by James Ellis Deakins, Roger Deakins
The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end....who knows where! We are joined by guests periodically. Followup questions can be posted in the forums at www.rogerdeakins.com.
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🇺🇲
Publishing Since
4/25/2020
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April 23, 2025
Production designer Suzie Davies discusses her career journey from model-making to collaborating with director Mike Leigh, revealing her approach to production design and finding unique locations, in this interview with Team Deakins.
April 16, 2025
<p>SEASON 2 - EPISODE 137 - Stefan Nikolov - Location Manager</p> <p>Location manager Stefan Nikolov (SOMEBODY SOMEWHERE, JUSTIFIED: CITY PRIMEVAL, SHAMELESS) joins us in this episode of the Team Deakins Podcast. Originally from Bulgaria, Stefan followed his journalist parents around the world before landing in Chicago where he has since built a career in the locations department. We discuss how he worked his way up the ladder, and Stefan breaks down the different roles in the department. Throughout our conversation, Stefan shares many stories from his career, and we learn what to do when an alligator hunt prevents the crew from parking the vans where you need them. We also learn about the potential consequences of living in a home made famous on television, and we discuss why a film would come to Chicago to shoot for another real-world location. And at the end, Stefan gives his advice to anyone trying to break into the locations department.</p> <p>This episode was recorded in front of a live audience in Chicago at the Athenaeum Center.<span class= "Apple-converted-space"> </span></p> <p>-</p> <p>This episode is sponsored by Aputure</p>
April 9, 2025
<p>SEASON 2 - EPISODE 136 - Judy Becker - Production Designer</p> <p>In this episode of the Team Deakins Podcast, we speak with production designer Judy Becker (THE BRUTALIST, CAROL, BROKEBACK MOUNTAIN). Judy’s love for art and collaboration began at the age of 3 and developed throughout her childhood, and after discovering the theatre department in high school, she found her way into the New York filmmaking scene. Having worked in a number of projects across many different periods of history, Judy shares how she approaches bringing those spaces to life, and we reflect on the fact that absolute accuracy to a period doesn’t always look real on the screen. Later, during our discussion of her work on THE BRUTALIST, Judy reflects on the challenges of communicating with a crew whose language is nothing like her own, and she reveals how they fought for scraps of plywood and found (and built) post-war America in Hungary. Judy also shares how she approached designing The Institute—the architectural centerpiece of the film—and she reveals how they used the scale model they built in the actual shoot. We also discuss the differences between working on location and in a stage, and Judy shares the creative attraction to working on producer Ryan Murphy’s many television shows.</p> <p>-</p> <p>This episode is sponsored by Aputure</p>
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