Shade
Claim This Podcastby Lou Mensah
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Podcast Overview
<p>Shade Media was founded in 2019 by photographer Lou Mensah to create a space for Black artists and creative practitioners to talk about their work in their own way. This critically acclaimed podcast features interviews with artists, critics, writers and visionaries including John Akomfrah, Amy Sherald, Lauren Michele Jackson and Ekow Eshun. It's host Lou has been nominated as Best Arts and Culture Producer and also for the Grassroots Production Award in the 2024 AudioUK awards. She was named Producer of the Year by the UK Audio Network in 2024. Shade Podcast further garnered the Best Art Podcast gong at the 2021 British Podcast Awards. <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a>, which debuted in September 2023, is a biweekly arts and culture magazine on Substack. </p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
Language
🇺🇲
Publishing Since
12/8/2020
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Recent Episodes
January 24, 2026
Unreadability in South Asian Photography
<p>In today's episode, I'm reading an essay by Eleanor Sanghara Güstard, published in <a href="https://open.substack.com/pub/shadepodcast/p/rerouting-the-gaze-unspringing-the?r=dakiq&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true" rel="noopener noreferrer" target="_blank">Shade Art Review</a> today.</p><p>Eleanor inherited an old Nikon F50 from her late father. When the lens cracked, she kept shooting through it. Those "poor images" became a methodology for navigating her position between Britain and India, whiteness and brownness. In her essay, Eleanor traces a lineage of South Asian photographers who use technical strategies, from blur and opacity to degradation, to work against the colonial demand for clarity. From Umrao Singh Sher-Gil's pioneering work from the 1890s through the mid-20th century to Sutapa Biswas and Al-An deSouza's contemporary practice, she shows us how unreadability becomes a site of autonomy.</p><br><p><a href="https://open.substack.com/pub/shadepodcast/p/rerouting-the-gaze-unspringing-the?r=dakiq&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p><a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">@shade_podcast</a></p><p><a href="https://www.instagram.com/eleanor.sanghara/" rel="noopener noreferrer" target="_blank">@eleanor.sanghara</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
December 6, 2025
Who Gets to Show Up in the Art World?
<p>Shade Podcast closes out 2025 by returning to the <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank"><strong>Shade Art Review </strong></a>archives. This episode adapts "Oh God It's Frieze Week Again," an article I wrote in October 2023, asking: Who gets to show up in the art world? As Art Basel Miami Beach wraps the year's art fair circuit and we await next week's Turner Prize announcement, I explore the barriers disabled artists and arts workers face during heightened art world moments—from navigating packed art fairs to participating in gallery openings and museum events.</p><p>Nnena Kalu's historic Turner Prize nomination—the first learning-disabled artist shortlisted in the prize's 41-year history—raises urgent questions about who the art world has traditionally welcomed into its most prestigious spaces. I reflect on what accessibility actually means.</p><p>Featuring thoughts on our right to retreat, the pressure for disabled artists to always be visible and what deep collaboration with disabled and neurodivergent communities could actually look like. What would it look like if retreating was considered an essential part of showing up?</p><p>Read the full article at Shade Art Review<strong> </strong><a href="https://open.substack.com/pub/shadepodcast/p/oh-god-its-frieze-week-again?r=dakiq&utm_campaign=post&utm_medium=web&showWelcomeOnShare=false" rel="noopener noreferrer" target="_blank"><strong>here. </strong></a>Contact: <a href="mailto:lou@shadepodcast.co.uk" rel="noopener noreferrer" target="_blank"><strong>lou@shadepodcast.co.uk</strong></a> | Instagram: <a href="https://www.instagram.com/shade_podcast/reels/?hl=en-gb" rel="noopener noreferrer" target="_blank"><strong>@shade_podcast</strong></a>. Shade is an independent, one-person operation. If this podcast resonates, please share and subscribe.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
November 29, 2025
Deana Lawson's Photography Divides Critics. And I'm Here For It
<p>I'm reading "Deana Lawson's photography divides critics and I'm here for it" from the Shade Art Review archives, asking questions about critical freedom, backlash culture, and when we lost the ability to be honest about art.</p><p>This one asks: when did bland takes become the safest option? And who does this serve?</p><p>Questions I'm still asking about art criticism, fear, and the freedom to feel something.</p><br><p><strong>Links mentioned in this episode:</strong></p><p>Gwendolyn DuBois Shaw's essay "The Many Problems with Deana Lawson's Photographs" (Hyperallergic, May 2021): https://hyperallergic.com/the-many-problems-with-deana-lawsons-photographs/</p><p>Tina Campt on Deana Lawson (New York Times, 2021): https://www.nytimes.com/2021/05/05/magazine/deana-lawson.html</p><p>Tina Campt's book "A Black Gaze" (MIT Press): https://www.amazon.co.uk/Black-Gaze-Artists-Changing-How/dp/0262045877</p><p>"What happened to all the anti-racists after Black Lives Matter" (Metro, 2022):https://metro.co.uk/2022/08/13/what-happened-to-all-the-anti-racists-after-black-lives-matter-17172834/</p><p>Lou Mensah on star ratings in art criticism (Plaster Magazine, 2025): https://plastermagazine.com/features/star-rating-exhibition-reviews-art-critics/</p><p>Read the full piece and more in Shade Art Review: https://shadepodcast.substack.com/</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
86 total episodes available
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Frequently asked questions
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- What is Shade?
<p>Shade Media was founded in 2019 by photographer Lou Mensah to create a space for Black artists and creative practitioners to talk about their work in their own way. This critically acclaimed podcast features interviews with artists, critics, writers and visionaries including John Akomfrah, Amy Sherald, Lauren Michele Jackson and Ekow Eshun. It's host Lou has been nominated as Best Arts and Culture Producer and also for the Grassroots Production Award in the 2024 AudioUK awards. She was named Producer of the Year by the UK Audio Network in 2024. Shade Podcast further garnered the Best Art Podcast gong at the 2021 British Podcast Awards. <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a>, which debuted in September 2023, is a biweekly arts and culture magazine on Substack. </p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p> - How often does this podcast release new episodes?
This podcast updates bi-weekly.
- Where can I listen to this podcast?
This podcast is available on 10 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
No, this podcast does not typically feature guests.
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