Marres, Huis voor Hedendaagse Cultuur in Maastricht, is een internationaal georiënteerde presentatie-instelling waar hedendaagse kunst in de breedste zin van het woord wordt onderzocht aan de hand van tentoonstellingen, workshops, publicaties en een rijk publieks- en educatieprogramma. Marres onderscheidt zich van andere presentatie-instellingen voor hedendaagse kunst door zijn interdisciplinaire focus op de werking van de zintuigen, de taal van het lichaam en de nadruk op ervaring. <br>Het is ook mogelijk om te luisteren naar de verhalen van de <a href="https://open.spotify.com/show/20NbsoB4Yx6uWTE3xowXSJ?si=759d82d9b43944d5" target="_blank">Onzichtbare Collectie</a>.<br>// Marres, House for Contemporary Culture in Maastricht (NL), is an internationally oriented presentation institution where contemporary art in its broadest sense is explored through exhibitions, workshops, publications and a wide range of education and participation activities. Marres distinguishes itself from other presentation institutions for contemporary art through its interdisciplinary focus on the working of the senses, the language of the body and its emphasis on experience. <a href="http://www.marres.org" target="_blank">www.marres.org</a><a href="http://www.marres.org" target="_blank" style="font-family: sans-serif;"></a><br>It is also possible to listen to the stories of the<a href="https://open.spotify.com/show/20NbsoB4Yx6uWTE3xowXSJ?si=fa853ffc1a8845f5" target="_blank"> Invisible Collection</a>.
Sensing Art, Training the Body
Claim This Podcastby Marres, Huis voor Hedendaagse Cultuur
Podcast Overview
Marres, Huis voor Hedendaagse Cultuur in Maastricht, is een internationaal georiënteerde presentatie-instelling waar hedendaagse kunst in de breedste zin van het woord wordt onderzocht aan de hand van tentoonstellingen, workshops, publicaties en een rijk publieks- en educatieprogramma. Marres onderscheidt zich van andere presentatie-instellingen voor hedendaagse kunst door zijn interdisciplinaire focus op de werking van de zintuigen, de taal van het lichaam en de nadruk op ervaring. <br>Het is ook mogelijk om te luisteren naar de verhalen van de <a href="https://open.spotify.com/show/20NbsoB4Yx6uWTE3xowXSJ?si=759d82d9b43944d5" target="_blank">Onzichtbare Collectie</a>.<br>// Marres, House for Contemporary Culture in Maastricht (NL), is an internationally oriented presentation institution where contemporary art in its broadest sense is explored through exhibitions, workshops, publications and a wide range of education and participation activities. Marres distinguishes itself from other presentation institutions for contemporary art through its interdisciplinary focus on the working of the senses, the language of the body and its emphasis on experience. <a href="http://www.marres.org" target="_blank">www.marres.org</a><a href="http://www.marres.org" target="_blank" style="font-family: sans-serif;"></a><br>It is also possible to listen to the stories of the<a href="https://open.spotify.com/show/20NbsoB4Yx6uWTE3xowXSJ?si=fa853ffc1a8845f5" target="_blank"> Invisible Collection</a>.
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2/7/2023
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Recent Episodes
March 18, 2026
Spiritual Sonic Systems with Maguette Dieng x Lynnée Denise
<p>Spiritual Sonic Systems with Maguette Dieng x Lynnée Denise</p><p>Marres x DAR Cultural Agency X RAW Material Company</p><p>A dialogue sharing frequencies, sounding hope, and calling attention to the unification of rhythmic elevation.</p><p>In this exchange, DJs Lynnée Denise and Maguette Dieng think through songs that integrate ancestral and future-facing cultural practices. From prayer rooms to the dance floor, a sophisticated system of knowing is revealed through improvisational rituals and unspeakable languages. Drawing on the role of circles, circulations, and circular ways of knowing, the music reminds its listeners that there is constant movement activated by DJs and selectors throughout the African Diaspora. This reshaping of ancient rhythms gives us new tools to understand secret codes. This experimental session invites the audience to engage with sonic legacies that re-emerge and are echoed through genre as survival strategies.</p><p>Marres organized this project in collaboration with DAR, a cultural agency and platform that represents emerging talents in art, design, and architecture.</p><p>Maguette Dieng is a DJ, music producer, educator, and music programmer. She is also a dedicated explorer of music and sound. She co-founded the Jokkoo Collective and is part of FOC, a self-managed cultural space where she creates artistic and sonic experiences rooted in community, purpose, and healing. Through her personal work, Maguette attempts to translate the emotions and experiences of everyday life into sound in poetic, sensitive, and critical ways. </p><p>Lynnée Denise is an interdisciplinary writer and global practitioner of sound, language, and Black Atlantic thought. She is a doctoral student in the Department of Visual Cultures at Goldsmiths, University of London. Her research explores how sound system culture creates a living archive for the Black queer diaspora. Her work traces the migrations of music and the role of Black electronic traditions in the African diaspora.</p>
February 6, 2026
Marres Special: Porous Grounds, Sacred Codes Artist Talk
<p>Curators Filly Gueye and Haja Fanta engaged in conversation with the participating artists of the exhibition Porous Grounds, Sacred Codes: Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Hamedine Kane, Eva Diallo and Babacar Traoré ‘Doli’, sharing insights, stories, and experiences from the creative process behind this unique group exhibition.</p><p>Porous Grounds, Sacred Codes is curated by RAW Material Company, at Marres House for Contemporary Culture in Maastricht. Seven artists with roots in West Africa have jointly created a multi-sensory total installation incorporating sculpture, sound, textiles, and video. </p><p>Porous Grounds, Sacred Codes</p><p>20 Dec 2025 — 17 May 2026</p><p>Marres</p><p>Capucijnenstraat 98</p><p>6211 RT Maastricht</p><p>the Netherlands</p><p>//</p><p>Recording: Hout Video</p><p>Edit: Caspar Stalenhoef</p><p>//</p><p>NL</p><p>De curatoren Filly Gueye en Haja Fanta (RAW Material Company) gaan in gesprek met de deelnemende kunstenaars van de tentoonstelling Porous Grounds, Sacred Codes: Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Hamedine Kane, Eva Diallo en Babacar Traoré ‘Doli’. Samen delen zij hun inzichten, verhalen en ervaringen uit het maakproces van deze bijzondere groepstentoonstelling.</p><p>Porous Grounds, Sacred Codes is samengesteld door RAW Material Company, in Marres, Huis voor Hedendaagse Cultuur in Maastricht. Zeven kunstenaars met wortels in West-Afrika hebben gezamenlijk een multisensoriële totaalinrichting gecreëerd, waarin sculptuur, geluid, textiel en video samenkomen.</p><p><br></p><p>Porous Grounds, Sacred Codes</p><p>20 dec 2025 — 17 mei 2026</p><p>Marres</p><p>Capucijnenstraat 98</p><p>6211 RT Maastricht</p><p>//</p><p>Opname: Hout Video</p><p>Montage: Caspar Stalenhoef</p>
October 15, 2025
Marres Special: Gestures as Portals
<p>In the run-up to a new exhibition at Marres, House for Contemporary Culture in Maastricht, director Valentijn Byvanck interviews participating artists, performers and curators. In this episode he sits down with choreographer and dancer Amparo González Sola during her research and ongoing performance Gestures as Portals.</p><p>Gestures are central to González Sola’s practice. She approaches them as portals to memory and connectors between bodies, shaped by context, inherited through generations, and always relational. During her time at Marres, she and co-performer Leandro de Souza worked with the gestures found in the rooms: those of the performers, the visitors, the workers, and traces from the former exhibition Vultures & Fireflies by Mexican artist Alejandro Galván.</p><p>Podcast recording & edit: Jesus Serrano Huittron </p><p><br></p>
22 total episodes available
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