
学非所用AfricaLounge
Claim This Podcastby 学非所用AfricaLounge
Podcast Overview
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>「学非所用AfricaLounge」是一档关于非洲的深度闲聊节目,间歇性输出在地知识,偶尔分享严肃的学术内容和学术“八卦”反思。我们将从不同主题切入,分享基于生命体验的、动态多元的非洲。我们也将努力将非洲各地音乐人/乐队的作品带给大家。</span></p><span><br /></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><span><span>大家可以在以下平台</span><span>收听我们的节目,也欢迎大家通过平台留言、邮箱</span><span>africalounge@163.com或者wx africa234 </span><span>与我们联系。</span></span></span></p><p style="font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;color:#333333;word-break:break-all;font-weight:normal;" data-flag="normal">Apple Podcasts:https://podcasts.apple.com/us/podcast/id1610604337?mt=2</p><p style="font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;color:#333333;word-break:break-all;font-weight:normal;" data-flag="normal">acast:https://shows.acast.com/africa-lounge</p><p style="font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;color:#333333;word-break:break-all;font-weight:normal;" data-flag="normal">Spotify:https://open.spotify.com/show/7xHdtTJCizt0545LrbYQJ6?si=52e82fc83f2f4fb8</p><p style="font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;color:#333333;word-break:break-all;font-weight:normal;" data-flag="normal">喜马拉雅:https://www.ximalaya.com/album/57158097</p><p style="font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;color:#333333;word-break:break-all;font-weight:normal;" data-flag="normal">小宇宙:https://www.xiaoyuzhoufm.com/podcast/620ead221c8f2b2bde294224</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">RSS订阅:https://feeds.acast.com/public/shows/africa-lounge</p><span><br /></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Logo设计:Lingzi@afotolearner (instagram)</span></p>
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Publishing Since
2/17/2022
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Recent Episodes

June 2, 2026
Ep.47 齐林&蓝其:徒步纵穿肯尼亚 | 《骆驼日记》新书发布
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>本期节目录音来自上海中非关系研究网络(CASIN)在中非驿站举办新书发布的原声现场,摄影师、作家齐林带着自己的全新著作《骆驼日记:徒步纵穿肯尼亚》,与主播蓝其深度对谈。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>齐林曾长期常驻索马里、肯尼亚等国,从早期的央企驻外人员,到后来的自由摄影师,他与非洲的连接跨越十余年。2021年疫情期间,在经历了一段极具创伤性的海外拍摄后,他决定以一种近乎自我放逐与救赎的方式上路——和桑布鲁族向导兼老师Martin、以及正值青春期的骆驼“齐沛石”,沿着东非大裂谷徒步700公里,穿越肯尼亚北部荒漠。在节目中,两位聊到了齐林如何深入东非的在地日常,在荒野徒步中通过跨越语言建立信任并找回身体的在场感,以及这片土地上那些粗犷、灵活且不带悲情色彩的生死观。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>本期节目由「学非所用Africa Lounge」与蓝其的播客「好久不见Hello Again」特别联动。在蓝其的节目中,还将呈现更多现场互动,欢迎点击评论区链接收听。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>以下为旅程中的摄影作品,由齐林授权分享:</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="0" src="http://imagev2.xmcdn.com/storages/b333-audiofreehighqps/FD/E0/GKwRIJIN9ChzABjH5QSh8Lzf.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/b333-audiofreehighqps/FD/E0/GKwRIJIN9ChzABjH5QSh8Lzf.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/b333-audiofreehighqps/FD/E0/GKwRIJIN9ChzABjH5QSh8Lzf.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="500.44483985765123" data-preview="http://imagev2.xmcdn.com/storages/b333-audiofreehighqps/FD/E0/GKwRIJIN9ChzABjH5QSh8Lzf.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.41637010676156"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="1" src="http://imagev2.xmcdn.com/storages/fcef-audiofreehighqps/01/6F/GKwRIJIN9Ch-ABlM0ASh8MON.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/fcef-audiofreehighqps/01/6F/GKwRIJIN9Ch-ABlM0ASh8MON.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/fcef-audiofreehighqps/01/6F/GKwRIJIN9Ch-ABlM0ASh8MON.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="500.44483985765123" data-preview="http://imagev2.xmcdn.com/storages/fcef-audiofreehighqps/01/6F/GKwRIJIN9Ch-ABlM0ASh8MON.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.41637010676156"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="2" src="http://imagev2.xmcdn.com/storages/1860-audiofreehighqps/3A/AC/GKwRIJEN9CiIABy-_gSh8Mfi.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/1860-audiofreehighqps/3A/AC/GKwRIJEN9CiIABy-_gSh8Mfi.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/1860-audiofreehighqps/3A/AC/GKwRIJEN9CiIABy-_gSh8Mfi.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="500.44483985765123" data-preview="http://imagev2.xmcdn.com/storages/1860-audiofreehighqps/3A/AC/GKwRIJEN9CiIABy-_gSh8Mfi.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.41637010676156"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="3" src="http://imagev2.xmcdn.com/storages/a0ba-audiofreehighqps/5E/C7/GAqhJLsN9CiRABGwYgSh8Mz4.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/a0ba-audiofreehighqps/5E/C7/GAqhJLsN9CiRABGwYgSh8Mz4.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/a0ba-audiofreehighqps/5E/C7/GAqhJLsN9CiRABGwYgSh8Mz4.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="499.11268855368235" data-preview="http://imagev2.xmcdn.com/storages/a0ba-audiofreehighqps/5E/C7/GAqhJLsN9CiRABGwYgSh8Mz4.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.16770186335404"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="4" src="http://imagev2.xmcdn.com/storages/6d9a-audiofreehighqps/35/F5/GAqh6-4N9CibACBVsgSh8NJy.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/6d9a-audiofreehighqps/35/F5/GAqh6-4N9CibACBVsgSh8NJy.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/6d9a-audiofreehighqps/35/F5/GAqh6-4N9CibACBVsgSh8NJy.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="499.11268855368235" data-preview="http://imagev2.xmcdn.com/storages/6d9a-audiofreehighqps/35/F5/GAqh6-4N9CibACBVsgSh8NJy.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.16770186335404"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="5" src="http://imagev2.xmcdn.com/storages/25e5-audiofreehighqps/8E/40/GKwRIJIN9CijABQPTASh8NU7.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/25e5-audiofreehighqps/8E/40/GKwRIJIN9CijABQPTASh8NU7.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/25e5-audiofreehighqps/8E/40/GKwRIJIN9CijABQPTASh8NU7.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="500.6675567423231" data-preview="http://imagev2.xmcdn.com/storages/25e5-audiofreehighqps/8E/40/GKwRIJIN9CijABQPTASh8NU7.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.45794392523365"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="6" src="http://imagev2.xmcdn.com/storages/2d8d-audiofreehighqps/AA/89/GAqhuykN9CirAD3A7wSh8NhT.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/2d8d-audiofreehighqps/AA/89/GAqhuykN9CirAD3A7wSh8NhT.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/2d8d-audiofreehighqps/AA/89/GAqhuykN9CirAD3A7wSh8NhT.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="500" data-preview="http://imagev2.xmcdn.com/storages/2d8d-audiofreehighqps/AA/89/GAqhuykN9CirAD3A7wSh8NhT.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.33333333333333"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="7" src="http://imagev2.xmcdn.com/storages/f3ce-audiofreehighqps/62/53/GKwRIMAN9CizACOGLASh8Nxx.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/f3ce-audiofreehighqps/62/53/GKwRIMAN9CizACOGLASh8Nxx.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/f3ce-audiofreehighqps/62/53/GKwRIMAN9CizACOGLASh8Nxx.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="500.44483985765123" data-preview="http://imagev2.xmcdn.com/storages/f3ce-audiofreehighqps/62/53/GKwRIMAN9CizACOGLASh8Nxx.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="93.41637010676156"><br></p>

February 6, 2026
Ep.46 郝宇骢:亚非文艺交流中的「具身相遇」
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">当我们讨论万隆会议后的亚非团结,我们到底在讨论什么?这种团结在国家和个人层面上是如何被展演和理解?舞蹈以及歌舞团在其中扮演了怎样的角色?这对我们当下理解亚非连结有什么启发?</p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>本期我们有幸邀请到了范德堡大学的助理教授郝宇骢从个体的具身经验出发,超越或支持或反抗宏观叙述的二分框架,来聊一聊具身经验在理解“非亚“(Afro Asia)的重要性,以及关注非洲对于中国研究的意义。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>内容提要:</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>塔什干的亚非文学会议的中国作家</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>从东方歌舞团到基层的“克隆的艺术”</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>亚非舞蹈在中国的系统化</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>东方歌舞团的成立</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>《赤道战鼓》的具身性</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>关于表演的正当性</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>中国当代流行舞蹈的非洲元素</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>相关文献</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>郝宇骢:《万隆时代的中国舞蹈艺术——以非洲舞表演为中心》,《北京舞蹈学院学报》2023年第6期,第124~129页。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Yucong Hao, “Afro-Asian resonances: Staging the Congo Crisis in 1960s’ Chinese theatre,” </span><span>Modern Asian Studies</span><span>, vol. 57, no. 6 (November 2023), pp. 1984~2001.</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>魏美玲、刁淋:《“表演”万隆:中国与印度、印度尼西亚和缅甸的舞蹈外交(1953-1962)》,《北京舞蹈学院学报》2009年第05期,第86~99页。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Clare Croft, </span><span>Dancers as Diplomats: American Choreography in Cultural Exchange</span><span>, Oxford University Press, 2015.</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Joan Kee, </span><span>The Geometries of Afro Asia: Art beyond Solidarity</span><span>, University of California Press, 2023.</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Ignatius G. D. Suglo, “‘Sound of Friendship’: Music Iconography in Twentieth-Century Africa–China Relations,” </span><span>Verge: Studies in Global Asias</span><span>, vol. 8, no. 1 (2022), pp. 195~216.</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Yang Wang, “Envisioning the Third World: Modern Art and Diplomacy in M. China,” </span><span>ARTMargins</span><span>, vol. 8, no. 2 (June 2019), pp. 31~54.</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>相关表演</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>东方歌舞团《东方之花》纪录片 (B站:BV19W411P7xK)</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>话剧《赤道战鼓》</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>舞剧《战斗,前进!刚果河在怒吼》</span></p>

December 17, 2025
Ep.45 万芳:坦桑尼亚的社会主义实践与表达 | “乌贾马文学”
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>东非国家坦桑尼亚20世纪中后叶在开国总统尼雷尔的带领下以“乌贾马(Ujamaa)”之名,展开了一场独特的社会主义实践。这场运动不仅重塑了乡村与集体,更催生了一种根植于时代精神的文学浪潮——乌贾马文学。它用诗歌、戏剧与小说,记录着理想与现实的碰撞、集体村庄中的日常、组织与矛盾。本期节目中,博士毕业于伦敦大学亚非学院、现任燕山大学讲师的嘉宾万芳,将带领我们一同穿越文本与现实,走进那段充满试验与表达的岁月,探寻乌贾马世界背后的故事、争论与遗产。</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>内容提要</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>渊源:从中国大众文艺到坦桑尼亚</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>坦桑尼亚的社会主义运动</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>“乌贾马”实践:集体村庄建设</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>知识界的争论与村庄迁移中产生的矛盾</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>集体村庄的日常与教育实践</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>运动的失败及其遗产</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>乌贾马文学与斯瓦西里语文学的发展</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>集体创作:乌贾马诗歌与戏剧</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>小说《蛇皮》对村庄搬迁的描写</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>乌贾马文学作品的发行与流通</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>与中国对乡村描写的对比</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>学习斯瓦西里语的经验</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>文本内外的乌贾马世界</span></p><br><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>嘉宾提到的文学作品:</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Gamba la Nyoka (novel) by Euphrase Kezilahabi,1979(《蛇皮》)</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Kuli by Shafi Adam Shafi, 1979(《苦力》)</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>拓展阅读:</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Wan, Fang. (2025). “Towards a Global South posthumanism: the more-than-human world in Han Song’s Red Ocean and Veronique Tadjo’s In the Company of Men”. World Literature Studies, Vol. 17 (2), 75-87.</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Ng'ang'a Wahu-Mũchiri. (2023). Writing on the Soil: Land and Landscape in Literature from Eastern and Southern Africa. University of Michigan Press.</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Blommaert, Jan. (2014). State ideology and language in Tanzania. Edinburgh University Press.</span></p><br><br>
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