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This podcast updates bi-weekly.

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伦敦有耳丨London Ears

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by 张璐诗 Lucy Cheung

4.0(3 reviews)

52 episodes

Updated Bi-weekly

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Podcast Overview

一同身处伦敦，一对互相信任的音乐人好友。和而不同，共享宽广无界的聆听视野。密切探讨，不避激烈。通过彼此，持续发现自我音乐品味之外的洞天。

Language

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Publishing Since

9/29/2021

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Recent Episodes

April 29, 2026

伦敦有耳52｜又见Tori Amos；春日的无影脚

April 26, 2026

伦敦有耳51｜DJ Trouble作客，接驳聆听时空（广州话频道）

对广州、佛山一代听众作过爵士乐及其他种类音乐启蒙的DJ Trouble 做客《伦敦有耳》。节目开场曲，正是1998年他结束一档节目时播放的Swing Out Sisters “Something Out of This World”。由他挑选九首作品，串起自己的音乐聆听生涯：从塑造他审美趣味的源头，到多年广播中反复播放、影响过听众的声音，其中也包括影响主播Lucy的一些作品；另一位主播Justyn则与Trouble就Drum & Bass风格略作交换。本期是一份由九首歌串起的音乐生活档案，那些曾在电波中响起无数次的音乐，再次成为谈话的线索。某种意义上，这也是一期追溯不止是嘉宾个人聆听史的节目。歌单：1. 英国流行组合Swing Out Sisters: “Something Out of This World”2. 美国轻爵士音乐人Michael Franks: “Tiger in the Rain”3. 爵士单簧管演奏家 Artie Shaw: “Tenderly”4. 爵士小号手Chet Baker: “But Not For Me”5. 英国电子/氛围音乐组合 Art of Noise: “Island”6. 德国新古典组合 Stoa: “Autumn”7. 英国电子音乐人Adam F:  “Music in My Mind”8. 美国电子音乐人Blue Six: “Sweeter Love”9. 酸性爵士/缓拍电子组合Levitation: “More Than Ever People”

April 6, 2026

伦敦有耳50｜即时作客： Edmund Finnis

伦敦有耳·即时作客：英国作曲家埃德蒙·芬尼斯 Edmund Finnis 这是播客《伦敦有耳》全新栏目“即时作客（The Riff Residency）”的开栏节目。 近年来逐渐受到关注、处于上升阶段的英国作曲家Edmund Finnis，上月底在曼彻斯特布里奇沃特音乐厅（Bridgewater Hall）迎来其管弦乐三部曲终章《大地苏醒》（The Landscape Wakes）的英国首演。演出当日，我们在音乐厅与他进行了这次对谈。 这次对话围绕创作方法、与演奏者的关系、声音与“人”的连接，以及他对当代音乐审美的看法展开。完整访谈已刊载于即时Riff微信公众号http://t.cn/AXMqdzbi 及官方网站 www.theriffmagazine.com。 内容提要 关于创作与录音芬尼斯倾向在作品首演后尽快完成录音，并将其视为创作过程的一部分。从声音实现到制作细节，甚至唱片封面，他都希望参与其中。为“人”写作他长期与演奏者建立合作关系，作品往往从具体演奏者出发生成，例如为Víkingur Ólafsson创作的钢琴作品，以及为Sheku Kanneh-Mason写作的大提琴协奏曲。对他来说，音乐不是抽象结构，而是人与人之间的交流。身体与声音的关系早年合唱经验使他高度重视“呼吸感”。写作时他会唱、会弹，尝试从演奏者身体出发理解音乐如何被发出与感知。表达，而非体系相较于结构与方法，他更关注作曲家声音的清晰度。受到György Ligeti、Morton Feldman与Arvo Pärt等人的影响，他强调音乐既作用于头脑，也作用于内心。对“反感伤”的距离他承认曾在学院环境中感受到审美压力，但并不认同唯一“正确写法”的观念，更关心创作者是否忠于自身经验。记谱与自由芬尼斯在谱面中保留弹性，不追求完全精确的指示，而是信任演奏者在具体语境中的判断与直觉。视觉艺术的影响虽无通感体验，但他从视觉艺术中获得结构与感知方式的启发，例如Agnes Martin与Helen Frankenthaler对“细微变化”与“空间”的处理。管弦乐三部曲三部作品《空气，流转》（The Air, Turning）、《海浪之力》（Acts of Waves）与《大地苏醒》围绕自然与时间展开，关注循环、尺度与声音在空间中的移动关系。音乐观他不相信“从零开始”的创作。传统始终在场，但关键在于如何在既有语言中找到自己的路径。 1. 匈牙利作曲家利盖蒂（Ligeti）：《练习曲》第一册，第二首（ Etudes, Book1: No.2 Cordes a vide），Pierre Laurent Aimard弹奏2. 英国作曲家埃德蒙·芬尼斯（Edmund Finnis）：《前奏曲1》（Prelude 1）3. Edmund Finnis：钢琴小品集《青葱》（Youth），第三首《Frankenthaler》4.德国小提琴家伊莎贝尔·浮士德(Isabelle Faust演奏巴赫第二无伴奏小提琴帕蒂塔《吉格舞曲》（Violin Partita No.2 in D Minor, BWV1004, Giga）5. 爱沙尼亚作曲家阿沃·帕特（Arvo Pärt）：《镜中镜》（Spiegel im Spiegel）6. Edmund Finnis: 《三首独奏曲》第一首（Three Solos: No.1）,Clare O'Connell演奏 7. Edmund Finnis: 《空气，流转》（The Air, Turning），BBC苏格兰交响乐团演奏（BBC Scottish Symphony Orchestra）8. 英国电子音乐组合TEED（Totally Enormous Extinct Dinosaurs）：《Trouble》9. 英国摇滚乐队Radiohead: 《Present Tense》

52 total episodes available

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What is 伦敦有耳丨London Ears?: 一同身处伦敦，一对互相信任的音乐人好友。和而不同，共享宽广无界的聆听视野。密切探讨，不避激烈。通过彼此，持续发现自我音乐品味之外的洞天。
How often does this podcast release new episodes?: This podcast updates bi-weekly.
Where can I listen to this podcast?: This podcast is available on 8 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
Does this podcast accept guests?: Yes, this podcast regularly features guests.

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