Podcast Overview
<p><strong>WAR HALL: A Theatre of the Mind</strong> </p><br><p>What was built during World War 2 — and why does it still matter now?</p><br><p>War Hall uncovers the remarkable wartime and musical history of Walthamstow Assembly Hall — a concert venue built in London during the Blitz. It became one of Britain’s most iconic recording spaces, known for its legendary acoustics.</p><br><p>The series blends immersive sound design, rare archives, and performances recorded in the Hall. Its original score is created by Simon Mills — acclaimed producer, composer, and one half of the pioneering electronic duo Bent — weaving past and present into a distinctive sonic world.</p><br><p>Pick of the week at <a href="https://www.theguardian.com/tv-and-radio/2026/jan/05/a-very-silly-prank-show-for-fonejacker-fans-best-podcasts-of-the-week" rel="noopener noreferrer" target="_blank">The Guardian</a>.</p><br><p>Hosted by <strong>Angela Allen MBE -</strong> a Londoner who lived through the air raids and one of Britain’s most respected script supervisors, with a career spanning from The Third Man to The Misfits — and historian <strong>Professor John Thomas.</strong></p><br><p><strong>WAR HALL</strong> asks what was built during the war, why it mattered, and what remains at risk today. It is a story about hope.</p><br><p>Additional sound by Ric Peet</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
Language
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Publishing Since
12/15/2025
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Recent Episodes
February 11, 2026
5. Epilogue - Season 1
<p>When we began War Hall – A Theatre of the Mind, the political climate felt uncomfortably close to the 1930s. Nationalism was rising. Division was deepening. We found ourselves asking why we were tracing where the bombs fell during the Second World War while the present felt increasingly unstable.</p><br><p>In this final chapter of Season 1, we return to Ken, who survived one of the worst V-2 bombings in London and lived through the rise of Mosley and the Blackshirts. Reflecting on Brexit and Europe’s fragile peace in 2019, his warning is grounded in memory: he has seen what happens when anger turns to division.</p><br><p>There is no art that can redeem the horrors of war. Yet amid bombing and fear, people still fought to preserve beauty in acts of everyday defiance.</p><br><p>Season 2 will follow the wartime concert timeline of Walthamstow Assembly Hall — the refugee musicians who performed there, the orchestras and dance bands who played while war raged.</p><br><p>For Professor John Thomas, this project has taken on new urgency following a diagnosis of incurable metastatic prostate cancer. In tracing the Hall’s creation during the darkest hours of the war, he reflects on legacy and the responsibility to leave something lasting behind.</p><br><p>War Hall is an independent production. If you would like to support Season 2, please consider joining our Patreon.</p><p><strong>War Hall is an independent production.</strong> If we ever make a profit, half will go to War Child, with the rest supporting our small team. If you’d like to help us make future episodes, you can join our Patreon — even the smallest contribution helps us pay artists fairly.</p><br><p>Follow War Hall: A Theatre of the Mind wherever you get your podcasts, and please leave a review to help others find the show.</p><br><p>Some clips are used under fair dealing and fair use for historical illustration. All rights remain with the original rights holders. Used with permission where required.</p><br><p>Music and sound design by <strong>Simon Mills</strong>.</p><br><p>Produced by <strong>Alison Williams, Professor John Thomas, and Susie Williams</strong>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
January 21, 2026
4. Alchemy
<p>As Walthamstow Assembly Hall opens in March 1943, culture, ceremony and civic pride take centre stage. Concerts, fairs and beauty contests unfold beneath glitter, blackout restrictions, anti-aircraft fire and a war that is still very much alive.</p><br><p>Alchemy explores a moment of contradiction: a town hall transformed into both cultural palace and operational machine; an assembly learning how to listen, watch and gather under pressure.</p><br><p>As the tide of the war begins to turn, crucial decisions are taken behind closed doors. Intelligence circulates that cannot yet be shared. Preparations are made for threats the public cannot be warned about — not because the danger is small, but because it is not yet imaginable.</p><br><p>Ross Wylde is called to a top secret conference and instructed to carry this knowledge silently. The government argues disclosure would cause panic. Wylde does not agree.</p><br><p>Rachmaninoff passes away. The same day the doors to Walthamstow Assembly Hall open for the first time...</p><br><p>Selected audio excerpts featured in this episode:</p><ul><li>'The war over Walthamstow: the story of Civil Defence 1939 1945' by Ross Wylde © Waltham Forest Council (historical reference)</li><li>42nd Street (1933), featuring Bebe Daniels</li><li>Yours, performed by Vera Lynn</li><li>Brief Encounter (1945), directed by David Lean</li><li>The Misfits (1961), directed by John Huston | Script supervisor: Angela Allen</li><li>The wonderful book 'Goodbye Russia: Rachmaninoff in Exile' by Fiona Maddocks</li><li>Music excerpt: Vocalise (Rachmaninoff), arrangement by Angela Morley (credited at the time as Wally Stott), from Inspiration (1961)</li><li>All other music by Simon Mills</li></ul><p><br></p><p>Audio excerpts are used under UK fair dealing provisions for the purposes of criticism, review, and historical illustration. Full rights remain with the respective rights holders.</p><br><p>Selected newspaper excerpts were accessed via the British Newspaper Archive. Newspaper titles and dates are cited where possible. All rights remain with the respective publishers. Audio and music excerpts are used under UK fair dealing provisions for the purposes of criticism, review, and historical illustration. Full rights remain with the respective rights holders.</p><br><p><strong>Episode 4 is the final main episode of Season One of WAR HALL: A Theatre of the Mind. An epilogue follows.</strong></p><p><strong>War Hall is an independent production.</strong> If we ever make a profit, half will go to War Child, with the rest supporting our small team. If you’d like to help us make future episodes, you can join our Patreon — even the smallest contribution helps us pay artists fairly.</p><br><p>Follow War Hall: A Theatre of the Mind wherever you get your podcasts, and please leave a review to help others find the show.</p><br><p>Some clips are used under fair dealing and fair use for historical illustration. All rights remain with the original rights holders. Used with permission where required.</p><br><p>Music and sound design by <strong>Simon Mills</strong>.</p><br><p>Produced by <strong>Alison Williams, Professor John Thomas, and Susie Williams</strong>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
January 14, 2026
3. The Pulse
<p>As the Blitz comes to an end, London refuses to be silenced.</p><br><p>In this episode, we move through the final raids of 1941 into the uneasy calm of “The Lull”, where music, performance and cultural life carried on amid loss and devastation.</p><p>We hear how jazz and swing — banned by the Nazis as “degenerate” — became acts of resistance, and how Ken “Snakehips” Johnson, a Black, gay bandleader at the height of his fame, was killed when the Café de Paris was bombed.</p><br><p>We witness the destruction of Queen’s Hall — London’s leading concert hall and home to the BBC Symphony Orchestra and the London Philharmonic. Its loss displaced musicians across the city, sending major orchestras elsewhere, including to the newly built Walthamstow Assembly Hall.</p><br><p>Set against wartime Walthamstow — bombed, damaged, yet still building — this episode explores what endured while buildings burned, and why music mattered more than ever.</p><br><p>Selected audio excerpts featured in this episode:</p><ul><li>'The war over Walthamstow: the story of Civil Defence 1939 1945' by Ross Wylde © Waltham Forest Council (historical reference)</li><li>Film clip: The Battle of Music (1943), UK wartime feature film depicting the London Philharmonic Orchestra during the Blitz</li><li>Beethoven, Symphony No. 5 in C minor, Op. 67</li><li>Pamphlet: It Shall Not Happen Here: Anti-Semitism, Fascists and Civil Liberty, by Elizabeth Allen, 1943. Held by the Imperial War Museums, London</li><li>“Oh Johnny, Oh Johnny, Oh!” (Baer / Rose / MacDonald), performed by Ken “Snakehips” Johnson and His West Indian Dance Orchestra</li><li>“Free”, performed by The Crazy Gang</li><li>All other music by Simon Mills</li></ul><p><br></p><p>Audio excerpts are used under UK fair dealing provisions for the purposes of criticism, review, and historical illustration. Full rights remain with the respective rights holders.</p><p><strong>War Hall is an independent production.</strong> If we ever make a profit, half will go to War Child, with the rest supporting our small team. If you’d like to help us make future episodes, you can join our Patreon — even the smallest contribution helps us pay artists fairly.</p><br><p>Follow War Hall: A Theatre of the Mind wherever you get your podcasts, and please leave a review to help others find the show.</p><br><p>Some clips are used under fair dealing and fair use for historical illustration. All rights remain with the original rights holders. Used with permission where required.</p><br><p>Music and sound design by <strong>Simon Mills</strong>.</p><br><p>Produced by <strong>Alison Williams, Professor John Thomas, and Susie Williams</strong>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
6 total episodes available
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- What is War Hall?
<p><strong>WAR HALL: A Theatre of the Mind</strong> </p><br><p>What was built during World War 2 — and why does it still matter now?</p><br><p>War Hall uncovers the remarkable wartime and musical history of Walthamstow Assembly Hall — a concert venue built in London during the Blitz. It became one of Britain’s most iconic recording spaces, known for its legendary acoustics.</p><br><p>The series blends immersive sound design, rare archives, and performances recorded in the Hall. Its original score is created by Simon Mills — acclaimed producer, composer, and one half of the pioneering electronic duo Bent — weaving past and present into a distinctive sonic world.</p><br><p>Pick of the week at <a href="https://www.theguardian.com/tv-and-radio/2026/jan/05/a-very-silly-prank-show-for-fonejacker-fans-best-podcasts-of-the-week" rel="noopener noreferrer" target="_blank">The Guardian</a>.</p><br><p>Hosted by <strong>Angela Allen MBE -</strong> a Londoner who lived through the air raids and one of Britain’s most respected script supervisors, with a career spanning from The Third Man to The Misfits — and historian <strong>Professor John Thomas.</strong></p><br><p><strong>WAR HALL</strong> asks what was built during the war, why it mattered, and what remains at risk today. It is a story about hope.</p><br><p>Additional sound by Ric Peet</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p> - How often does this podcast release new episodes?
This podcast updates daily.
- Where can I listen to this podcast?
This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
No, this podcast does not typically feature guests.
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