “When you, confine yourself to what other people think of you or what people view you as, it puts you in a place of insecurity, and it kind of closes the room for you to grow.”

3. 

   24 Feb 2023

   Black Operatic Excellence Continues with Steven Herring Pt.2

   Continuing the conversation with Baritone, Steven Herring, Denise and Steven delve into the differences between a teacher and a coach and Steven’s love for arts education. Steven has performed the roles of Don Pizarro in Beethoven’s Fidelio, Amonasro in Verdi’s Aida, Sacristan in Puccini’s Tosca, Germont in Verdi’s La Traviata, the title role in Verdi’s Rigoletto, Sharpless in Puccini’s Madama Butterfly, Belcore in Donizetti’sL’Elisir D’amore. Mr. Herring had the distinct pleasure of performing in Jason and Alicia Moran’s WORK SONGS, for the 56th Biennale di Venezia. A recipient of an Olga Forrai Foundation Grant Mr. Herring is also the Director of School and Community Engagement for Bridge Arts Ensemble, an organization of New York-based teaching artists which brings high quality music education to over 50,000 public school students in Upstate New York. As a featured soloist, Mr. Herring’s concert repertoire includes performances of Beethoven Choral Fantasy with The Saint Louis Symphony, Fauré Requiem with Orchestra of Saint Lukes, Peter in Bach’s Saint Matthew Passion with Musica Angelica and The Saint Thomas Choir of Men and Boys, Carmina Burana at The John F. Kennedy Center with The CUA Symphony Orchestra, Messiah with The CUA Symphony Orchestra, Mozart Festival with The Juilliard Symphony. What You Will Hear What is the difference between a difference and a coach? Sound quality and sound production as a singer Steven’s love for arts education and the Living Arts Collaborative and Bridge Arts Ensemble Juilliard and the community Storytelling What Steven would tell his younger self Quotes “Son we learn from everyone so always remain open and get the stuff that you need.”-Edward Zambara “it really is a rite of passage to be able to perform for young, young kids.” “ the sounds of your throat will never make you a great singer It's what you do below counts.” “Todd Duncan “Singers must be great poets.”-Todd Duncan “Trust the process, life continues moving forward.” Mentioned ≈ LivingArtsCollaborative.com (https://www.livingartscollaborative.com/) Instagram (https://www.instagram.com/livingartscollaborative/) Facebook (https://www.facebook.com/LivingArtsCollaborativeInc)Twitter LinkedIn The Duke Ellington School for the Performing Arts (https://www.ellingtonschool.org/) LivingArtsCollaborative.com (https://www.livingartscollaborative.com/) Instagram (https://www.instagram.com/livingartscollaborative/) Facebook (https://www.facebook.com/LivingArtsCollaborativeInc) Jason and Alicia Hall Moran (https://www.fordfoundation.org/campaigns/the-art-of-change-meet-our-fellows/alicia-hall-moran-and-jason-moran/) Ed Berkely (https://www.juilliard.edu/music/faculty/berkeley-edward) Ed Zamabara Marlena Malice Steven Smith Micheal Kahn Marian Seldes Jason and Alicia Hall Moran (https://www.fordfoundation.org/campaigns/the-art-of-change-meet-our-fellows/alicia-hall-moran-and-jason-moran/) Ed Berkely (https://www.juilliard.edu/music/faculty/berkeley-edward) Ed Zamabara Marlena Malice Steven Smith Micheal Kahn Marian Seldes

4. 

   17 Feb 2023

   Black Operatic Excellence Continues with Steven Herring

   Denise sits down with Baritone, Steven Herring who has performed the roles of Don Pizarro in Beethoven’s Fidelio, Amonasro in Verdi’s Aida, Sacristan in Puccini’s Tosca, Germont in Verdi’s La Traviata, the title role in Verdi’s Rigoletto, Sharpless in Puccini’s Madama Butterfly, Belcore in Donizetti’sL’Elisir D’amore. Mr. Herring had the distinct pleasure of performing in Jason and Alicia Moran’s WORK SONGS, for the 56th Biennale di Venezia. A recipient of an Olga Forrai Foundation Grant Mr. Herring is also the Director of School and Community Engagement for Bridge Arts Ensemble, an organization of New York based teaching artists which brings high quality music education to over 50,000 public school students in Upstate New York. As a featured soloist, Mr. Herring’s concert repertoire includes performances of Beethoven Choral Fantasy with The Saint Louis Symphony, Fauré Requiem with Orchestra of Saint Lukes, Peter in Bach’s Saint Matthew Passion with Musica Angelica and The Saint Thomas Choir of Men and Boys, Carmina Burana at The John F. Kennedy Center with The CUA Symphony Orchestra, Messiah with The CUA Symphony Orchestra, Mozart Festival with The Juilliard Symphony. What You Will Hear What attracted Steven to opera What makes opera grand and classic and what is different about singing other genres Work Songs Wanting to play Othello and controversy in the opera world about blackface. Going to the Juilliard School Life after Juilliard Quotes “You always have to find a way to tap into the emotion of the piece….the emotions color the sound.” “If the voice and the emotion serve the character, may the best artist win that role.” “I didn't have to go in search of the black experience black my experience is It's the black experience.” Mentioned The Duke Ellington School for the Performing Arts (https://www.ellingtonschool.org/) LivingArtsCollaborative.com (https://www.livingartscollaborative.com/) Instagram (https://www.instagram.com/livingartscollaborative/) Facebook (https://www.facebook.com/LivingArtsCollaborativeInc)Twitter LinkedIn Jason and Alicia Hall Moran (https://www.fordfoundation.org/campaigns/the-art-of-change-meet-our-fellows/alicia-hall-moran-and-jason-moran/) Ed Berkely (https://www.juilliard.edu/music/faculty/berkeley-edward) Ed Zamabara Marlena Malice Steven Smith Micheal Kahn Marian Seldes

5. 

   10 Feb 2023

   Black Operatic Excellence with Kevin Thompson Pt 2

   Denise continues her conversation with world renowned opera singer Kevin Thompson to discuss his career and Juilliard experience.. Originally from Washington D.C. Mr. Thompson is an alumnus of The Juilliard School in New York, San Francisco Opera’s prestigious Merola Program, and the Santa Fe Opera Program. Mr. Thompson has performed in opera houses and concert venues throughout the world, under the baton of many esteemed conductors, including Austria, Bulgaria, China, France, Germany, Italy, Poland, Russia, Spain, South America, Switzerland, and the United States. Thompson has made debuts with New York City Opera, Santa Fe Opera, New Orleans Opera, Tulsa Opera, Opera Carolina, Bard Opera, National Philharmonic, The Florida Symphony, Opera Santa Barbara, Odyssey Opera, Hannover Staatsoper, Fundación Teatro Nacional Sucre in Ecuador, Teatro Verdi Trieste, Hong Kong Opera, Teatro Regio Parma, Ruse State Opera, Theater Kiel, the Gasteig in Munich, and the Wexford Opera. What You Will Hear Thompson’s taking agency in current career aspects Learning the ups and downs of being your own business manager Thompson’s extensive passion for Arts Education Faith, believing and growing up as a preacher’s kid Life after Juilliard and moving forward Hidden talents of being a Chef Finding balance and enjoying life Quotes “The arts is just not just for the arts, what you learn in the arts is how to come out of yourself and be all of who you are and express that in the world.” “Know thyself is most important.” “After I do something really serious and really hard, I give myself a break of vacation. That could be two days, that could be one day, but just go somewhere or do something that you really enjoy because yourself a gift and you need that, to have a break mentally.” “Life is meant to be really enjoyed it's not meant to just get through it.” “If you don’t risk anything, what are you to gain?” “Fight for your dreams, because the dream was given to you, not another person. They were given to you to manifest them and to give them birth. It’s your job.”

6. 

   3 Feb 2023

   Black Operatic Excellence with Kevin Thompson

   Denise sits down with world renowned opera singer Kevin Thompson to discuss his career and Juilliard experience.. Originally from Washington D.C. Mr. Thompson is an alumnus of The Juilliard School in New York, San Francisco Opera’s prestigious Merola Program, and the Santa Fe Opera Program. Mr. Thompson has performed in opera houses and concert venues throughout the world, under the baton of many an esteemed conductor, including Austria, Bulgaria, China, France, Germany, Italy, Poland, Russia, Spain, South America, Switzerland, and the United States. Thompson has made debuts with New York City Opera, Santa Fe Opera, New Orleans Opera, Tulsa Opera, Opera Carolina, Bard Opera, National Philharmonic, The Florida Symphony, Opera Santa Barbara, Odyssey Opera, Hannover Staatsoper, Fundación Teatro Nacional Sucre in Ecuador, Teatro Verdi Trieste, Hong Kong Opera, Teatro Regio Parma, Ruse State Opera, Theater Kiel, the Gasteig in Munich, and the Wexford Opera. What You Will Hear Thompson coming into fruition of his vocal career Reminiscing on Thompson’s freshman year of Julliard The performance aspect at Julliard Thompson’s top 5 characters to voice Utilizing Thompson’s humor alongside his vocal talent Working alongside Jesse Norman Seizing the moment to sing for Grace Bumbry Thompson’s taking agency in current career aspects Learning the ups and downs of being your own business manager Thompson’s extensive passion for Arts Education Hidden talents of being a Chef Quotes “I knew that my talent was my ticket to get me into college.” “Stand tall. Stand tall. Stand in your presence.” “If you’re playing a villain, the actual character doesn’t think they’re a villain. You find the other elements of the character that are less villainous, because there're so many elements in the human condition and human character. It’s up to us as storytellers to find those nuances in the character.” “You have to seize moments in life. They’re not going to be there forever. There are moments that you have to step into your purpose.” “The gift is what we have to offer. It is your gift to give to the people and to use it.” “Fight for your dreams, because a lot of people will try to talk you out of your dreams.” “If we wake up another day, there is a purpose for us to be here.” “Faith and fear cannot exist in the same paradigm.” “It doesn’t make a difference if it takes you three minutes to learn this role, or if it takes you three to six months, as long as you know the role when you arrive, that’s all that matters.” “Fight for your dreams, because the dream was given to you, not another person. They were given to you to manifest them and to give them birth. It’s your job.” Mentioned KevinThompsonBass.com (https://www.kevinthompsonbass.com/) Myra Merit - Metropolitan Opera Michael Santana Suitland High School Center of the Arts NAACP Axo Competition Paul Ropeson Jesse Norman Grace Bumbry Ames Gros Program in Austria/ American Institution of Musical Studies Belmont Glass Dr. Carter - Morgan (HBCU)

7. 

   27 Jan 2023

   A Black Dancer’s Life at Juilliard with Malik Williams Pt. 2

   Denise continues her discussion with Malik Williams. Hear more about how Malike started dancing, the support of his family and the experience of not feeling valued at Juilliard. Learn about Mark’s journey and how his Juilliard experience motivated him to excel. Malik is a native of Pittsburgh, Pennsylvania, and was awarded the Lynn Swann Scholarship to attend the Pittsburgh Ballet Theatre during the 2006-2007 season. He graduated from the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida, as a dance major in 2013, where he worked with Troy Powell, Christopher L. Huggins, Billy Bell, and Margo Sappington. He then went on to The Juilliard School, where he graduated with a B.F.A. in 2017 under the direction of Lawrence Rhodes. At Juilliard, he worked with the choreographers Takehiro Ueyama, Loni Landon, Zvi Gotheiner, Matthew Neenan, and Gentian Doda. He has performed works by Martha Graham, Paul Taylor, and Nacho Duato. Since graduating, Williams has danced with the Limón Dance Company, National Dance Company of Wales, and Lydia Johnson Dance. During this time, he has performed works by José Limón, Caroline Finn, Yin Yue, Caitlin Javech, and Lydia Johnson, among many others. He joined the Mark Morris Dance Group (MMDG) as an apprentice in 2020 and became a company member in 2021. What You Will Hear Malik’s epiphany to embrace himself in his artform Processing how to build yourself back up Gaining Black alumni mentors for guidance Transitioning from Juilliard to Mark Morris Dance Company Malik’s apprenticeship with the Límon Dance Company Working for Radio City Christmas Spectacular with the Rockettes Quotes “I will never be any other person but myself.” “You are enough. You have always been enough. And you always will be enough.” “As long as your doing your best, that’s all you can ask for. If they’re asking for more, that’s their problem, not yours.” “We are still having this conversation and we will have it until we level the playing field, until you can see our bodies and our voices and embrace them with love and respect in an effort to decolonize art and the Eurocentric paradigm of what art is.” “When you hear our stories, when you hear our pain and our triumphs, you can’t help but applaud the efforts of the folks that came before you.” “These conversations are so constructive because we have to have these uncomfortable conversations so that we can deconstruct it and reconstruct it.” “If you hang in there, find a community, go to your family, find your tribe that can support you during hard times.” “Your career doesn’t have to be this straight line or a narrow path. It’s only as small as you make it, so why not make it as big as you can?” “You don’t have permission to say that the way I tell my story is wrong. Don’t tell me that the way I tell my story or my interpretation of your story is wrong.” “Nothing beats a failure but a try.” “The universe and God has all of these wonderful ways of structuring our lives if we just get out of the way.” “You are enough. You always have been. You will continue to be enough and no one can take that away from you.If someone says that you’re not enough, that has more to say about them than it actually does about you.” Mentioned Alicia Graf Mack (https://www.juilliard.edu/dance/faculty/graf-mack-alicia) Misty Copeland (https://mistycopeland.com/) Límón Dance Company (https://www.limon.nyc/about-the-company) Jose...

8. 

   20 Jan 2023

   A Black Dancer’s Life at Juilliard with Malik Q. Williams

   In this episode Denise sits down with dancer Malik Q. Williams. They discuss how he started dancing, the support of his family and the experience of not feeling valued at Juilliard. Learn about Mark’s journey and how his Juilliard experience motivated him to excel. Malik is a native of Pittsburgh, Pennsylvania, and was awarded the Lynn Swann Scholarship to attend the Pittsburgh Ballet Theatre during the 2006-2007 season. He graduated from the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida, as a dance major in 2013, where he worked with Troy Powell, Christopher L. Huggins, Billy Bell, and Margo Sappington. He then went on to The Juilliard School, where he graduated with a B.F.A. in 2017 under the direction of Lawrence Rhodes. At Juilliard, he worked with the choreographers Takehiro Ueyama, Loni Landon, Zvi Gotheiner, Matthew Neenan, and Gentian Doda. He has performed works by Martha Graham, Paul Taylor, and Nacho Duato. Since graduating, Williams has danced with the Limón Dance Company, National Dance Company of Wales, and Lydia Johnson Dance. During this time, he has performed works by José Limón, Caroline Finn, Yin Yue, Caitlin Javech, and Lydia Johnson, among many others. He joined the Mark Morris Dance Group (MMDG) as an apprentice in 2020 and became a company member in 2021. What You Will Hear Being a member of the Mark Morris Dance Group Malik’s motivation to study at Juilliard as a college freshman Training the body and mind to prepare for longevity Reflecting back on training from high school Educational and diversity expectations of Juilliard Unpacking institutional racism in a technical constitution Coping with systemic racism post-graduation Quotes “You only fail if you don’t try.” “This has to mean something. Me getting into this school has to mean something.” “You should take a chance. You should go into the unknown.” “I didn’t realize that being a black dancer changed my experience so much until it was too late and it already changed.” “I had something to prove and live up to.” “There’s these external pressures because of my environment, because of the people around me. It’s almost as if I have to take on the burden because I’m Black.” “The manifestation of the toxicity that started to brew within myself came as an accumulation of the things that were said to me throughout all four years.” Mentioned Mark Morris Dance Group (https://markmorrisdancegroup.org/) Alvin Ailey Dance Company (https://www.alvinailey.org/)

9. 

   13 Jan 2023

   Triple Threat From The Bronx with Neisha Folkes Pt. 2

   Denise continues her conversation with dancer, choreographer, actor and singer Neisha Folkes. Listen in as they dive deep into the truth of the black experience not only at Juilliard in the real world as artists at the top of their game. What You Will Hear Reflecting on touring with the Alvin Ailey Dance Company Neisha’s segway into acting career Combining acting and dancing skillsets Neisha’s art and entertainment fulfilled daughters Looking back at Hollywood obstacles Giving helpful advice to younger Neisha The milestone of moving to Los Angeles Casted as a Fly Girl on In Living Color Neisha’s regret to not pursue singing talents Implementing business with the arts Building a company based on Neisha’s daughters Next steps in life and career at Harvard Westlake Quotes “I would tell 13 year old Neisha to just relax a little more.” “Singing has this vulnerability that’s beyond acting, beyond dancing. It’s showing yourself, revealing yourself on these open vowel sounds.” “The real world is no different. Whatever (reason) you’re leaving to go someplace else, you’re going to find that very same and get good.” “Take the meat and throw away the bones.” “If everyone around you was doing 100, you gotta do 110.” “You don’t have to go for perfection, but you have to go for progress.” “It’s so wonderful to come to the table with someone that you absolutely love.” Mentioned Meisner Technique (https://www.backstage.com/magazine/article/the-definitive-guide-to-the-meisner-technique-67712/) Marian Seldes (https://prod-www.tcm.com/tcmdb/person/173889%7C106019/Marian-Seldes#overview) Triple Talent (https://tripletalent.com/?fbclid=IwAR3_pZi67rtiJhOZRN_Lv25X95ivkdBxP9OUzZa77I_ViHH1q92ofcPjyHQ) Harvard Westlake (https://www.hw.com/)

10. 

    6 Jan 2023

    Triple Threat From The Bronx with Neisha Folkes

    Today we dive deep into the dance world with my dear friend from high school, Neisha Folkes. The incredible Neisha has choreographed for well renowned movies. A triple-threat one might say; actor, singer, and dancer. A notable accomplishment was that she was a member of the Alvin Ailey Dance Company company for several years. What You Will Hear Neisha's remarkable acting and dancing career Artistic motivation that stemmed from The Bronx Reflecting on Folk’s acceptance into Julliard Witnessing diversity challenges amongst Julliard Previous audition opportunities for Broadway Balancing the decision between graduation and Broadway career Audition process into Alvin Ailey Dance Company Love and respect for Alvin Ailey himself Dance coach for Denzel Washington in Malcolm X Debbie Allen’s FAME origin story Choosing between Alvin Ailey and FAME television series Quotes “I didn’t only just catch up, I surpassed” “I am not going to be the master of a bunch. I’m going to be the master of one and I’m going to make it work.” “We don’t do this because of a side of the tinge of racism, and for some people, it was more than a tinge. It was very blatant and covert. For some, it was less than that, but there was always a sense of elitism.” “I went on and got my Master’s years later, because I really felt uneducated. I really felt that I didn’t have the necessary education that I needed to be in conversation with people.” “We always want to get to the destination. We always want to skip a couple steps. Just enjoy the process. Complete it first, and then be fully invested to then bring yourself to the next space.” Mentioned Helen Tamiris Award (https://www.britannica.com/art/modern-dance) Alvin Ailey (https://www.alvinailey.org/) Denzel Washington in Malcolm X Frankie Manning (https://www.frankiemanning.com/) Otis Sallid (https://www.instagram.com/otissallid/?hl=en) Lindy Hop dance style Debbie Allen’s Fame

11. 

    30 Dec 2022

    Classical Viola: Historically Black and Female with Lisa Whitfield Pt.2

    In this episode I continue my conversation with violis Lisa Whitfield, who went to Juilliard in the 90s and was one of the first students I met who was not in the drama division. We bonded on so many levels because of our insecurities as artists, as women, as black women in that space. She was also the first person that I felt comfortable enough to talk to, not as a faculty member, but as a sister. It could be because she was a graduate student and she was older than the students I taught, but I really got close to this woman and you'll see that. I get emotional because she is so vulnerable in this interview and she brought that out in me. I think you're gonna get another slice of what it is to be black, to be female, to be exceptional in a classical space. She’ll talk about institutional racism, she’ll talk about sexism. she’ll talk about classism, she’ll talk about not having the support of her family, which was unusual because everyone has the support of their family, especially when they get into Juilliard, but not for Lisa. This woman had to fight for everything and she not only fought, but she landed on her feet. What You Will Hear Freelancing while teaching at Juilliard. Conflicts and truths Racism, sexism and misogyny at Juilliard Parenthood Long lasting connections Drinking and drug culture Advice for a young Lisa Clean and sober Lisa’s one regret Quotes “I'll say what I have to say, but I don't feel like I need to shout now.” “I was the first African-American faculty in the drama department and I never felt that my voice really mattered.” - DW “Juilliard name that you talked about….everybody knows that name It's an institution that is steeped in elitism, classism, racism and so breaking down those walls it's a lot.” - DW “I may have been born at night, but I wasn't born last night.” “You don't like me, you don't wanna sit with me, you go sit somewhere else. I earned this chair and I'm gonna sit my black ass in it.” “Artists are the first ones to feel a recession coming.” “I am a creative person by nature. It is what I am.” “That was hilarious to me that in all of my struggles, I had managed to create a child who saw Juilliard as just another place.” “if you can survive being a black woman at Julliard in the early nineties, there's very little in the world you can't do.” “I graduated from Juilliard in 1979. I did not step foot back in there until 1992, I couldn't.” - DW “ I think that part of who I am was always going to give a voice to people of color in any community, no matter what community that was.” “I had to fight for myself , as a little kid of color playing the violin.” “I wasn't the first black woman to go to Juilliard to play , a stringed instrument. I know I'm not, because once I graduated, there was this whole community of people who had gone. To major conservator. Some of them Julliard, who knew who I was before I knew they existed and they're the ones that carried me into a new realm musically and professionally, and started to hire me for things.” “The black community embraced me at Juilliard and continued to embrace me.” “Juilliard was definitely a huge factor in the amount I drank. It became that, that social lubricant that helped me get past those anxieties and feelings of not belonging…..it also allowed me to just behave badly and have an excuse, and that is a sad thing that I felt I needed to do that.” “It's a blessing to know that somebody hears you. that somebody sees you, that somebody believes you when you have been through so many experiences that people today just go,”that doesn't happen. stop complaining, shut up and write, shut up and play your instrument, shut up and dribble.” “It's important that we be seen and...

12. 

    23 Dec 2022

    Exceptional, Black and Female in a Classical Space with Lisa Whitfield

    Lisa Whitfield, a viola player that went to Julliard in the nineties was one of the first students I met who was not in the drama division, and we bonded on so many levels because of our insecurities as artists, as women, as black women in that space. She was also the first person that I felt comfortable enough to talk to, not as a faculty member, but as a sister. It could be because she was a graduate student and she was older than the students I taught, but I really got close to this woman and you'll see that. I get emotional because she is so vulnerable in this interview and she brought that out in me. I think you're gonna get another slice of what it is to be black, to be female, to be exceptional in a classical space. She’ll talk about institutional racism. she’ll talk about sexism. she’ll talk about classism, she’ll talk about not having the support of her family, which was unusual because everyone has the support of their family, especially when they get into Juilliard, but not for Lisa. This woman had to fight for everything and she not only fought, but she landed on her feet. What You Will Hear How the viola found Lisa Getting to Juilliard Coming into her own as a musician and supportive teachers Lisa’s parents and imposter syndrome Being invited back to Juilliard as faculty Racism and how Lisa got around its consistency Challenges, long-lasting trauma from racist events, and finding her tribe Becoming a teaching fellow and the Music Advancement Program Settlement Schools and its impact on Lisa’s trajectory Juilliard Pre-College Teaching at Juilliard Quotes “It was really important to me to make sure my family was proud of me, to make sure that felt like I carried the burden of dashed expectations.” “Violists can be married to each other, violinists not so much, but violists can actually be married to each other. “ “Juilliard was never on my radar. It was never something I expected, It was never, it was never something I thought would be part of my story. “ “Everybody knows the name (Juilliard) throughout the entire world, so it's definitely hard for me because I'm not a person who likes to brag like that.” “I was used to being one of the only women of color, I was used to that that wasn't a problem. What I was not used to was being doubted. I was not used to somebody looking at me and doubting that I could be the thing I presented myself as….I played a string instrument and I played a string instrument well enough to get me into Juilliard. And that did not compute with a lot of people.” “It was very difficult. I had to work several jobs to support myself because my parents cut me off when they found out I was going to Juilliard.” “I was a black girl from a working class background who did not have financial access to the things that they did and I felt very isolated and alone. It was difficult.” “At Juilliard I was the black girl with no money. At Oberlin I was the black girl everybody assumed had money, and that was hilarious because my financial situation did not change between those two things but the perception of me changed.” Mentioned Karen Tuttle Robin Willams Joe Webster Audra McDonald Chris McKinney Edward Lawrence Lori Carter (Associate President of Juilliard) Mary Anthony Cox Music Advancement Program Music Settlement School

13. 

    16 Dec 2022

    The Shoulders Upon Which We Stand with Richard Alston Pt.2

    Denise continues her conversation with Richard Alston. A native of East Orange, New Jersey, Richard Alston received his first lessons from the late Dorothy Early at the tender age of eight. He was playing organ and piano for the first Baptist church of Vauxhall, New Jersey. He continued his studies with Sylvia Ravenoff in New York and received his bachelor of music degree from the Juilliard School. He later was awarded the highly prestigious Maria Guerrera ju scholarship in piano to return to Juilliard for his master's degree. Alston has drawn the attention of the musical world, educators and college and university students in recent years for bringing to like the great contributions to classical music by the composers of African descent. Alston not only performs exquisite words of these composers that remain to this day, relatively unknown to the larger public, but he also delights audiences with lectures and master classes on the colors of music, classically black composers of African descent, Under his direction as associate professor of music and the coordinator of performing arts Sten crafted a degree program in the music department at Essex county college that has flourished into a full fledged performing arts department of music, dance and drama. Alston has also served as a faculty advisor for Westminster College Choir, Education Opportunity Program, and formerly a member of the Juilliard school's music advancement program faculty. In the Metropolitan Opera’s revival of Porgy and Bess Alston brought an unforgettable sense of well researched authenticity to the role of jazz Bo Brown, the man after whom jazz genre is believed to be named. He repeated his portrayal of Jazz Bo Brown in the historic production presented by the New Jersey State Opera at Symphony Hall in Newark, New Jersey. As a special guest artist with the New Jersey Symphony Alston performed in a special concert in commemoration of the birth of William Grant Still. Alston also enjoys performing chamber music as a guest artist with the Harlem Chamber Players, Alston performs in two separate concerts. Richard Alston's video Troubled Waters by Margaret Bonds was selected as the alumni video of the month in January 2015. Professor Alston, now retired professor Alston is the minister of music at St.Mark's Episcopal church in Plainfield, New Jersey. What You Will Hear What Richard would tell his younger self The White Peacock, early teachings and artistic styling and musicality How Richards roots affect his artistry Troubled Waters by Margaret Bonds Mentors Richard’s connection to other artist at Juilliard Composers of African descent Porgy and Bess, Jazz Bo Brown Working with actors and singers Quotes “As pianists, we should make the piano sing like a singer.” “I always look beyond the black and white on the page.” Mentioned Alstonpianist.com (https://alstonpianist.com/) Youtube (https://www.youtube.com/@rcapno) Margaret Bonds (https://en.wikipedia.org/wiki/Margaret_Bonds) Chevalier de Saint-George (https://en.wikipedia.org/wiki/Chevalier_de_Saint-Georges) Billy Strayhorn (https://en.wikipedia.org/wiki/Billy_Strayhorn) William Grant Still (http://www.williamgrantstillmusic.com/) Carmen de Lavallade (https://en.wikipedia.org/wiki/Carmen_de_Lavallade)

14. 

    9 Dec 2022

    The Shoulders Upon Which We Stand with Richard Alston

    Denise sits down with concert pianist Richard Alston who was, perhaps, the most extraordinary pianist that Denise knew at Juilliard because he hung out with the actors. A deep connection to the black church was a conversation, thread and a thru line for the interdisciplinary connection of the black students at Juilliard. Connecting the dots and the lineage, this interview is fun, revealing and extremely intimate. Richard Alston is a masterful pianist, having appeared as a soloist and in recitals with orchestras throughout the United States and Europe. After earning both his Bachelor’s and Master’s degrees from the Juilliard School of Music, Richard was poised for a career in both classical piano performance as well as performing arts education. His performance credits range from recitals, guest soloist with orchestras, live opera to radio and television broadcasts as well as CD recordings. What You Will Hear Dorothy Early and Daisy Johnson, Richard’s first teachers What motivated and confirmed Richard’s pursuit of a career in music The Juilliard audition process Extraordinary experiences, relationships and love Richard’s mother The church and Richards music ministry Classically Black (https://tsf.njit.edu/2010/spring/alston.php) Family tree and musical lineage

15. 

    2 Dec 2022

    Stephen McKinley Henderson and Elijah Jones Pt 2

    Denise is joined by Tony nominated and OB award-wining actor Stephen McKinley Henderson and up and coming star Elijah Jones. So we see an actor who we all know and an actor who we're just getting ready to know share the same space and it's extraordinary. Most people know Stephen from the multi Oscar nominated film Dune. Did you know that he has also appeared in five other Oscar nominated films? Extremely Loud and Incredibly Close 2011, Lincoln 2012, Fences 2016, Manchester By the Sea 2016 and Ladybird 2017. He's the recipient of a Drama Desk award and Obie award and an AUDELCO award. He really is best known for his August Wilson work in the century cycle of plays. It's been said that audiences who watch August Wilson plays have grown first accustomed to, and then pendant on Stephen McKinley Henderson. He's also been deemed one of the 32 greatest character actors working today. I wonder where they came up with that number 32, but I am sure glad that Stephen McKinley Henderson made the list because he is an exceptional character actor. Stephen says, “It's not about getting it right. It's about getting it true”. Elijah Jones was elected by the Juilliard drama division faculty to receive a prize for outstanding achievement and exceptional professional promise. He's the MFA Class of 2021. He recently starred in Dominique Morisseau’s Confederates at the Signature Theater in New York. Elijah says, “What sets me apart is me.”. Sit back and enjoy this extraordinarily exceptional interview. What You Will Hear How Stephen learned about Juilliard and what informed his decision to enroll Stephen’s audition in 1968 and his first experience with the KKK Elijah’s journey to Juilliard The Juilliard experience during Martin Luther King Jr and George Floyd assassinations Kent State and Jackson State killings Cut system and policy. James Houghton The inception and struggles of drama divisions early years Politics Representation and opportunity Quotes “The initial incarnation of the drama division, The Julliard School did not see drama as a fine art they did not see it as, as a performance art form….It began as a music school…..the drama division was hard won. It couldn’t be an american theatrical traditions say like The Actors Studio or something like that, it had to be the classical training.” “Another thing about our people, you know, we can read between the lines, we can see the look that you don't think we see.” “We had to talk about the politics. You remember, we had to discuss whether having a black man playing Richard the Second, and whether doing Shakespeare at all was really addressing this thing? Are we still lifting another culture by giving our strengths to it?” “That's where I'd like to take this conversation, just how we represent ourselves in that classical space. How do we bring our tones in richness and rhythms, vocal rhythms, and physical rhythms into the classical space and be proud of it.” Mentioned James Moody (https://www.imdb.com/name/nm0600490/) Wendell B. Franklin (https://arts.psu.edu/faculty/wendell-franklin/) Steve Broadnax (https://www.stevebroadnax.com/) Stori Ayers (https://playingonair.org/stori-ayers) Jim Wise (https://www.jimwise.tv/) Actors Theater of Louisville (https://www.actorstheatre.org/) <a href="https://www.nytimes.com/2020/06/19/theater/moni-yakim-juilliard-school.html"...

16. 

    25 Nov 2022

    50 Years of Excellence with Stephen McKinley Henderson and Elijah Jones

    Denise is joined by Tony nominated and OB award-wining actor Stephen McKinley Henderson and rising star Elijah Jones. We see an actor who we all know and an actor who we're just getting ready to know share the same space and it's extraordinary. Most people know Stephen from the multi Oscar nominated film Dune. Did you know that he has also appeared in five other Oscar nominated films? Extremely Loud and Incredibly Close 2011, Lincoln 2012, Fences 2016, Manchester By the Sea 2016 and Ladybird 2017. He's the recipient of a Drama Desk award and Obie award and an AUDELCO award. He really is best known for his August Wilson work in the century cycle of plays. It's been said that audiences who watch August Wilson plays have grown first accustomed to, and then pendant on Stephen McKinley Henderson. He's also been deemed one of the 32 greatest character actors working today. I wonder where they came up with that number 32, but I am sure glad that Stephen McKinley Henderson made the list because he is an exceptional character actor. Stephen says, “It's not about getting it right. It's about getting it true”. Elijah Jones was elected by the Juilliard drama division faculty to receive a prize for outstanding achievement and exceptional professional promise. He's the MFA Class of 2021. He recently starred in Dominique Morisseau’s Confederates at the Signature Theater in New York. Elijah says, “What sets me apart is me.”. Sit back and enjoy this extraordinarily exceptional interview. What You Will Hear How Stephen learned about Juilliard and what informed his decision to enroll Stephen’s audition in 1968 and his first experience with the KKK Elijah’s journey to Juilliard The Juilliard experience during Martin Luther King Jr and George Floyd assassinations Kent State and Jackson State killings Cut system and policy. James Houghton The inception and struggles of drama divisions early years Politics Representation and opportunity Quotes “The initial incarnation of the drama division, The Julliard School did not see drama as a fine art they did not see it as, as a performance art form….It began as a music school…..the drama division was hard won. It couldn’t be an american theatrical traditions say like The Actors Studio or something like that, it had to be the classical training.” “Another thing about our people, you know, we can read between the lines, we can see the look that you don't think we see.” “We had to talk about the politics. You remember, we had to discuss whether having a black man playing Richard the Second, and whether doing Shakespeare at all was really addressing this thing? Are we still lifting another culture by giving our strengths to it?” “That's where I'd like to take this conversation, just how we represent ourselves in that classical space. How do we bring our tones in richness and rhythms, vocal rhythms, and physical rhythms into the classical space and be proud of it.” Mentioned James Moody (https://www.imdb.com/name/nm0600490/) Wendell B. Franklin (https://arts.psu.edu/faculty/wendell-franklin/) Steve Broadnax (https://www.stevebroadnax.com/) Stori Ayers (https://playingonair.org/stori-ayers) Jim Wise (https://www.jimwise.tv/) Actors Theater of Louisville (https://www.actorstheatre.org/) <a href="https://www.nytimes.com/2020/06/19/theater/moni-yakim-juilliard-school.html" rel="noopener...

17. 

    18 Nov 2022

    In Conversation with Lisa Gay Hamilton Pt 2

    Denise continues her intimate conversation with actress, director and producer Lisa Gay Hamilton. A graduate of the Juilliard School’s 18th class Lisa Gay Hamilton is known for her film about the life and work of Beah Richards, Beah: A Black Woman Speaks as well as her role as attorney Rebecca Washington on the ABC legal drama The Practice, and for her critically acclaimed performance as young Sethe in Jonathan Demme's film adaptation of Toni Morrison's Beloved. Her theater credits include Measure for Measure (Isabella), Henry IV Parts I &amp; II (Lady Hotspur), Athol Fugard’s, Valley Song and The Ohio State Murders. Hamilton was also an original cast member in the Broadway productions of August Wilson’s, The Piano Lesson and Gem of the Ocean. What You Will Hear Lisa’s connection with Beah Richards Choosing projects and setting limits Aaron Sorkin Depth, truth and meter in script Beah Richards Beah: A Black Woman Speaks (https://www.wmm.com/catalog/film/beah-a-black-woman-speaks/) What Beah wanted for young people Being a student at Juilliard Quotes “This connection you have with people sometimes, it's because of your age, it's because of your journey and it's because of the experience that you've had. It's also how you see the world and what you want from the world and what you want as an artist and how you want to tell that story and what stories you don't want to tell and what stories you do want to tell. “Deep investigation, that is so necessary because iambic pentameter and poetry is just fluff and words if you don't start from that place.” “I think it's so important to have a sense of the world and to have an opinion about it and not be afraid of it.” “Speak it into existence” - Beah Richards “Giving voice to the truth is all that we have and it's the most powerful thing we have as artists.” “Our greatest political being in the theater community, the film community next to Harry Belafonte is Danny Glover”. Mentioned LisaGayHamilton.com (https://www.lisagayhamilton.com/) Beah Richards Marie Louise and William Patterson Paul Robeson Alice Childress Francis Williams Watch Beah: A Black Woman Speaks (https://www.hbomax.com/feature/urn:hbo:feature:GX90XuwN0QK3CwwEAAAAb) Harry Belafonte Danny Glover Robert Williams Edith Skinner Liz Smith Tim Monick

18. 

    11 Nov 2022

    In Conversation with Lisa Gay Hamilton

    Lisa Gay Hamilton is that soul, that spirit that when she walks in a room, she changes the energy of the room. She's so authentic, so committed to excellence, so committed to cultural viability and cultural awareness. Lisa Gay produced and directed a wonderful documentary about a soldier, Hollywood theater Beah Richards. Lisa Gay was group 18, of 55 at Juilliard and in the time that we've known each other every single time we see each other, we just connect. We go in, we open up, we tell each other, not just how we're doing, but how our families are doing, what our families are doing, the significance of what it's like being a working mom in Hollywood. We go very deeply and that is very special and highly appreciated in a town where people are transient because you work with people, you become a family, and then the next job comes and you get a new family and the next job comes and you get a new family,but every time I see Lisa Gay Hamilton, she is that cousin, that sister, that friend who will always be family, so enjoy. What You Will Hear Experiences and opportunities attending and graduating from Juilliard Being the only black student in her graduating class Working with Lloyd Richards and moments of awe inspiring artistry Evolution of arts Athol Fugard and LisaGay’s first OBI Beah Richards Quotes “I've always based my work on emotion.” “What is it to be?” - Beah Richards "I don't care if you play a prostitute, I don't care if you play a maid. Whatever the role is you must bring the truth to that." - Beah Richards Mentioned Juilliard (https://www.juilliard.edu/) NYU (https://www.nyu.edu/) Yale (https://www.yale.edu/) The Public Theater (https://publictheater.org/) 12th Night (https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/shakespeares-plays/twelfth-night/) Lloyd Richards (https://achievement.org/achiever/lloyd-richards/) August Wilson (https://www.britannica.com/biography/August-Wilson) The Piano Lesson (https://pianolessonplay.com/) Kennedy Center (https://www.kennedy-center.org/) Eugene O’Neill (https://eugeneoneill.org/about-us/history/eugene-oneill/) Audra McDonald (https://audramcdonald.com/) Manhattan Theater Club (https://www.manhattantheatreclub.com/) Lady Hotspur (https://www.amazon.com/Lady-Hotspur-Tessa-Gratton/dp/0765392496) Joseph Papp (https://www.britannica.com/biography/Joseph-Papp)

19. 

    11 Nov 2022

    Our Voices on the Yard - Introduction

    Our Voices on the Yard is a podcast where black artistic excellence meets every day life. Host Denise Woods will take you from the black church to the bright lights of Broadway, from tiny music studios to the mega stages of International Opera houses, from rustic dance studios to ornate Vaudeville theaters. Exploring and celebrating the achievements of the black artist that conservatories and fine arts institutions all around the world. Social Media Instagram (https://www.instagram.com/ourvoices_ontheyard/?hl=en) @ourvoices_ontheyard

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