by earth.fm
This podcast series is aimed at helping us to connect to ourselves and to our earth by deep listening to natural soundscapes. Based on empirical evidence as well as numerous recent studies from all over the world, listening to natural soundscapes (particularly mindful listening) has a great positive impact on our wellbeing, and potentially on our respect for nature. However, these soundscapes are increasingly scarce as we humans continue to destroy the natural ecosystems which produce them.
Language
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Publishing Since
4/11/2022
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March 20, 2026
This hour long mix comprises of field recordings made on and around Spring Equinoxes of various years. It takes you down through the Northern Hemisphere – from my sitting room in East London to a cottage balcony in the tropical forests of Borneo. Listen for Slovenian jackals, Polish moor frogs, a Himalayan shepherd herding sheep, a hippopotamus getting ready for the night in Sierra Leone and choirs of birds singing across the globe. It was only in researching for this show that I realised the equinox actually refers not to a whole day but a single moment in time, when the sun faces directly over the equator, granting the entire globe with roughly equal length days and nights around it. I was captivated by this idea of a single moment of equilibrium and the impossibility of capturing that – which is much like the experience of listening itself, always dissolving as soon as you try to catch hold. And the equinox moment itself is both something of a physical reality, and pure idea, constructed entirely by an imaginary line humans have drawn and named the equator. Again, this paradox seems to resonate with the act of field recording, which both records a physical reality of a time and place through the sound waves that are imprinted through a microphone, but also creates a totally new and artificial object of its own. Whilst lines of longitude go from east to west and determine clock time, lines of latitude go from North to South and determine climate, with the suns rays becoming more intense the further south we go. Whilst enjoying one of the first sunny days we’ve had in London (where I am) in a long time, I decided to structure this mix along lines of latitude, moving from North to South through the Northern Hemisphere. I wonder if listeners will be able to feel the sun’s intensity increasing through their ears. It was a privilege to shape these extraordinary sounds into a journey. Whilst making it I found myself contemplating the equinox as a time of both stillness and motion, sameness and divergence, meeting and departure – and I invite you to listen into this space of contradiction with me. Anna Clock is a composer, sound artist and researcher. Their practice is rooted in live acts of listening and challenging audiences to listen to each other, and their world, in new ways. They play the cello and also cut hair. They are currently pursuing an AHRC-funded Collaborative Doctoral Award with the Science Museum and Royal Holloway University exploring quantum aurality and how we listen to outer space. Recent works have been heard in Barbican, Royal Court Theatre, Wellcome Collection, The Albany, 100 years Gallery (UK), Project Arts Centre, Gate Theatre (IRL), Times Square Arts, Irish Arts Centre (USA) Dresden Staatschauspiel, Staatstheater Mainz (GER), CIRKO (FIN) and on Radio 4, Radio 3, Resonance FM and RTE Lyric radio. Playlist: [01:19-03:45] A mysterious voice memo at the piano (me) [03:45-05:20] Bartlett park (me) | UK [05:20-07:16] Dawn’s Chorus: Mating Calls of Moor Frogs at Sunrise: Jakub Orzecki | Poland [07:16-10:11] Howling Jackals: Jan Brelih | Slovenia [10:11-12:01] Wood Frogs at the Library: Mike Bullock | USA [12:01-15:10] Dawn Chorus in the Early Days of Spring: Enis Çakar | Türkiye [15:10-20:05] Incoming Tide at Gold Bluffs Beach: Kelly Rafuse | USA [20:05 -25:45] Snowfall in Himalayas: Jan Brelih | India [25:45-31:59] Soft Dawn Chorus in the Jungles of Nepal: George Vlad | Nepal [30:22-35:37] Himalaya Forest Valley: Jan Brelih | India [35:37-40:36] Himalayan Shepherd: Jan Brelih | India [40:36-45:33] Dawn Chorus at Mora River: Giselle Ragoonanan | Trinidad and Tobago [45:33-48:07] Busy Dawn Chorus in the Savannah: Sounding Wild | Sierra Leone [48:07-49:38] Gentle Wind at Dusk in the Savannah: Sounding Wild | Sierra Leone [49:30-51:42] Hippopotamus Preparing for the Night: Sounding Wild | Sierra Leone [51:42-52:24]
February 24, 2026
We are delighted to share a special set by artist Asa 808, a 2-hour journey ideal to softly immersive oneself in the nature sounds, instruments and spoken word. Credits to Asa 808 and Ana Roxanne, Agustin Pereyra Lucena Quartet, Andreas von Wangenheim, Awakened Souls, Dead Man Winter, Djrum, 혁오 (HYUKOH), Sunset Rollercoaster 落日飛車, Felbm, Frankie Reyes, Icarus, Hana Stretton, H.Takahashi, Jeff Parker, Jordi Savall, Julian Lage, Julianna Barwick, Laurie Spiegel, Matonizz feat. Brian Kelley, Meitei, Omni Gardens, Rosie Lowe & Duval Timothy, Sohn, Sonmi541, Starling Arrow, Ted Greene, Yutaka Hirasaka, Wau Wau Collectif.
December 21, 2025
Bodies Extend Themselves Toward a Breathtaking Absence of Limits Earth.FM has the pleasure and honour to announce our collaboration with multidisciplinary artist, field recordist, and DJ, Cameron Randall. His work involves composing through an assemblage of field recordings, electro-acoustic sound, sampling, synthesis, AI models, and digital processing. Previous work has involved sculpture, algorithms, sound, moving image, text, and installation, while his monthly series Listening With is broadcasted on Resonance FM. In this sound piece, Cameron takes us on a journey across the planet featuring Earth.FM's recordings from this Solstice season, in a sound montage that is evocative and intense, surprising and utterly beautiful. In his own words: "This piece was made from a selection of field recordings by a number of international field recordists around the time of the December solstice. The recordings are so rich and diverse and I was immensely inspired by their depth and detail. I am interested in the remixing, morphing, and translation of sound—where the audio both retains its original sonic quality while also becoming something new. Every sound you hear in this piece originates from the initial recordings provided to me. Some sounds are more obvious in their genesis; others are more opaque. This is a line I often like to blur and play with. Thank you so much to Melissa Pons for commissioning me to do the piece for Earth.FM." To work creatively on precious natural soundscapes is an exercise of affection and appreciation for our world. We truly hope that his cosmic piece inspires you in many ways. Please find the original field recordings listed below alphabetically by the field recordist's surname: Jan Brelih - Cave Entrance in the Balkans Jan Brelih - Dusk Cicadas: Usun Apau Ancient Forest Jan Brelih - Falling Snow in the Forest Jan Brelih - Frog Echoes Jan Brelih - Gentle Waves of Black Sea Jan Brelih - Talking Bamboo Serge Bulat - Winds Of Onemo Rafael Diogo - Where the Wild Things Whisper Ezra Gray - Crook In The River Soundscape Kingcombe Ezra Gray - Night Time in Sloe Copse Wood Tom Kelly - A Sandstorm in Death Valley Gina Lo - Rolling Pebbles at the Glass Cove Andy Martin - Golden Mantled Howlers at Dawn Andy Martin - Midnight Insect Chorus Near Corcovado Phil Mill - A Very Close Wolf Martha Mutiso - Amphibian Chorus Martha Mutiso - Chorus in the Amani Nature Forest Reserve Martha Mutiso - Nocturnal Chorus at Mpanga Central Forest Reserve Melisas Pons, Jocelyn Robert - Ebb current in rocky shore Melissa Pons - In the Valley – Countryside of Santo Antão Ivo Vicic - Snow Storm with Powerful Thunder Gregor Vida - Wind, Squeaking Tree and Light Birds George Vlad - Morning in Zimbabwe Village
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This podcast series is aimed at helping us to connect to ourselves and to our earth by deep listening to natural soundscapes.
Based on empirical evidence as well as numerous recent studies from all over the world, listening to natural soundscapes (particularly mindful listening) has a great positive impact on our wellbeing, and potentially on our respect for nature. However, these soundscapes are increasingly scarce as we humans continue to destroy the natural ecosystems which produce them.
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