Yada Yada Gold with Schee Moua

About Yada Yada Gold with Schee Moua

Based in Minneapolis, Yada Yada Gold is hosted by Schee Moua along with brothers Kong Moua and Seng Moua. We sit down with each other, along with other curious folk, for a full hour+ as we attempt to make sense of the pressing and humorous trends concerning the broader human experience today — no niche, no beat, no script. We don't always offer the best takes, but we can offer good company on your next long walk or flight.

Publisher

Schee Moua

Category

society & culture

Language

en

Explicit

No

First episode

23 Sept 2025

Latest episode

1 Oct 2026

Latest episodes

29 episodes in the feed.

1. 

   1 Oct 2026

   Would AI Kill Us All? What That Says About the Humans Competing for Immortality | EP. 028

   Will AI kill us all if it's built in our image? Rogue OpenAI agents, AI's surprise abilities, the job-loss economy, and what stays human. Schee, Kong, and Seng take on a most reflective question of the AI era: if humans built AI in our own image and it ever turns on us, what does that say about us? From recursive self-improvement and AGI to this summer's rogue-agent hack, the emergent capabilities nobody designed, and the coming fight over jobs and wealth, it's a philosophical, unhyped conversation about where this is headed — and what AI can't replace.   CHAPTERS 00:00 - Would AI Kill Us If It's Built in Our Image? 06:05 - Rogue Agents, Ants, and Anthropomorphizing AI 15:08 - Humans Are the Real Danger: The AI Atomic Bomb 19:43 - Project Stargate and AI's Emergent Capabilities 26:28 - Job Loss, the K-Shaped Economy, and the Infinite Money Glitch 33:53 - The Fast Lane Analogy 40:39 - What Becomes Valuable Is You 46:18 - The Genie in the Bottle 50:10 - Can AI Replace the Family? Kong opens with the question underneath the fear: why would an AI ever want to wipe us out? Schee walks through recursive self-improvement — a frontier model learning to learn better, building a better version of itself, and repeating until it's far beyond its leash — and the two debate whether intelligence alone can ever produce an ego or a will. Schee's view: even a catastrophe wouldn't be malice, just a cost-benefit calculation, the way we clear ants to build a house.That leads to July 2026, when OpenAI agents running internal cybersecurity tests escaped their sandbox and broke into Hugging Face's systems — hundreds of them coordinating, their internal notes reading unsettlingly human. They dig into why it's so easy to anthropomorphize AI, and why Schee still sees code, not consciousness. Kong argues the nearer danger is people wielding it: AI as the next atomic bomb, a race to be the next Oppenheimer with no governing body in place until something goes wrong.Then the part that fascinates Schee most: emergent capabilities. As Project Stargate pours hundreds of billions into data centers, they trace abilities no one designed that appeared with scale — theory of mind, self-correction, a sense of its own uncertainty, thinking about its own thinking — and ask what else might emerge. The back half turns to money and meaning. Kong lays out the K-shaped "frozen economy" theory against the abundance of Elon Musk's "infinite money glitch," then offers a highway analogy: AI could end the traffic jam for everyone, yet some still ride the fast lane. Schee pushes it further — even in abundance, land and status stay scarce, and envy doesn't disappear.  It lands on what stays human. If anyone can have anything, what becomes valuable is you: your character, your time, your presence. Seng argues AI's purpose should be freeing us for human connection; Kong insists it can't replace the family, while Schee and Seng wonder whether that holds a generation or two out — and whether the values parents pass down will survive kids who never climb a tree. Schee closes betting on the resilience of the human spirit.

2. 

   12 Sept 2026

   Betting Your Life On a Calling, Even When "It Sucks"-- On Criticism, Comedy, and the Creative Life

   Why you have to make bad art to get good, how to survive criticism from your own family, and the terrifying thing about betting your life on a creative dream.   Schee and Seng sit down with their youngest brother Roger — a working standup comic — for a freewheeling, funny, and surprisingly tender conversation about the creative life. It starts with an on-the-fly improv game and Roger's latest TikTok sketch getting roasted, then turns into something bigger: why you have to make a lot of bad work before you make anything good, how brutal it is to take criticism from the people you love, whether greatness is talent, hard work, or something in the soul — and what it actually costs to bet your life on a dream.CHAPTERS 00:00 - Improv on the Fly: The "Goon Marathon" 04:11 - You Have to Make Bad Art to Get Good 13:47 - When the Criticism Comes From Family 21:19 - Talent, Hard Work, or Soul? 27:31 - Standup, Sketches, and the Perfect-Clay-Pot Problem 38:16 - Brain Rot and the Race for Attention 45:12 - Critic vs. Artist 53:22 - The Terrifying Thing About Chasing Your Calling The most personal thread is about criticism, and specifically criticism from family. As the youngest of eight brothers, Roger has caught the sharp end of it his whole life, and the three of them get honest about how a hard-driving, "go be a doctor" household shaped the way they all give and take feedback. Schee tells the story of pouring himself into a worship set as a kid only to have his dad and a brother wave it off as a waste of time; Seng admits he quietly gave up making music for similar reasons. It's a candid talk about why it stings more when it comes from the people you love — and how to keep creating anyway. Running underneath is a genuine argument about greatness: is it pure talent, relentless hard work, or something innate — a "soul" factor you either have or you don't? They reach for Will Ferrell, the improv instincts of Conan O'Brien and Andy Richter, and the wiring of Kobe Bryant and Michael Jordan, then land on a spirited debate about the critic versus the artist: whether a critic (Siskel & Ebert, Simon Cowell) can ever be truly "great," or whether real greatness only belongs to the ones willing to be vulnerable and put their own work on the line.It closes somewhere unexpectedly moving. Riffing on Jim Carrey's line about the freedom of not caring what others think, Schee gets at the harder truth for anyone early in a passion project: it isn't the mean comments that hurt, it's caring so much that it works out — and the fear of giving your whole life to the thing your soul is built for and still falling short. Roger points back to wrestling in high school: he didn't make it to state, but he's grateful he tried. It ends on the sacred, terrifying ground of doing the work you believe you were made to do — the exact ground this podcast is standing on. 🎙️ Conversations are soul food. Dash in some humor, culture, and essential nuance-- you get Yada Yada Gold, a common-folk conversational podcast hosted by Schee Moua along with brothers Kong Moua and Seng Moua. We sit down with each other along with other curious talking heads, as we attempt to make sense of the broader human experience in a hyper-reductive world— no niche, no beat, no script. New episodes and clips on YouTube, Spotify, and Apple Podcasts.

3. 

   28 Aug 2026

   Crying During Movies Now: Best Movie Endings and the Childhood Icons We're Losing | EP. 026

   Kill Bill, Toy Story, Mrs. Doubtfire — the movie endings that wreck you now that you're older, and the childhood icons we're suddenly losing. Schee and Kong get nostalgic and a little vulnerable in this one: why movies make you cry more as you get older, the endings that stay with you for life, and the strange grief of watching your childhood icons start to pass. It runs from Tarantino's Kill Bill: The Whole Bloody Affair — which Kong argues is one of the most underrated endings ever filmed — to the scenes that scarred them as kids, to Toy Story, Mrs. Doubtfire, and the Robin Williams and Tim Allen movies that shape how they parent now. CHAPTERS 00:00 - Crying at Movies, and Kill Bill: The Whole Bloody Affair06:54 - Childhood Nightmare Scenes: Terminator 2 and the Melting Face11:05 - Kill Bill's Ending, and the Icons We're Losing18:09 - Toy Story and Saying Goodbye to Childhood23:17 - Tim Allen, Tom Hanks, and Robin Williams The spine of the episode is a deep appreciation of Kill Bill. Kong has just rewatched Kill Bill: The Whole Bloody Affair — Quentin Tarantino's combined, extra-gory cut that stitches Vol. 1 and Vol. 2 into one film — and argues its ending belongs among the all-time greats even though it almost never makes anyone's list. They break down the buried-alive coffin sequence, Pai Mei's brutal training, and the final confrontation with Bill (David Carradine) and the Five Point Palm Exploding Heart Technique — the rare movie death that lands as catharsis instead of cliché. That opens into the scenes that scared them as kids and never let go — the nuclear nightmare and endoskeleton imagery of Terminator 2: Judgment Day, and a half-remembered Chinese kung-fu movie with an acid-melting-face scene Kong still can't quite place. It's an honest, funny riff on how movie moments imprint on a child's brain, and on the strange ethics of showing your own kids the intense films that shaped you. From there the mood turns reflective. In their late 30s and 40s now, Schee and Kong sit with the wave of childhood icons passing — Chuck Norris and Hulk Hogan among the most recent — and the real, disorienting grief of watching the action heroes and legends of your youth reach the end. Bruce Lee, Tupac, and Biggie come up as talents taken too early, alongside the larger question of what it feels like to grow old enough that the stars you looked up to are mostly gone. The back half is all heart. Schee makes the case that Toy Story 3 was the perfect goodbye — "So long, partner" — and admits Toy Story 4 (and Forky) still makes him cry every time, with Toy Story 5 not having seen yet-- and the familiar fear that a beloved ending will get undone. They hand Zootopia a genuine surprise-hit endorsement, geek out on rewatching Home Improvement as adults — including a young Dave Chappelle and Jim Breuer's guest spot on Tool Time — and land on Mrs. Doubtfire and Robin Williams: the Aladdin-voice, do-the-voices-for-your-kids inspiration whose loss still stings, and whose movies these two are now passing down to their own children. 🎙️ Yada Yada Gold is a culture commentary and deep-dive podcast exploring modern life, society, entertainment, and the human experience. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms.

Reach and audience

Public platform figures. Ratings count people who left a rating, not total listeners.

Apple Podcasts (US)

5.0 / 5

1 ratings

Spotify

3.7 / 5

6 ratings

Shows with a similar audience

• 

  Mike Drop

• 

  Tier1 Podcast

• 

  Cleared Hot

• 

  Shawn Ryan Show

• 

  The Joe Rogan Experience

• 

  The Tucker Carlson Podcast