In this 6-part podcast, Leonor Faber-Jonker is your guide in the mysterious realm of music and memory. Digging into her (post)punk record collection, she explores how music attaches itself to experiences, people, and places, what happens when we suddenly hear new things in songs we have heard a thousand times, and how music history is written.
Radio Pareidolia
Claim This Podcastby Leonor Faber-Jonker
6 episodes
Updated Daily
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Podcast Overview
In this 6-part podcast, Leonor Faber-Jonker is your guide in the mysterious realm of music and memory. Digging into her (post)punk record collection, she explores how music attaches itself to experiences, people, and places, what happens when we suddenly hear new things in songs we have heard a thousand times, and how music history is written.
Language
🇺🇲
Publishing Since
7/11/2021
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Recent Episodes
July 27, 2021
Part 5: Dutch punk – Oral history
<p>To reconstruct the early days of punk in The Netherlands, we largely depend on oral history. On interviews with the people who were part of the scene – played in the bands, saw the concerts, made the fanzines. But when looking back on our lives, we always try to make sense of it in retrospect. This means we (unconsciously) fit past experiences into a single coherent life story. Meanwhile, a writer tends to seek out the voices that fit the story s/he wants to tell. How to navigate a history entwined with personal myth making? </p>
July 27, 2021
Part 6: Rotterdam underground – Nostalgia for an age yet to come
<p>How will we remember our city, the places we hang out in, the bands of today, and these crazy times of lockdown and reconstructions in say 20 or 30 years? Looking back on our predecessors, we may get inspired by Kiem’s tugboat-grooves, the black-and-white statement of the Rondos, or the elusive antiscene. But how does that translate into a contemporary Rotterdam sound, now that our ‘harbor city’ is falling in the traps of gentrification? And is this podcast really also a tiny time capsule? </p>
July 27, 2021
Part 4: The Slits – Loud voices, silenced voices
<p>Think about early UK punk and you’re likely to think of The Clash, The Damned, The Buzzcocks, and of course: the Sex Pistols. The Slits or X-Ray Spex seem to be lesser known. Why? Is it because little girls should be seen and not heard? Girls were part of the punk scene, but they play a minor part in ‘definitive’ books on punk (usually written by men). The iconic images of the 1978 Rock Against Racism concert feature The Clash, not the Anglo-Somali punk musician Poly Styrene. Does history writing determine whose voices we hear? </p>
6 total episodes available
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