Auckland, the Babylon of Australasia. Home to award-winning creatives/ aspiring Jezebels Sam Te Kani and Johanna Cosgrove. Join them as they navigate daily life in a gorgeous South Pacific necropolis here at civilization’s end. Not deterred in the least by back-to-back lockdowns and a shortage of worthwhile intimacies, Te Kani and Cosgrove barrel headfirst into themes and experiences any modern twenty-something will recognise. From finding love when every other guy is a flakey bisexual, to the ego disorders of our noted socialites, and minor takeout addictions.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
Rats In The Gutter
Claim This Podcastby Sam Te Kani & Johanna Cosgrove
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Podcast Overview
Auckland, the Babylon of Australasia. Home to award-winning creatives/ aspiring Jezebels Sam Te Kani and Johanna Cosgrove. Join them as they navigate daily life in a gorgeous South Pacific necropolis here at civilization’s end. Not deterred in the least by back-to-back lockdowns and a shortage of worthwhile intimacies, Te Kani and Cosgrove barrel headfirst into themes and experiences any modern twenty-something will recognise. From finding love when every other guy is a flakey bisexual, to the ego disorders of our noted socialites, and minor takeout addictions.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
Language
🇺🇲
Publishing Since
12/14/2022
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Recent Episodes
June 15, 2026
Diabolical Hollowed Out Face of Cuntville
<p>Well holly friggin moly if the apocalypse train hasn’t already left the station, which it has, and gosh darn it don’t we have whip lash. And to think, we’re BARELY into phase one of the reptilian terraforming procedure, and the rats already feel like calling parley with the overlords; if only because the high cortisol environment of collapse is actually very bad for gut health (and everything else). And yet the rats are choosing discourse over despair (this week anyway). And in doing so, conversations ensue in which intellectual grandstanding stops being the purview of book-tokers who need us to know they’ve adopted Landian Accelerationism as a personality, and starts being the giddy flex of two dopamine-deficient optimists who at the end of the day (and just like YOU) only want to have a good time. For example, the need for a system that won’t gleefully march us into miserable omnicide of every life form on the planet goes beyond some cuddly-feely world-spirit. Rather, it’s completely aesthetic! To take a quote from Oscar Wilde; “I’m pro socialism because I don’t wanna leave my house and see a bunch of poor people, it’s a total bummer”. Okay we’re paraphrasing. But seriously, wanting to make the world a better place doesn’t need to get much more complicated than that. Unless you’re Elon Musk and you somehow think your asset list magically translates into utopia, the same way we’ve been taught to believe in ‘trickle down’. </p><br><p>Well I guess trickle down does exist, but it must be a burst sewer pipe over our heads because what’s reaching us down here in the fetid gutters of late stage capitalism is swill and shit. And not even fresh shit. It’s the backed up shit of a world that’s been dying for decades, maybe for the better part of a century. Sorry, we mentioned we were trying to have a good time. But maybe having a good time also means trying to do something about the bad time. Because like, call me crazy, but an open air prison piled thick with corpses and human misery isn’t exactly a party venue. It’s a mass grave honey. Also, the rats provide an update on Nicola Willis’s clearly embattled Ozempic journey. Stay tuned.</p><br><p>Venture into our Backrooms at <a href="https://www.patreon.com/RatsInTheGutter" rel="noopener noreferrer" target="_blank">Patreon.com/RatsInTheGutter</a></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
June 2, 2026
Crustaceous Acrylics
<p>This week, Johanna describes the best live performance she’s ever seen in her life—which is saying something, as a seasoned performer herself, and someone very much in the world. It’s a piece called A Year Without Summer by a recently internet-famous artist, thanks to a performance at the Venice Biennial in which she played a human dongle inside a giant bell (and so, The Bell Woman). Summer takes her out of the bell jar and into a long wet orgiastic bacchanal of carnal delight and mayhem. If Caligula had more of an eye for stage production, basically. And dear god is it heartening to know that enormous, antagonistic, unsafe unfiltered work is still being funded SOMEWHERE, and that there are artists still willing and capable of pulling off extremism without settling for Tumblr-friendly provocation (cough, Sam Levinson). Also on the agenda this week, we reel like the rest of the country as our government stops even pretending like they don’t want us all to die, and aren’t actively taking steps to make this happen (because they are). I mean, cutting public servant roles and replacing them with literal SkyNet is, um, maybe not the buzz; and yet here we are anyway, getting ready to feel the inevitable shit wave once it’s CoPilot calling the shots (and, being Nicola Willis’s preferred AI module, why not?). Lord knows we’ll REALLY be feeling that mythical trickle-down once the binary-bot that usually walks you through your spreadsheets is deciding which families are worthy of financial support, and which should be street-walking in Dickensian rags holding a tin cup out for shrapnel from strangers. </p><br><p>Yeah, so cool and normal aye. Also also, the rats take back their previous stance on Fritter Fest and wonder if they have the combined culinary prowess to have their own truck at the next inaugural event—whether sweet or savoury offerings is something undecided as yet, but nothing they can’t figure out over a weekend vision board. Finally, the rats mourn the loss of one of the Topp Twins, and tend to agree with the surviving twin’s AMA speech in which Ole Paul Goldstein (sorry, Goldsmith) and his pie-loving cuck-party had their 2-billion dollar defence-slice questioned. I mean, we’re not actively trying to start a war with anyone are we? Is that something we’re into, as a country? Like, there are easier more fun ways to nosedive into the abyss than friggin war (and they all involve orgies at crack dens, just saying).</p><br><p><a href="https://www.patreon.com/RatsInTheGutter" rel="noopener noreferrer" target="_blank">patreon.com/RatsInTheGutter</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
May 19, 2026
Bartleby The Gooner
<p>Well, as winter descends and New Zealanders retreat into Bronte flavoured gothic doldrums, some turn to the familiar for comfort, the known, the whimsical. And for the rats, this can sometimes mean indulging in a slightly embarrassing but mostly innocuous nostalgia watch of Adventure Time, which should actually have its roses as a</p><p>forward-thinking animation that still smacks of post-modern vitalities and contemporary myth making in a media landscape that is annoyingly obsessed with (still, if you can believe it) teenagers having sex. I mean, at the very least it seems like Sam Levinson’s third season of Euphoria is pissing people off intentionally, making them feel icky enough they regret ever citing the first two seasons as quote-unquote ‘quality’. Which anyone who grew up on Skins could already plainly see was a complete ruse. Also; the rats comprehensively tackle (cough) the cultural weirdness of gooning and maxxing, which currently exist as a sort-of binary of optimisation and its opposite. </p><br><p>Basically, the maxxer games the system like a chaos magician, working advantages and discarding anything that impedes upward mobility; while the gooner intentionally casts his time and energy on the fire, wasting himself into oblivion through porn-flavoured idles in an attempt to wrangle some agency back from the hampster wheel of late-stage capitalism. Which is the better method? More importantly, what kind of material conditions could create something like the dedicated gooner, a wastrel as committed to the bit of passive self destruction as a performance artist from the late seventies, or a sixteenth century martyr. There is so much of Bartleby the Scrivener in gooning, Herman Melville’s short story in which Bartleby—a words man—passively refuses the mundane tasks of his position (“I would prefer not to”) with such radical consistency that he is eventually locked up for it. All because he refuses to participate and lend his energies to a system of bureaucratic lashes and genocidal vim. The gooner is essentially Bartleby with wifi.</p><br><p>Looking for more goon material? <a href="https://www.patreon.com/RatsInTheGutter" rel="noopener noreferrer" target="_blank">patreon.com/RatsInTheGutter</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
132 total episodes available
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- What is Rats In The Gutter?
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This podcast updates daily.
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This podcast is available on 9 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
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