Co-hosts Michael Dolese, Alfred "Sky" Fajardo, Taylor Muños and Sui-Lin Tam explore the world of percussion with their unique backgrounds to the art and provide thoughtful conversations in the fields of performance and pedagogy.
TAMS Percussion Podcast
Claim This Podcastby TAMS Percussion Podcast
4.3(6 reviews)
20 episodes
Updated Daily
Accepts GuestsHas SponsorsLocation 🇺🇸
Podcast Overview
Co-hosts Michael Dolese, Alfred "Sky" Fajardo, Taylor Muños and Sui-Lin Tam explore the world of percussion with their unique backgrounds to the art and provide thoughtful conversations in the fields of performance and pedagogy.
Language
🇺🇲
Publishing Since
8/28/2021
1 verified contact email on file for TAMS Percussion Podcast
Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.
Recent Episodes
January 22, 2023
Episode 20: Chatting with Cadets (Mason Hicks and Braedon Baumgardner)
<p>Welcome back to Episode 20 of the TAMS Percussion Podcast! Today, hosts Michael, Sky, Sui-Lin, and Taylor are joined with two outstanding individuals from the Cadets Drum and Bugle Corp, Mason Hicks and Braedon Baumgardner! We are thankful to have had the chance to sit down and talk about the world of marching (not just marching percussion) with these two and specifically The Cadets, the pros and cons of marching, fun pre show rituals and other fun memories, and even ways to make the marching activity a more enjoyable and safe place for all members of the community! </p> <p>"Mason's career in the marching arts began with his first year of drum corps at the age of 16. He marched with Jersey Surf in 2015 and 2016, then joined The Cadets in 2017, where he continued to march until 2021. Mason holds a degree in Music Education from Shenandoah University. While there was no marching ensemble at SU during his time there, Mason helped pave the way for the formation of a marching band immediately after his graduation. He formed an indoor winds group for a Conservatory-sanctioned project. In addition to directing and drill design, he also performed in the group. Currently, Mason spends his time as a drill designer in Northern Virginia, both designing shows and teaching visual technique to performers of all calibers." (https://cadets.org/mason-hicks) </p> <p>Braedon is a percussionist and educator from Hutchinson, Kansas who’s been a musician for roughly 15 years. Braedon has been apart of multiple performance groups including the Cadets Front Ensemble, and 2 concerto performance with the Kansas State University Wind Ensemble and the Indiana University Wind Ensemble. Braedon received his degree in Music Performance from Kansas State University in 2021, and is currently getting his masters degree at the Indiana Universities Jacob’s School of Music also in Percussion Performance. Braedon is also currently a technician at Center Grove High School.</p> <p>If you've been listening to the podcast for a bit and enjoy what you hear, consider giving us a 5 star rating on Apple Podcasts, Spotify, Google Podcasts, or wherever you hear us! It would mean a lot to us and your feedback helps us grow as a show and as a community! If you have any specific requests for topics you would want us to talk about or guests you would like to see on the show, send us a message on Instagram @tamspercpodcast or send us an email at tamspercussion@gmail.com. </p> <p>Special thank you to Chance Morris for the fantastic music we use for our intro and outro to episodes and to Delaney for your constant support on Patreon. If you want to support us financially, consider joining our Patreon for fun moments, early access to episodes, and the show in video format! </p>
January 15, 2023
Episode 19: TAMS Jams 4
<p>Welcome back to the TAMS Percussion Podcast! After an extended break from all parties we are BACK with new episodes. This episode features a podcast staple, the TAMS Jam, which is a more free form and open ended episode where Michael, Sky, Sui-Lin, and Taylor discuss events in the percussion world, what they've been up to, and other interesting things that have happened since the break. This episode was originally recorded in August, so there are moments where the creators are talking about events that have already passed by the time of the premiere of this episode. We are very excited to be back in action and have some larger plans in the future that you don't want to miss! </p> <p><br></p> <p>If you enjoy the episodes that you're seeing here, consider leaving a 5 star rating on Spotify, Apple Podcasts, or wherever you see this episode! Your support means a lot to us here on the show and we'd appreciate anything you're willing to help out with! For questions, comments, or requests for topics on the show, you can DM us on Instagram @tamspercpodcast or send us an email at tamspercussion@gmail.com. Thank you to Chance Morris for the intro and outro music you hear every episode and to Delaney for supporting us on Patreon! We are currently reworking some perks and tiers on Patreon, so if you're interested in supporting us financially, consider checking it out! </p>
May 25, 2022
Episode 18: Dr. Karlyn Viña and Dr. Ksenija Komljenović
<p>Hello and welcome back to the TAMS Percussion Podcast. After some time off to finish up a busy semester, we are back with some fantastic guests! In this episode, we are joined with two of the cohosts of the @Percussion Podcast, Dr. Karlyn Viña, and Dr. Ksenija Komljenović. We take time to discuss the perspective of female percussionists in the industry and talk about the experiences of these educators and how the modern percussion studio must be accepting of everyone. We are thankful for Karlyn and Ksenija sitting down at talking to us about these important issues in the community and we at TAMS hope that this may help you become a more informed ally!</p> <p>Praised by the South Florida Classical Review for her "dazzling" and "incisive" performance, Dr. Karlyn Viña is a dynamic and creative percussionist based in Virginia. Dr. Viña is the newly appointed Assistant Professor of Percussion at Shenandoah Conservatory in Winchester, VA, and previously taught at Florida International University and New World School of the Arts in Miami, FL. During the summers, Karlyn serves as a percussion faculty member at Interlochen Arts Camp in Interlochen, MI. Karlyn maintains a busy schedule as an orchestral, chamber, and solo percussionist, and has a particular interest in works that incorporate theatrical elements. In addition to her teaching and performing, Karlyn can be heard as a co-host on the @Percussion Podcast and is proud to serve on the Percussive Arts Society's Education Committee. Karlyn earned her Doctorate of Musical Arts in Percussion Performance from the University of Miami as a fellow of the Henry Mancini Institute. Her dissertation focuses on the performance of works for theatrical percussion by Globokar, Kagel, and Smith. She also holds degrees in Percussion Performance and Music Education from The Boston Conservatory and the University of Maryland. Karlyn is proud to endorse Grover Pro Percussion, Marimba One, and Zildjian cymbals.</p> <p>Dr. Ksenija Komljenović (Belgrade, Serbia), a prizewinner of the International Percussion Competition Luxembourg, is a percussionist, educator, and composer. Throughout her career, she has performed, taught, and studied across Europe, the United States, and Asia. Ksenija is the first woman from Serbia with a Doctor of Musical Arts in Percussion Degree. She holds the Assistant Professor of Percussion position at <a href="https://www.tamucc.edu/liberal-arts/departments/music/disciplines/percussion.php" rel="noreferrer noopener" target="_blank"><strong>Texas A&M University-Corpus Christi</strong></a>. Ksenija serves as a producer and host on the <a href="https://www.instagram.com/atpercussion/?hl=en" rel="noreferrer noopener" target="_blank"><strong>At Percussion Podcast</strong></a>. She is on the organizational committees of the <a href="https://sites.google.com/view/tierras-percussion" rel="noreferrer noopener" target="_blank"><strong>Tierras South Texas Percussion Competition</strong></a><strong> </strong>and the <strong>SoundWaves Festival. </strong>Ksenija’s devotion to percussion is shaped by her advocacy for contemporary and chamber music, as well as intercultural collaboration. Her three chamber ensembles (<a href="https://www.ksenijakomljenovic.com/chamber-projects" target="_self"><strong>PNEUMA, Vesna Piano/Percussion Duo, Balkan Percussion Duo</strong></a>) unite some of the finest young performers from across the world. Ksenija holds degrees from the Frost School of Music at the University of Miami, Illinois State University, and the Faculty of Music in Belgrade, Serbia. Her compositions and arrangements are published by <a href="http://www.bachovich.com/" target="_blank">Bachovich Music Publications</a>. Ksenija is a <a href="https://www.marimbaone.com/" target="_blank">Marimba One</a> artist.</p> <p>For the full bios of these fantastic artists, you can find them on their websites:</p> <p>https://www.ksenijakomljenovic.com/</p> <p>http://www.karlynvina.com/</p> <p></p>
20 total episodes available
Deep-dive analytics for TAMS Percussion Podcast
Frequently asked questions
Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.
- What is TAMS Percussion Podcast?
- How often does this podcast release new episodes?
This podcast updates daily.
- Where can I listen to this podcast?
This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
Yes, this podcast regularly features guests.
Legal Disclaimer
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.